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Daniel Deronda: (with an Introduction by Esther Wood)

Autor George Eliot Esther Wood
en Limba Engleză Paperback – 4 iun 2018
First published in 1876, "Daniel Deronda" was George Eliot's final novel. Controversial in its time for its morally ambiguous characterizations and its sympathy for the proto-Zionist movement, the novel is regarded today as one of the great social satires of the Victorian era. The story begins with the meeting of Daniel Deronda and the beautiful but stubborn and selfish, Gwendolen Harleth, whom he witnesses loses all her money at a game of roulette. The following day, Gwendolen learns that her family is bankrupt and consequently pawns her necklace, which is fortunately returned to her in a sympathetic gesture by Daniel. Faced with the loss of the family fortune in an economic downturn, Gwendolen ponders her options for obtaining financial security. She is reluctant to take a position as a governess desiring to become an actress and singer instead. Ultimately she chooses to marry the wealthy but manipulative Henleigh Mallinger Grandcourt, a decision she quickly regrets. Meanwhile Daniel becomes acquainted with Mirah Lapidoth, a young Jewish woman, whom he rescues from drowning. Daniel seeking a purpose in his life begins to identify with the cause of establishing a Jewish nation. Through the portrayals of Gwendolen and Daniel, Eliot provides a robust tale of the search for meaning amidst the decadence and materialism of Victorian British society. This edition is printed on premium acid-free paper and includes an introduction by Esther Wood.
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Specificații

ISBN-13: 9781420957839
ISBN-10: 142095783X
Pagini: 630
Dimensiuni: 140 x 216 x 36 mm
Greutate: 0.79 kg
Editura: Digireads.com

Descriere

Descriere de la o altă ediție sau format:
'she felt herself standing at the game of life with many eyes upon her, daring everything to win much'Gwendolen Harleth gambles her happiness when she marries a sadistic aristocrat for his money. Beautiful, neurotic, and self-centred, Gwendolen is trapped in an increasingly destructive relationship, and only her chance encounter with the idealistic Deronda seems to offer the hope of a brighter future. Deronda is searching for a vocation, and in embracing the Jewish cause he finds one that is both visionary and life-changing. Damaged by their pasts, and alienated from the society around them, they must both discover the values that will give their lives meaning. George Eliot's powerful novel is set in a Britain whose ruling class is decadent and materialistic, its power likely to be threatened by a politically emergent Germany. The novel's exploration of sexuality, guilt, and the will to power anticipates later developments in fiction, and its linking of the personal and the political in a context of social and economic crisis gives it especial relevance to the dominant issues of the twenty-first century. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Notă biografică

Mary Anne Evans (22 November 1819 - 22 December 1880; alternatively Mary Ann or Marian), known by her pen name George Eliot, was an English novelist, poet, journalist, translator, and one of the leading writers of the Victorian era. She wrote seven novels, including Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1862-63), Middlemarch (1871-72), and Daniel Deronda (1876), most of which are set in provincial England and known for their realism and psychological insight. Although female authors were published under their own names during her lifetime, she wanted to escape the stereotype of women's writing being limited to lighthearted romances. She also wanted to have her fiction judged separately from her already extensive and widely known work as an editor and critic. Another factor in her use of a pen name may have been a desire to shield her private life from public scrutiny, thus avoiding the scandal that would have arisen because of her relationship with the married George Henry Lewes.