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Cultural Work and Creative Subjectivity de Xin Gu

Cultural Work and Creative Subjectivity: Routledge Research in the Creative and Cultural Industries

Autor Xin Gu
en Limba Engleză Paperback – 18 dec 2024
This book critically investigates the declining status of creative workers in contemporary societies following changes associated with the neoliberal creativity discourse – from the distribution of resources around cultural production to consumption, and from the management of ‘labour time’ to ‘life time’.
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Specificații

ISBN-13: 9780367771218
ISBN-10: 0367771217
Pagini: 210
Dimensiuni: 156 x 234 x 12 mm
Greutate: 0.33 kg
Editura: Taylor & Francis
Seria Routledge Research in the Creative and Cultural Industries

Cuprins

1. Introduction: cultural work and creative subjectivity Part 1. Paradigms of creative subjectivity 2. The ‘artist critique’ of cultural work 3. The ‘social critique’ of cultural work 4. Consumer culture and social network market Part 2. Researching creative subjectivity 5. Co-option of the social by independent designer fashion in Manchester 6. Differentiation and justification of creative careers by visual artists and writers in Shanghai 7. Constitution of creative subjectivity of artisan makers in Melbourne 8. De-professionalisation: freelancers and consumer labour in the digital media industry in Manchester and Shenzhen Part 3. Creative subjectivity and cultural policy 9. Beginning after the end: critical cultural policymaking 10. Conclusion: key findings and future research

Notă biografică

Xin Gu is Director of the Master of Cultural and Creative Industries and Senior Lecturer in the School of Media, Film and Journalism at Monash University, Australia.

Recenzii

'This book is a major contribution to the current hot debate on cultural work. It asks questions not just about exploitation and sacrificial labour or about diversity and representation. It goes beyond these to ask what’s at stake in cultural work? What values do cultural workers bring and how do they sustain in increasingly challenging circumstances? After the end of the creative industries, what is the way forward for art and culture and those who dedicate their lives to producing them?'
Justin O'Connor, University of South Australia