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Death in Venice

Autor Thomas Mann
en Limba Engleză Paperback
A great writer suffering writer's block who visits Venice and is liberated and uplifted, then increasingly obsessed, by the sight of a stunningly beautiful youth. Though he never speaks to the boy, much less touches him, the writer finds himself drawn deep into ruinous inward passion
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Paperback (6) 4398 lei  6-8 săpt.
  CreateSpace Independent Publishing Platform – 6255 lei  3-5 săpt.
  Penguin Books – 30 apr 1999 7818 lei  3-5 săpt.
  HarperCollins Publishers – 30 mai 2005 10572 lei  3-5 săpt.
  Neeland Media – 11 iun 2018 4398 lei  6-8 săpt.
  Stellar Editions – 7 mar 2016 5938 lei  38-44 zile
  Simon & Brown – 25 sep 2018 8439 lei  38-44 zile
Hardback (3) 11946 lei  6-8 săpt.
  Ancient Wisdom Publications – 14 noi 2021 11946 lei  6-8 săpt.
  Simon & Brown – 25 sep 2018 14203 lei  38-44 zile
  True Sign Publishing House – 21 ian 2023 15494 lei  6-8 săpt.

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Specificații

ISBN-13: 9781492212133
ISBN-10: 149221213X
Pagini: 60
Dimensiuni: 152 x 229 x 3 mm
Greutate: 0.1 kg
Editura: CreateSpace Independent Publishing Platform

Notă biografică

Thomas Mann (1875?1955) was one of the finest and most prolific German novelists of our century. His most famous works include Buddenbrooks, The Magic Mountain, Doctor Faustus, and the Joseph tetralogy.
Joachim Neugroschel has won three PEN translation awards and the French-American translation prize. He has also translated Thomas Mann's Death in Venice and Sacher-Masoch's Venus in Furs, both for Penguin Classics. He lives in Brooklyn, New York.

Textul de pe ultima copertă

The world-famous masterpiece by Nobel laureate Thomas Mann -- here in a new translation by Michael Henry Heim
Published on the eve of World War I, a decade after Buddenbrooks had established Thomas Mann as a literary celebrity, Death in Venice tells the story of Gustav von Aschenbach, a successful but aging writer who follows his wanderlust to Venice in search of spiritual fulfillment that instead leads to his erotic doom.
In the decaying city, besieged by an unnamed epidemic, he becomes obsessed with an exquisite Polish boy, Tadzio. "It is a story of the voluptuousness of doom," Mann wrote. "But the problem I had especially in mind was that of the artist's dignity."