Decolonial Voices offers a range of interdisciplinary essays that discuss racialised, subaltern, feminist and diasporic identities and the aesthetic politics of hybrid and mestiza/o cultural productions. In doing so, this volume brings together a body of theoretically rigorous interdisciplinary essays that articulate and expand the contours of Chicana and Chicano cultural studies. This collection seeks to represent several key directions in the field: first, it charts how subaltern cultural productions of the US/ Mexico borderlands (film, art, music, lit, pop. culture and alternate historiographies) speak to what Walter Mignolo has called the intersections of "local," "hemispheric," and "globalised" power relations of the border imaginary. Secondly, this collection excavates and recovers the Mexican women’s and Chicana literary and cultural heritages (1850s-present) that have been ignored and suppressed by Euroamerican canons and patriarchal exclusionary practices. Our collection also seeks to expand the field in post-nationalist directions by creating an interethnic, comparative, and transnational dialogue between Chicana and Chicano, African American, Mexican feminist, and U.S. Native American cultural vocabularies. In charting these discursive movements of this growing and heterogeneous field, there is a commitment to understand how Chicana and Chicano cultural productions articulate a resistance to the multiplicity of oppression across race, class, gender, and sexuality, while performing a cultural mestizaje and hybridity in the age of transnational globalisations.
Contributors include Norma Alarcón, Arturo J. Aldama, Frederick Luis Aldama, Cordelia Chávez Candelaria, Alejandra Elenes, Ramón Garcia, María Herrera-Sobek, Patricia Penn Hilden, Gaye T. M Johnson, Alberto Ledesma, Pancho McFarland, Amelia María de la Luz Montes, Laura Elisa Pérez, Naomi Quiñonez, Sarah Ramirez, Rolando J. Romero, Delberto Dario Ruiz, Vicki Ruiz, José David Saldívar, Anna Sandoval, and Jonathan Xavier Inda.