Cynthia Ozick`s Comic Art – From Levity to Liturgy: Jewish Literature and Culture
Autor Sarah Blacher Cohenen Limba Engleză Hardback – 21 feb 1994
..". a thoughtful introduction to a monumental though underrated writer." SHOFAR
"This study is a welcome addition to the growing body of scholarly criticism of Ozick and focuses on her comedic style." Choice
"Cohen has written an important... book, one that celebrates Ozick s liturgical laughter, emphasizing on every occasion the connection between the comic and the sacred. It is a connection we should be reminded of often." Belles Lettres
"Cohen s readings of these stories reveal their many levels and meanings in a language as acute and perceptive as that of Ozick herself." St. Louis Post-Dispatch Magazine
"In presenting Ozick as a comedian of ideas, Sarah Blacher Cohen has raised the study of Ozick to a new level." Alan L. Berger
" Cohen] understands Ozick s hybrid conception of human nature, her realization that the secret source of humor is not joy but sorrow and that the ironic mode... is the best way of telling the truth." Daniel Walden"
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Specificații
ISBN-13: 9780253313980
ISBN-10: 0253313988
Pagini: 210
Dimensiuni: 146 x 223 x 20 mm
Greutate: 0.44 kg
Ediția:14
Editura: MH – Indiana University Press
Seria Jewish Literature and Culture
ISBN-10: 0253313988
Pagini: 210
Dimensiuni: 146 x 223 x 20 mm
Greutate: 0.44 kg
Ediția:14
Editura: MH – Indiana University Press
Seria Jewish Literature and Culture
Notă biografică
SARAH BLACHER COHEN is Professor of English at the University at Albany, State University of New York. She is author of Saul Bellow s Enigmatic Laughter and editor of From Hester Street to Hollywood, Jewish Wry, and Comic Relief."
Textul de pe ultima copertă
Bringing to bear insights from Jewish, literary, and cultural studies, Sarah Blacher Cohen sheds new light on the works of one of America's foremost writers. Arguing persuasively that Ozick's fiction is a form of comedy, Cohen interweaves religion and literature, skillfully illuminating the complex relationship between the comic and the sacred. Where others have emphasized Ozick's intellectualism and Jewish learning, Cohen foregrounds whimsicality, grotesque realism, irony, satire, and exuberance as the defining characteristics of Ozick's art in such works as Trust, The Cannibal Galaxy, The Messiah of Stockholm, ""The Pagan Rabbi,"" and the Puttermesser stories.