Source Work for Actors: Enactments
Autor Diane Edgecomb Cuvânt înainte de Jenna Kumiegaen Limba Engleză Hardback – 5 iun 2025
The legacy of Polish theatre director Jerzy Grotowski comes to life in this personal account of a workshop and intensive with Laboratory Theatre master actor Zbigniew Cynkutis. This volume provides a rare window into the actor training and performance practices of one of the most influential and revolutionary theaters of the twentieth century.
Drawing from extensive notes and recordings made during Cynkutis’s last workshop in the United States, Diane Edgecomb’s Source Work for Actors takes us to the heart of the workshop experience from the perspective of a young actor determined to make this process her own. Cynkutis’s voice and presence are palpable throughout the book as he guides a group of actors to a deep understanding of his artistic philosophy and craft. Stimulated by a developing series of tasks, Laboratory Theatre training exercises, and Cynkutis’s startling demonstrations, the group is challenged to bring their whole selves to the work and to reimagine what is possible in theatre.
This compelling volume bears witness to the power of a deeply visceral form of theater and illustrates why the works of Grotowski and his actors have had such a profound impact on generations of theater artists. It is sure to stimulate students, challenge directors, and inspire innovative work.
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Specificații
ISBN-13: 9781803095165
ISBN-10: 1803095164
Pagini: 244
Ilustrații: 14 halftones
Dimensiuni: 152 x 229 mm
Greutate: 0.45 kg
Editura: Seagull Books
Colecția Seagull Books
Seria Enactments
ISBN-10: 1803095164
Pagini: 244
Ilustrații: 14 halftones
Dimensiuni: 152 x 229 mm
Greutate: 0.45 kg
Editura: Seagull Books
Colecția Seagull Books
Seria Enactments
Notă biografică
Diane Edgecomb is an award-winning theater artist and storyteller of mythic, original, and personal tales, whose writings also include the first English volume of Kurdish folktales gathered in Kurdistan’s mountains. She has performed with ensembles such as Stage One Theatre Lab and Double Edge Theatre and continued her development of Zbigniew Cynkutis’s teachings with her solo performance Restraints.
Cuprins
Acknowledgments
Foreword by Jenna Kumiega
Preface
Introduction: Zbigniew Cynkutis
Chapter One: ARRIVAL
Chapter Two: AWAKENING THE BODY AND VOICE
Chapter Three: NATURAL SOURCES
Chapter Four: VOICE OF THE TREE
Chapter Five: THE STAGE AS AN ENVIRONMENT
Chapter Seven: THE TRINITY: BODY, VOICE, AND IMAGE
Chapter Eight: TRAINING WITH OBJECTS AND VECTORS
Chapter Nine: TRANSFORMATIONS
Chapter Ten: REAL CHANGE - A STORY
Chapter Eleven: ASSOCIATIONS
Chapter Twelve: TIME AS A PARTNER IN THE WORK
Chapter Thirteen: MEMORIES
Chapter Fourteen: THE ATMOSPHERE OF A PLAY
Chapter Fifteen: LIFE FORCE
Chapter Sixteen: ASSOCIATIONS AND SCENE WORK
Chapter Seventeen: ANIMATION
Chapter Nineteen: SYNTHESIS
Chapter Twenty: KEEP YOUR SEARCH ALIVE
Chapter Twenty-one: RHYTHM
Chapter Twenty-two: A FINAL GATHERING
A Note in Closing
Foreword by Jenna Kumiega
Preface
Introduction: Zbigniew Cynkutis
Chapter One: ARRIVAL
Chapter Two: AWAKENING THE BODY AND VOICE
Chapter Three: NATURAL SOURCES
Chapter Four: VOICE OF THE TREE
Chapter Five: THE STAGE AS AN ENVIRONMENT
Chapter Seven: THE TRINITY: BODY, VOICE, AND IMAGE
Chapter Eight: TRAINING WITH OBJECTS AND VECTORS
Chapter Nine: TRANSFORMATIONS
Chapter Ten: REAL CHANGE - A STORY
Chapter Eleven: ASSOCIATIONS
Chapter Twelve: TIME AS A PARTNER IN THE WORK
Chapter Thirteen: MEMORIES
Chapter Fourteen: THE ATMOSPHERE OF A PLAY
Chapter Fifteen: LIFE FORCE
Chapter Sixteen: ASSOCIATIONS AND SCENE WORK
Chapter Seventeen: ANIMATION
Chapter Nineteen: SYNTHESIS
Chapter Twenty: KEEP YOUR SEARCH ALIVE
Chapter Twenty-one: RHYTHM
Chapter Twenty-two: A FINAL GATHERING
A Note in Closing