Crucible Bodies – Postwar Japanese Performance from Brecht to the Ne: Enactments
Autor Tadishi Uchinoen Limba Engleză Paperback – 28 feb 2009
Crucible Bodies: Postwar Japanese Performance from Brecht to the New Millennium is a collection of essays covering a wide range of historical and theoretical topics, from Brecht in Japan to 'children's' bodies in postmodern Japanese performances, from the notion of beauty in contemporary cultural theory to practical and theoretical readings of more recent intercultural performances, involving not only Japanese but also other Asian theatre practitioners. It is one of the first full-length studies of Japanese performance culture written in English by a Japanese native. This work is an important contribution to the developing academic arena of Performance Studies.
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Specificații
ISBN-13: 9781905422746
ISBN-10: 1905422741
Pagini: 224
Ilustrații: 25 color plates
Dimensiuni: 176 x 234 x 18 mm
Greutate: 0.36 kg
Editura: Seagull Books
Seria Enactments
ISBN-10: 1905422741
Pagini: 224
Ilustrații: 25 color plates
Dimensiuni: 176 x 234 x 18 mm
Greutate: 0.36 kg
Editura: Seagull Books
Seria Enactments
Notă biografică
Tadashi Uchino is Professor of Performance Studies at the Department of Interdisciplinary Cultural Studies, University of Tokyo. His publications include The Melodramatic Revenge: Theatre of the Private in the 1980s (1996) and From Melodrama to Performance: The Twentieth Century American Theatre (2001). He is also a contributing editor for TDR (MIT Press).
Cuprins
Acknowledgements
Introduction
Chapter 1
Political Displacements: Towards Historicizing Brecht in Japan, 1932-98
Chapter 2
Images of Armageddon: Japan's 1980s' Theatre Culture
Interlude 1
From 'Beautiful' to 'Cute': A Note on Beauty in Modern and Postmodern Japan
Chapter 3
Deconstructing 'Japaneseness': Towards Articulating Locality and Hybridity in Contemporary Japanese Performance
Chapter 4
Playing Betwixt and Between: Intercultural Performance in the Age of Globalization
Interlude 2
Fictional Body versus Junk Body: Thinking Through the Performing Body in Contemporary Japan, or Why is ancient Greek Drama Still Produced?
Chapter 5
Pop, Postmodernism and Junk: Murakami Takashi and 'J' Theatre
Chapter 6
Globality's Children: The 'Child's' Body as a Strategy of Flatness in Performance
Interlude 3
Nationalism, Intra-nationalism: Re-imagining the Boundary
Chapter 7
Mapping/Zapping 'J' Theatre at the Moment
Chapter 8
Miyazawa Akio After 9/11: Physical Dementia and Undoing History in the 'J' Locality
Epilogue: Interculturalism Revisited After 9/11
Bibliography
Index