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Death of a Salesman de Arthur Miller

Death of a Salesman: Penguin Plays

Autor Arthur Miller
en Limba Engleză Paperback – 30 sep 1976 – vârsta de la 18 ani

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Listen Up (2011)
Ever since it was first performed in 1949, Death of a Salesman has been recognized as a milestone of the American theater. In the person of Willy Loman, the aging, failing salesman who makes his living riding on a smile and a shoeshine, Arthur Miller redefined the tragic hero as a man whose dreams are at once insupportably vast and dangerously insubstantial. He has given us a figure whose name has become a symbol for a kind of majestic grandiosity—and a play that compresses epic extremems of humor and anguish, promise and loss, between the four walls of an American living room. "By common consent, this is one of the finest dramas in the whole range of the American theater." —Brooks Atkinson, The New York Times
"So simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it." —Time
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Specificații

ISBN-13: 9780140481341
ISBN-10: 0140481346
Pagini: 139
Dimensiuni: 130 x 193 x 8 mm
Greutate: 0.11 kg
Editura: Penguin Books
Seria Penguin Plays

Notă biografică

Arthur Miller was born in New York City in 1915 and studied at the University of Michigan. His plays include All My Sons (1947), Death of a Salesman (1949), The Crucible (1953), A View from the Bridge and A Memory of Two Mondays (1955), After the Fall (1963), Incident at Vichy (1964), The Price (1968), The Creation of the World and Other Business (1972) and The American Clock. He has also written two novels, Focus (1945), and The Misfits, which was filmed in 1960, and the text for In Russia (1969), Chinese Encounters (1979), and In the Country (1977), three books of photographs by his wife, Inge Morath. More recent works include a memoir, Timebends (1987), and the plays The Ride Down Mt. Morgan (1991), The Last Yankee (1993), Broken Glass (1993), which won the Olivier Award for Best Play of the London Season, and Mr. Peter's Connections (1998). His latest book is On Politics and the Art of Acting. Miller was granted with the 2001 Medal for Distinguished Contribution to American Letters. He has twice won the New York Drama Critics Circle Award, and in 1949 he was awarded the Pulitzer Prize.

Descriere

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Arthur Miller's extraordinary masterpiece, Death of a Salesman changed the course of modern theatre, and has lost none of its power as an examination of American life.

'A man is not an orange. You can't eat the fruit and throw the peel away'
Willy Loman is on his last legs. Failing at his job, dismayed at his the failure of his sons, Biff and Happy, to live up to his expectations, and tortured by his jealousy at the success and happiness of his neighbour Charley and his son Bernard, Willy spirals into a well of regret, reminiscence, and A scathing indictment of the ultimate failure of the American dream, and the empty pursuit of wealth and success, is a harrowing journey. In creating Willy Loman, his destructively insecure anti-hero, Miller defined his aim as being 'to set forth what happens when a man does not have a grip on the forces of life'.

Caracteristici

The commentary includes discussion of the role of capitalism and its impact in the US today, how the issues resonate differently when the actors are not white, and how the play's issues resonate in other countries across the globe

Cuprins

ChronologyIntroductionHistorical, Social and Cultural ContextsGenre and ThemesPlay as PerformanceProduction HistoryAcademic DebateBehind the scenes - Excerpts from interview with Chinese actor/translator Ying Ruocheng about working with Miller in Beijing in 1983Further StudyDeath of a SalesmanNotes

Recenzii

[The book has] extensive but not daunting information under headings such as Historical and Social Context, Genres and Themes and Performance History, among other aspects. It's clearly and accessibly written.

Textul de pe ultima copertă

Willy Loman, the protagonist of Death of a Salesman, has spent his life following the American way, living out his belief in salesmanship as a way to reinvent himself. But somehow the riches and respect he covets have eluded him. At age sixty-three, he searches for the moment his life took a wrong turn, the moment of betrayal that undermined his relationship with his wife and destroyed his relationship with Biff, the son in whom he invested his faith. Willy lives in a fragile world of elaborate excuses and daydreams, conflating past and present in a desperate attempt to make sense of himself and of a world that once promised so much.

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