Dance Lexicon in Shakespeare and His Contemporaries: A Corpus Based Approach: Studies in Performance and Early Modern Drama
Autor Fabio Ciambellaen Limba Engleză Paperback – 9 ian 2023
As far as methods of analysis are concerned, corpora such as the VEP Early Modern Drama collection and EEBO, and corpus analysis tools such as #LancsBox are used in order to offer the widest range of examples possible from early modern plays and provide co-textual references for each dance. Examples from Renaissance playwrights are fundamental for the analysis of connotative meanings of the dances listed and their performative, poetic and metaphoric role in sixteenth- and seventeenth-century drama.
This study will be of great interest to Renaissance researchers, lexicographers and dance historians.
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Specificații
ISBN-13: 9780367541194
ISBN-10: 036754119X
Pagini: 158
Dimensiuni: 138 x 216 mm
Greutate: 0.2 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Studies in Performance and Early Modern Drama
Locul publicării:Oxford, United Kingdom
ISBN-10: 036754119X
Pagini: 158
Dimensiuni: 138 x 216 mm
Greutate: 0.2 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Studies in Performance and Early Modern Drama
Locul publicării:Oxford, United Kingdom
Cuprins
Acknowledgements
Introduction
Part I
Dancing in early modern England: A historical overview
Diaries and annals
John Playford’s The English Dancing Master (1651)
The #Lancsbox software and lexical analysis
Which words to look for
Part III
Analysis: The lexicon of dance in early modern English plays: An annotated glossary
A – Almain/Allemand(e)
B – Bergomask; Branle/Brawl
C – Canary; Cinquepace/Sinkapace; Coranto/Courante; Country Dance; Cushion Dance
D – Dance
G – Galliard
H – Hay; Horn(e/i)pipe
J – Jig/Gig/Gigue
L – (La)volta
M – Maypole Dance; Measure; Moresca/Morisco; Morris Dance
P – Passamezzo; Pavan
R – Round(el)/Ring(let)
Conclusion
Index
Introduction
Part I
Dancing in early modern England: A historical overview
- Continental and autochthonous sources for early modern dances in England
Diaries and annals
John Playford’s The English Dancing Master (1651)
- Salome vs David: The early modern querelle on dance between Neoplatonists and Puritans
- Folk and courtly dances
- From Elizabeth to Charles, through James: Dance and politicsPart II
Dance and/as language: State of the art and methodological issues - A language for dance: Dance as language
- Language about dance: Matters of textual and corpus linguistics
- Early modern English lexicography: Limiting the scope
- Corpus selection and investigation
The #Lancsbox software and lexical analysis
Which words to look for
Part III
Analysis: The lexicon of dance in early modern English plays: An annotated glossary
A – Almain/Allemand(e)
B – Bergomask; Branle/Brawl
C – Canary; Cinquepace/Sinkapace; Coranto/Courante; Country Dance; Cushion Dance
D – Dance
G – Galliard
H – Hay; Horn(e/i)pipe
J – Jig/Gig/Gigue
L – (La)volta
M – Maypole Dance; Measure; Moresca/Morisco; Morris Dance
P – Passamezzo; Pavan
R – Round(el)/Ring(let)
Conclusion
Index
Notă biografică
Fabio Ciambella is a Research fellow at Università della Tuscia, Viterbo, Italy.
Descriere
This book provides a thorough analysis of terpsichorean lexis in Renaissance drama. Besides considering not only the Shakespearean canon, but also the Bard’s contemporaries, the originality of this volume is highlighted in both its methodology and structure.