Dead At Last, At Last No More Air: Oberon Modern Plays
Autor Werner Schwab Traducere de Meredith Oakes Cuvânt înainte de Diana Damian Martinen Limba Engleză Paperback – 5 mai 2014
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Specificații
ISBN-13: 9781783191451
ISBN-10: 1783191457
Pagini: 100
Dimensiuni: 130 x 210 x 13 mm
Greutate: 0.14 kg
Editura: Bloomsbury Publishing
Colecția Oberon Books
Seria Oberon Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1783191457
Pagini: 100
Dimensiuni: 130 x 210 x 13 mm
Greutate: 0.14 kg
Editura: Bloomsbury Publishing
Colecția Oberon Books
Seria Oberon Modern Plays
Locul publicării:London, United Kingdom
Notă biografică
Werner Schwab is one of Austria's most famous playwrights, second only to Thomas Bernhard in popularity. He was only 35 years old when he was found dead in his room following a New Year's Eve drinking spree in 1994. He was, at the time, the undisputed star of German-speaking theatre who effortlessly rose to fame for his unique talent with language and his darkly humorous, confrontational narratives. In only four years, he completed fifteen plays with Dead at Last, No More Air (Endlich tot, endlich keine luft mehr) being his last.
Recenzii
From backstage farces to postmodern deconstruction, theatre has a habit of turning its gaze on itself. This tendency is pushed to breaking point in Werner Shwab's last play...introducing European theatre in translation to British audiences is both exciting and necessary...thrilling.
Fans of anti-naturalistic, avant garde German meta-theatre would do well to head over to the [theatre]...hats off to Meredith Oakes, who must have had a few nosebleeds while translating this wild and prickly beast.
Schwab uses language and humour to offer a contemporary critique of culture and politics, that is hoped will challenge audiences
It abuses and abandons a staggering number of theatre conventions to show us the failure of established theatre to convey meaning to an audience
Fans of anti-naturalistic, avant garde German meta-theatre would do well to head over to the [theatre]...hats off to Meredith Oakes, who must have had a few nosebleeds while translating this wild and prickly beast.
Schwab uses language and humour to offer a contemporary critique of culture and politics, that is hoped will challenge audiences
It abuses and abandons a staggering number of theatre conventions to show us the failure of established theatre to convey meaning to an audience