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Performing the US Latina and Latino Borderlands

Autor Arturo J. Aldama, Chela Sandoval, Peter J. García, Micaela Díaz–sánchez, Maria Lugones
en Limba Engleză Paperback – 8 oct 2012
In this interdisciplinary volume, contributors analyze the expression of Latina/o cultural identity through performance. With music theatre, dance, visual arts, body art, spoken word, performance activism, fashion, and street theatre as points of entry, contributors discuss cultural practices and the fashioning of identity in Latino/a communities throughout the US. Examining the areas of crossover between Latin and American cultures gives new meaning to the notion of "borderlands." This volume features senior scholars and up-and-coming academics from cultural, visual, and performance studies, folklore, and ethnomusicology.
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Specificații

ISBN-13: 9780253005748
ISBN-10: 0253005744
Pagini: 522
Ilustrații: 27 b&w illustrations
Dimensiuni: 152 x 229 x 15 mm
Greutate: 0.7 kg
Editura: MH – Indiana University Press

Cuprins

Foreword \ Alicia Gaspar de Alba; Introduction: Toward a De-Colonial Performatics of the US Latina and Latino Borderlands \ Chela Sandoval, Arturo J. Aldama, and Peter J. GarcíaACTO 1. Performing Emancipation: Inner Work, Public Acts 1. Body as Codex-ized Word / Cuerpo Como Palabra (en-)Codice-ado: Chicana/Indígena and Mexican Transnational Performative Indigeneities \ Micaela Díaz-Sánchez; 2. Milongueando Macha Homoerotics: Dancing the Tango, Torta Style (a Performative Testimonio) \ Maria Lugones; 3. The Other Train That Derails Us: Performing Latina Anxiety Disorder in "The Night before Christmas" \ Angie Chabram-Dernersesian; 4. The Art of Place: The Work of Diane Gamboa \ Karen Mary Davalos; 5. Human Rights, Conditioned Choices, and Performance in Ana Castillo's Mixquihuala Letters \ Carl Gutiérrez-Jones; 6. Decolonizing Gender Performativity: A Thesis for Emancipation in Early Chicana Feminist Thought (1969-1979) \ Daphne V. Taylor-GarcíaACTO 2. Ethnographies of Performance: The Río Grande and Beyond 7. Performing Indigeneity in a South Texas Community: Los Matachines de la Santa Cruz \ Norma E. Canto; 8. Re-Membering Chelo Silva: The Bolero in Chicana Perspective (Women's Bodies and Voices in Postrevolutionary Urbanization: The Bohemian, Urban, and Transnational) \ Yolanda Broyles-González; 9. Roland Barthes, Mojado, in Brownface: Chisme-laced Snapshots Documenting the Preposterous and Fact-laced Claim That the Postmodern Was Born along the Borders of the Río Grande River \ William Anthony Nericcio; 10. Decolonial Border Queers: Case Studies of Chicana/o Lesbians, Gay Men, and Transgender Folks in El Paso / Juárez \ Emma Pérez; 11 "Te Amo, Te Amo, Te Amo": Lorenzo Antonio and Sparx Performing Nuevo México Music \ Peter J. García; 12. Sonic Geographies and Anti-Border Musics: "We Didn't Cross the Border, the Borders Crossed Us" \ Roberto D. Hernández; 13. Lila Downs's Borderless Performance: Transculturation and Musical Communication \ Brenda M. RomeroACTO 3. Nepantla Aesthetics in the Trans/Nacional 14. El Macho: How the Women of Teatro Luna Became Men \ Paloma Martínez-Cruz and Liza Ann Acosta; 15. Suturing Las Ramblas to East LA: Transnational Performances of Josefina López's Real Women Have Curves \ Tiffany Ana Lopez; 16. Loving Revolution: Same-Sex Marriage and Queer Resistance in Monica Palacios's Amor y Revolucion \ Marivel T. Danielson; 17. Is Ugly Betty a Real Woman? Representations of Chicana Femininity Inscribed as a Site of (Transformative) Difference \ Jennifer Esposito; 18. Indian Icon, Gay Macho: Felipe Rose of Village People \ Gabriel S. EstradaACTO 4. (De)Criminalizing Bodies: Ironies of Performance 19. No Somos Criminales: Crossing Borders in Contemporary Latina and Latino Music \ Arturo J. Aldama; 20. "Pelones y Matones": Chicano Cholos Perform for a Punitive Audience \ Victor M. Rios and Patrick Lopez-Aguado; 21. Mexica Hip Hop: Male Expressive Culture \ Pancho McFarland; 22. The Latino Comedy Project and Border Humor in Performance \ Jennifer Alvarez Dickinson; 23. (Re)Examining the Latin Lover: Screening Chicano/Latino Sexualities \ Daniel Enrique Pérez; 24. Rumba's Democratic Circle in the Age of Legal Simulacra \ Berta Jottar-PalenzuelaList of ContributorsIndex

Recenzii

The essays in Performing the US Latina & Latino Borderlands expand the field of Latina/o cultural studies while situating innovative discussions of performance in the context of borderlands studies. In its totality, the collection focuses on specific formations of collective identities-in-resistance, or what the editors call, the performance of a "borderland consciousness." Performing the US Latina & Latino Borderlands is suitable for graduate and upper undergraduate courses in Latina/o American studies, ethnic and cultural studies, and performance studies.--Alicia Arrizon "author of Queering Mestizaje: Transculturation and Performance "

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Descriere

Analyzes the expression of Latina/o cultural identity through performance