Dante Now – Current Trends in Dante Studies: William and Katherine Devers Series in Dante and Medieval Italian Literature
Autor Theodore J. Cachey Jr.en Limba Engleză Paperback – 29 apr 1995
Toate formatele și edițiile | Preț | Express |
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Paperback (1) | 271.50 lei 6-8 săpt. | |
MR – University of Notre Dame Press – 29 apr 1995 | 271.50 lei 6-8 săpt. | |
Hardback (1) | 580.97 lei 6-8 săpt. | |
MR – University of Notre Dame Press – 14 iul 1995 | 580.97 lei 6-8 săpt. |
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Specificații
ISBN-13: 9780268008758
ISBN-10: 0268008752
Pagini: 306
Dimensiuni: 152 x 228 x 20 mm
Greutate: 0.45 kg
Ediția:1
Editura: MR – University of Notre Dame Press
Seria William and Katherine Devers Series in Dante and Medieval Italian Literature
ISBN-10: 0268008752
Pagini: 306
Dimensiuni: 152 x 228 x 20 mm
Greutate: 0.45 kg
Ediția:1
Editura: MR – University of Notre Dame Press
Seria William and Katherine Devers Series in Dante and Medieval Italian Literature
Recenzii
“Taking its cue from an essay of George Steiner’s which celebrated the utter relevance of ‘Dante Now’ some twenty years ago, the present volume characterizes very successfully the variety of contemporary responses to the poet and, in particular, to the teaching of the American Dantist Charles Singleton and of his first students.” —<I>International Journal of the Classical Tradition</I
“[T]his is a worthwhile and . . . very readable collection, which demonstrates the continuing vitality of Anglo-American Dante studies.” —<i>Italian Studies</i>
“. . . much to recommend . . . for student and medievalist alike.” —<i>The Bulletin of International Medieval Research </i>
Notă biografică
Theodore J. Cachey, Jr., is the Inaugural Academic Director of the Notre Dame Rome Global Gateway. He is a Professor of Italian and the Albert J. and Helen M. Ravarino Family Director of Dante and Italian Studies at the University of Notre Dame. He earned his B.A. from Northwestern University and his Ph.D. from the University of California, Los Angeles.
Textul de pe ultima copertă
Written by ten distinguished Dante scholars, the essays in Dante Now represent the most significant areas of contemporary Dante studies. This collection, originating from a 1993 University of Notre Dame conference, includes some of the newest and most exciting work in contemporary Dante studies and focuses in particular on three intensely cultivated areas: poetics, "minor works", and reception. The stimulating ferment on the problem of Dante's poetics is well represented in the first three essays. These range in approach from the stylistic-ideological treatment of Zygmunt G. Baranski's essay, to the inter- and intratextual concerns presented by Christopher Kleinhenz, to the compelling hermeneutical and epistemological reflections on Dante's poetics given by Giuseppe Mazzotta. Dante's so-called minor works have increasingly become a focus of attention in contemporary Dante studies, and the textual problems represented by the Vita nuova are sweepingly reconsidered by Dino S. Cervigni and Edward Vasta. Ronald L. Martinez dedicates a substantial essay to Dante's poem of exile "Tre donne", and Albert Russell Ascoli addresses the issue of the relationship between Dante's Commedia and the minor works, especially the Monarchia. The final section of essays examines the phenomenon of the original and continuing vitality of Dante's work as a profoundly influential, enduring, and enlivening literary classic. R. A. Shoaf addresses the literary influence of Dante in medieval England; Kevin Brownlee investigates Dante's most important medieval French connection in the works of Christine de Pizan; and Brian Richardson considers the Commedia's fortunes during the Renaissance in terms of its remarkableeditorial and publishing history. Finally, Nancy J. Vickers illuminates Dante's translatability into avante garde films and videos.