Dead Funny: Modern Plays
Autor Terry Johnsonen Limba Engleză Paperback – 26 oct 2016
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Specificații
ISBN-13: 9781350032255
ISBN-10: 1350032255
Pagini: 112
Dimensiuni: 129 x 198 x 16 mm
Greutate: 0.12 kg
Ediția:2
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1350032255
Pagini: 112
Dimensiuni: 129 x 198 x 16 mm
Greutate: 0.12 kg
Ediția:2
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Caracteristici
'Terry Johnson is a writer of cracking acting parts, and one of the critically cherised few who can build characters and action from a thematic starting point' Independent on Sunday
Notă biografică
Terry Johnson's work as a playwright includes a version of Edward Ravenscroft's The London Cuckolds, Dead Funny, and Hysteria. He is the recipient of major British theatre awards including Playwright of the Year 1995; Critics' Circle Best New Play 1995; Writers' Guild Best West End Play 1995; Olivier Award Best Comedy 1994; the Meyer-Whitworth Award 1993; and the John Whiting Award 1991. He also won the 2010 Tony Award for Best Director of a Musical for his production of La Cage aux Folles. His play Piano/Forte premiered at the Royal Court Jerwood Theatre Downstairs in 2006 and, most recently, his play Ken premiered at the Hampstead Theatre Downstairs in April 2016.
Recenzii
A blazing theatrical event, a single piece of stunning energy and invention, Johnson combines wild laughter with terrible pain. At times you're not sure whether the tears running down your cheeks are because the piece is so funny or because it is so sad
Johnson has written another dazzlingly equivocal piece: one that questions the dubious sexual values of the great English drolls while invoking their hallowed memories and methods ... He pushes the frontiers of farce into areas of real pain ... An exhilarating play that is part custard-pie tragedy, part inquiring elegy for a vanishing music-hall tradition based on the principle that a dirty mind is a joy forever
Johnson has written another dazzlingly equivocal piece: one that questions the dubious sexual values of the great English drolls while invoking their hallowed memories and methods ... He pushes the frontiers of farce into areas of real pain ... An exhilarating play that is part custard-pie tragedy, part inquiring elegy for a vanishing music-hall tradition based on the principle that a dirty mind is a joy forever