Curating Design: Context, Culture and Reflective Practice
Autor Donna Lovedayen Limba Engleză Paperback – 7 sep 2022
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Specificații
ISBN-13: 9781350162761
ISBN-10: 1350162760
Pagini: 264
Ilustrații: 30 bw illus
Dimensiuni: 156 x 234 x 20 mm
Greutate: 0.57 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
ISBN-10: 1350162760
Pagini: 264
Ilustrații: 30 bw illus
Dimensiuni: 156 x 234 x 20 mm
Greutate: 0.57 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
Caracteristici
Includes interviews with leading international museum professionals and case studies of blockbusting exhibitions
Notă biografică
Donna Loveday is an independent curator, writer and educator, and Course Leader of the MA Curating Contemporary Design at Kingston University, UK, in partnership with the Design Museum London, UK. She was formerly Head of Curatorial at the Design Museum and has over twenty years' experience of curating headline exhibitions and creative programmes.
Cuprins
List of IllustrationsList of ContributorsAcknowledgementsIntroductionPart One: Displaying Designed Objects in Museum and Exhibition Contexts, 1800s-20001.1 Cabinets of Curiosities and the Formation of the Public Museum1.2 International Exhibitions1.3 The Decorative Arts Museum and the Modern Art Museum1.4 The Emergence of the Design Museum1.5 A Rising Public Interest in Design1.6 The Growing Popularity of Design Exhibitions1.7 New Programmes to Train CuratorsPart Two: The Curatorial Turn, 1980-20202.1 A Changing Political Landscape for Museums2.2 The Educational Turn: The Museum as an Ideal Learning Environment2.3 Producing New Curatorial Formats: The Public Programme Curator2.4 The Experiential Turn in Museums2.5 Designing Exhibitions as Narrative Space2.6 Curating Narrative and Experiential ExhibitionsPart Three: Interviews with Eight International Design Curators3.1 The Reflective Practitioner3.2 The InterviewsCorina Gardner (Victoria and Albert Museum, UK)Andrea Lipps (Cooper Hewitt, Smithsonian Design Museum, USA)Riya Patel (The Aram Gallery, UK)Sumitra Upham (Crafts Council, UK)Renata Becerril (Abierto Mexicano de Diseño, Mexico)Fleur Watson (Centre for Architecture Victoria, Australia)Wilhelm Finger and Melita Skamnaki (Double Decker, UK)3.10 Curating the Design ProgrammeClosing CommentsBibliographyIndex
Recenzii
Like the gifted curator she is, Donna Loveday gives this comprehensive survey of the fast emerging field of design curating a context of history and theory, while effectively highlighting individual stories. As both a practitioner and teacher, nobody is better placed than Loveday to unpick the intricate relationships between designers, curators and museums.
As many museums and galleries expand their remit to include designed objects, new questions have arisen for the practitioners involved. When did the practice begin? What are the main issues that it brings with it? Who are the leaders in the field? Curating Design, the first book to address this exciting new field, sets out to interrogate many of the questions that arise and to provide design curation with both an intellectual and a practical framework.
This is a timely volume. It provides a thorough account of the development of design curation in the context of the histories of modernity and it presents critically rich commentaries from leading contemporary global practitioners about the making of design exhibitions. In acknowledging the distinct demands that mark and attend curating what is defined as 'design', this volume represents a valuable contribution to what is a growing field of practice and scholarly inquiry.
This is an essential document contextualizing the vital role the design curator plays in demystifying design and creating new audiences for contemporary design exhibitions. By covering the birth and development of curating as a profession, from the original private collections of strange and wonderful objects to contemporary seminal design shows, from the old cabinet of curiosities of the wealthy to current debates on artefact appropriation, it authoritatively sets the landscape for informed discussion. As the design profession expands to almost every sphere so does the curation of design. This book investigates the new frontiers of design and by doing so it validates design in each new frontier. Curating Design isn't only valuable to design curation educators and practitioners but to anyone keen to understand and cater for the new appetite of contemporary audiences for exhibitions exploring the ever-expanding borders of design approaches to complex current topics.
As many museums and galleries expand their remit to include designed objects, new questions have arisen for the practitioners involved. When did the practice begin? What are the main issues that it brings with it? Who are the leaders in the field? Curating Design, the first book to address this exciting new field, sets out to interrogate many of the questions that arise and to provide design curation with both an intellectual and a practical framework.
This is a timely volume. It provides a thorough account of the development of design curation in the context of the histories of modernity and it presents critically rich commentaries from leading contemporary global practitioners about the making of design exhibitions. In acknowledging the distinct demands that mark and attend curating what is defined as 'design', this volume represents a valuable contribution to what is a growing field of practice and scholarly inquiry.
This is an essential document contextualizing the vital role the design curator plays in demystifying design and creating new audiences for contemporary design exhibitions. By covering the birth and development of curating as a profession, from the original private collections of strange and wonderful objects to contemporary seminal design shows, from the old cabinet of curiosities of the wealthy to current debates on artefact appropriation, it authoritatively sets the landscape for informed discussion. As the design profession expands to almost every sphere so does the curation of design. This book investigates the new frontiers of design and by doing so it validates design in each new frontier. Curating Design isn't only valuable to design curation educators and practitioners but to anyone keen to understand and cater for the new appetite of contemporary audiences for exhibitions exploring the ever-expanding borders of design approaches to complex current topics.