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Customised Books in Early Modern Europe and the Americas, 1400–1700: Intersections, cartea 86

Editat de Christopher D. Fletcher, Walter S. Melion
en Limba Engleză Hardback – 16 ian 2024
Customised Books in Early Modern Europe and the Americas, 1400‒1700 examines the form, function, and meaning of alterations made by users to the physical structure of their book, through insertion or interpolation, subtraction or deletion, adjustments in the ordering of folios or quires, amendments of image or text. Although our primary interest is in printed books and print series bound like books, we also consider selected manuscripts since meaningful alterations made to incunabula and early printed books often followed the patterns such changes took in late fourteenth- and fifteenth-century codices. Throughout Customised Books the emphasis falls on the hermeneutic functions of the modifications made by makers and users to their manuscripts and books.

Contributors: B. Boler Hunter, T. Cummins, A. Dlabačova, K.A.E. Enenkel, C.D. Fletcher, P.F. Gehl, P. Germano Leal, J. Kiliańczyk-Zięba, J. Koguciuk, A. van Leerdam, S. Leitch, S. McKeown, W.S. Melion, K. Michael, S. Midanik, B. Purkaple, J. Rosenholtz-Witt, B.L. Rothstein, M.R. Wade, and G. Warnar.
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Specificații

ISBN-13: 9789004680555
ISBN-10: 9004680551
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Intersections


Recenzii

Intersections is an eminently useful […] series that collects recent scholarly essays on topics of interest to nearly every subfield in early modern studies.”
Anne Good, Reinhardt University. In: Itinerario, Vol. 35, No. 2 (August 2011), p. 106.

Notă biografică

Walter Melion, Asa Griggs Candler Professor of Art History at Emory University in Atlanta, is the author of three monographs and a critical edition of Karel van Mander’s Foundation of the Noble, Free Art of Painting, co-author of two exhibition catalogues, editor or co-editor of more than twenty-five volumes, and has published more than ninety articles.Christopher D. Fletcher, Assistant Director of the Center for Renaissance Studies at the Newberry Library, is a historian of public engagement and book history before 1800 whose work has appeared in articles, book chapters, gallery exhibitions, and digital resources.

Cuprins

Acknowledgements
List of Figures
Notes on the Editors
Notes on the Contributors

Part 1: Introduction


1 Kinds and Degrees of Customisation in Early Modern Book Production and Reception
Walter S. Melion

2 The Customising Mindset in the Fifteenth Century: The Case of Newberry Inc. 1699
Christopher D. Fletcher

Part 2: Customisation across Media


3 A Late Medieval Multi-Text Manuscript and Its Printed Precedents
Britt Boler Hunter

4 Reforming Hrabanus: Early Modern Iterations of In honorem sanctae crucis
Kelin Michael

5 A Customized Housebook of Repurposed Prints: the Liber Quodlibetarius, c. 1524
Stephanie Leitch

Part 3: Communal Customising


6 How to Talk about Burgundian Books You Could Not Read
Bret L. Rothstein

7 Customizing for the Community: The Wiesbaden Manuscript (Hauptstaatsarchiv 3004 B 10) and the Late Medieval Church
Geert Warnar

8 A Medical Anthology Customised ‘for the Consolation of the Sick’ in a Brussels Convent
Andrea van Leerdam

9 Custom Made by Antonio Ricardo: Peru’s First Printer and His Illustrations in Jerónimo de Oré’s Symbolo Catholico Indiano (1598)
Tom Cummins

Part 4: Individual Customisers


10 From Proud Monument to Ill-Marked Tomb: Tommaso Schifaldo in a Sicilian Humanist Miscellany
Paul F. Gehl

11 Customization of a Latin Emblem Book by a Vernacular Owner: Unknown German Poems to a Copy of Vaenius’s Emblemata Horatiana (first edition, 1607)
Karl A.E. Enenkel

12 Picture Bound: Customized Books of Prints and the Myth of the Ideal Series
Shaun Midanik

13 Customizing an Emblem Book as an album amicorum: Valentin Ludovicus’ Entry in the Stammbuch of Christian Weigel
Mara R. Wade

Part 5: Editorial Customisation


14 A Play of Continuity and Difference: A Book of Fortune-telling Adapted from the Kingdom of Poland to Southeastern Europe
Justyna Kiliańczyk-Zięba

15 Shifting Perspectives: Changing Optical Theory in the Printed Works of Jean-François Niceron
Brent Purkaple

16 Venice as a Musical Commodity in Early Modern Germany: A Frontispiece Collage, c. 1638
Jason Rosenholtz-Witt

17 Vaenius in Ireland: An Eighteenth-Century Customization of the Emblemata Horatiana
Simon McKeown

Part 6: Visual Customisation


18 Frames, Screens and Urns: Customisation and Poetics in the 1495 Aldine Theocritus painted by Albrecht Dürer for Willibald Pirckheimer
Jakub Koguciuk

19 Compiled Compositions: The Kattendijke Chronicle (c. 1491–1493) and Late Medieval Book Design
Anna Dlabačová

20 Interpolated Prints as Exegetical Meditative Glosses in a Customized Copy of Franciscus Costerus’s Dutch New Testament
Walter S. Melion

21 ‘By the Genius of the Indians’: The Customization of Nieremberg’s De la Diferencia in Guarani (Loreto, Juan Bautista Neumann et alii: 1705)
Pedro Leal

Index Nominum