Performing the US Latina and Latino Borderlands
Autor Arturo J. Aldama, Chela Sandoval, Peter J. García, Micaela Díaz–sánchez, Maria Lugonesen Limba Engleză Paperback – 8 oct 2012
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Specificații
ISBN-13: 9780253005748
ISBN-10: 0253005744
Pagini: 522
Ilustrații: 27 b&w illustrations
Dimensiuni: 152 x 229 x 15 mm
Greutate: 0.7 kg
Editura: MH – Indiana University Press
ISBN-10: 0253005744
Pagini: 522
Ilustrații: 27 b&w illustrations
Dimensiuni: 152 x 229 x 15 mm
Greutate: 0.7 kg
Editura: MH – Indiana University Press
Cuprins
Foreword \ Alicia Gaspar de Alba; Introduction: Toward a De-Colonial Performatics of the US Latina and Latino Borderlands \ Chela Sandoval, Arturo J. Aldama, and Peter J. GarcíaACTO 1. Performing Emancipation: Inner Work, Public Acts 1. Body as Codex-ized Word / Cuerpo Como Palabra (en-)Codice-ado: Chicana/Indígena and Mexican Transnational Performative Indigeneities \ Micaela Díaz-Sánchez; 2. Milongueando Macha Homoerotics: Dancing the Tango, Torta Style (a Performative Testimonio) \ Maria Lugones; 3. The Other Train That Derails Us: Performing Latina Anxiety Disorder in "The Night before Christmas" \ Angie Chabram-Dernersesian; 4. The Art of Place: The Work of Diane Gamboa \ Karen Mary Davalos; 5. Human Rights, Conditioned Choices, and Performance in Ana Castillo's Mixquihuala Letters \ Carl Gutiérrez-Jones; 6. Decolonizing Gender Performativity: A Thesis for Emancipation in Early Chicana Feminist Thought (1969-1979) \ Daphne V. Taylor-GarcíaACTO 2. Ethnographies of Performance: The Río Grande and Beyond 7. Performing Indigeneity in a South Texas Community: Los Matachines de la Santa Cruz \ Norma E. Canto; 8. Re-Membering Chelo Silva: The Bolero in Chicana Perspective (Women's Bodies and Voices in Postrevolutionary Urbanization: The Bohemian, Urban, and Transnational) \ Yolanda Broyles-González; 9. Roland Barthes, Mojado, in Brownface: Chisme-laced Snapshots Documenting the Preposterous and Fact-laced Claim That the Postmodern Was Born along the Borders of the Río Grande River \ William Anthony Nericcio; 10. Decolonial Border Queers: Case Studies of Chicana/o Lesbians, Gay Men, and Transgender Folks in El Paso / Juárez \ Emma Pérez; 11 "Te Amo, Te Amo, Te Amo": Lorenzo Antonio and Sparx Performing Nuevo México Music \ Peter J. García; 12. Sonic Geographies and Anti-Border Musics: "We Didn't Cross the Border, the Borders Crossed Us" \ Roberto D. Hernández; 13. Lila Downs's Borderless Performance: Transculturation and Musical Communication \ Brenda M. RomeroACTO 3. Nepantla Aesthetics in the Trans/Nacional 14. El Macho: How the Women of Teatro Luna Became Men \ Paloma Martínez-Cruz and Liza Ann Acosta; 15. Suturing Las Ramblas to East LA: Transnational Performances of Josefina López's Real Women Have Curves \ Tiffany Ana Lopez; 16. Loving Revolution: Same-Sex Marriage and Queer Resistance in Monica Palacios's Amor y Revolucion \ Marivel T. Danielson; 17. Is Ugly Betty a Real Woman? Representations of Chicana Femininity Inscribed as a Site of (Transformative) Difference \ Jennifer Esposito; 18. Indian Icon, Gay Macho: Felipe Rose of Village People \ Gabriel S. EstradaACTO 4. (De)Criminalizing Bodies: Ironies of Performance 19. No Somos Criminales: Crossing Borders in Contemporary Latina and Latino Music \ Arturo J. Aldama; 20. "Pelones y Matones": Chicano Cholos Perform for a Punitive Audience \ Victor M. Rios and Patrick Lopez-Aguado; 21. Mexica Hip Hop: Male Expressive Culture \ Pancho McFarland; 22. The Latino Comedy Project and Border Humor in Performance \ Jennifer Alvarez Dickinson; 23. (Re)Examining the Latin Lover: Screening Chicano/Latino Sexualities \ Daniel Enrique Pérez; 24. Rumba's Democratic Circle in the Age of Legal Simulacra \ Berta Jottar-PalenzuelaList of ContributorsIndex
Recenzii
The essays in Performing the US Latina & Latino Borderlands expand the field of Latina/o cultural studies while situating innovative discussions of performance in the context of borderlands studies. In its totality, the collection focuses on specific formations of collective identities-in-resistance, or what the editors call, the performance of a "borderland consciousness." Performing the US Latina & Latino Borderlands is suitable for graduate and upper undergraduate courses in Latina/o American studies, ethnic and cultural studies, and performance studies.--Alicia Arrizon "author of Queering Mestizaje: Transculturation and Performance "
Notă biografică
Descriere
Analyzes the expression of Latina/o cultural identity through performance