Creative Regions in Europe
Editat de Nick Clifton, Caroline Chapain, Roberta Comunianen Limba Engleză Paperback – 18 oct 2018
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Specificații
ISBN-13: 9781138392496
ISBN-10: 1138392499
Pagini: 172
Dimensiuni: 174 x 246 mm
Greutate: 0.32 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138392499
Pagini: 172
Dimensiuni: 174 x 246 mm
Greutate: 0.32 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Cuprins
1. Creative Regions in Europe: Challenges and Opportunities for Policy 2. Home from Home? Locational Choices of International "Creative Class" Workers 3. Hung, Drawn and Cultural Quartered: Rethinking Cultural Quarter Development Policy in the UK 4. Creativity, Cohesion and the ‘Post-conflict’ Society: A Policy Agenda (Illustrated from the Case of Northern Ireland) 5. Living Hand to Mouth: Why the Bohemian Lifestyle Does Not Lead to Wealth Creation in Peripheral Regions? 6. Towards the Creative and Knowledge Economies: Analysing Diverse Pathways in Spanish Cities 7.Creative Regions on a European Cross-Border Scale: Policy Issues and Development Perspectives 8. Factors Explaining the Spatial Agglomeration of the Creative Class: Empirical Evidence for German Artists 9. Creative Professionals, Local Amenities and Externalities: Do Regional Concentrations of Creative Professionals Reinforce Themselves Over Time?
Notă biografică
Nick Clifton is Professor of Economic Geography and Regional Development at Cardiff School of Management, Cardiff Metropolitan University, UK. His main research interests lie in the fields of regional economics, small business and entrepreneurship, networks, business strategy, innovation and creativity. In particular, he is interested in how firms use networks to acquire knowledge and innovate, and the factors that influence the location choices of creative individuals.
Roberta Comunian is a lecturer in Economic Development, Birmingham Business School, University of Birmingham, Birmingham, UK. Her main research interests concern the relationship between public and private investments in the arts, art and cultural regeneration projects, cultural and creative industries, creativity and competitiveness. She has also undertaken research on the role of higher education in the creative economy and the career opportunities and patterns of creative graduates in UK.
Caroline Chapain is a lecturer in Cultural and Creative Industries Department of Culture, Media and Creative Industries, King’s College London, London, UK. Her main research interests include creativity, innovation, creative industries, local and regional economic development and public policies. Recently, she has been doing increasing research looking at the links between the economic, cultural and social objectives sustaining creative practices and the role of new media.
Roberta Comunian is a lecturer in Economic Development, Birmingham Business School, University of Birmingham, Birmingham, UK. Her main research interests concern the relationship between public and private investments in the arts, art and cultural regeneration projects, cultural and creative industries, creativity and competitiveness. She has also undertaken research on the role of higher education in the creative economy and the career opportunities and patterns of creative graduates in UK.
Caroline Chapain is a lecturer in Cultural and Creative Industries Department of Culture, Media and Creative Industries, King’s College London, London, UK. Her main research interests include creativity, innovation, creative industries, local and regional economic development and public policies. Recently, she has been doing increasing research looking at the links between the economic, cultural and social objectives sustaining creative practices and the role of new media.
Descriere
The book aims to reconcile international discourses around the creative and cultural industries with local and regional development that has specific economic, geographical and institutional contexts across Europe.It focuses primarily on the policy level but also includes perspectives from the sector and its creative workers.