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Damage Incorporated: Metallica and the Production of Musical Identity

Autor Glenn Pillsbury
en Limba Engleză Hardback – 20 apr 2006
"Damage Incorporated" is the first book about the legendary heavy metal band Metallica that provides a detailed exploration of the group’s music and its place within the wider popular music landscape. Written with a broad readership in mind, it offers an interdisciplinary study that incorporates a range of topics which intersect with the band’s music and cultural influence. For students of popular culture, mass media, and music, "Damage Incorporated" will be necessary reading, and sets a new standard for the study and exploration of metal within the field of popular music studies.
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Specificații

ISBN-13: 9780415973731
ISBN-10: 0415973732
Pagini: 268
Ilustrații: 35 Line drawings, black and white; 7 Halftones, black and white
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.49 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Notă biografică

Glenn T. Pillsbury is a recent Ph.D. in Musicology from UCLA and a rising star in the field of popular music studies. He is the author of the "Metallica" chapter in the Encyclopedia Britannica, a founding member of the editorial board of the online music journal ECHO, and a regular presenter of papers at major scholarly meetings in music and the arts.


Cuprins

Table of Contents:

Acknowledgments
Introduction
I. Thrashing All Around
Rhythm, the Body, and the Genre of Thrash Metal

II. Death Greets Me Warm
The "Fade to Black" Paradigm

III. Thinking Man's Metal
Whiteness, Detachment, and the Performance of Musical Complexity

IV. The Road and the Mode
Musical Tourism and Ethnicity Roaming

V. Shape Shift, Mutiny in the Air

The Sell-Out Question and Popular Music Histories

Epilogue
Notes
Selected Discography
Selected Bibliography
Index


Descriere

"Damage Incorporated" is the first book about the legendary heavy metal band Metallica that provides a detailed exploration of the group’s music and its place within the wider popular music landscape. Written with a broad readership in mind, it offers an interdisciplinary study that incorporates a range of topics which intersect with the band’s music and cultural influence. For students of popular culture, mass media, and music, "Damage Incorporated" will be necessary reading, and sets a new standard for the study and exploration of metal within the field of popular music studies.