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Defining Cinema: Rutgers Depth of Field Series

Editat de Peter Lehman
en Limba Engleză Paperback – 31 iul 1997
Defining Cinema is the first book to bring together leading theorists and scholars to discuss the importance of film theory to cinema studies. Peter Lehman introduces the volume by explaining what constitutes film theory and outlining the major positions within the field by placing these five theorists and their work within a historical perspective. Andre Bazin and Siegfried Kracauer represent realist film theories, and Sergei Eisenstein represents a formalist position. Noel Burch and Christian Metz are contemporary theorists who have moved beyond the classical realist-formalist opposition. Burch's theory encompasses films and styles praised by both Bazin and Eisenstein, and Metz helped bring semiotics and psychoanalytic theory to prominence in the field.
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Specificații

ISBN-13: 9780813523026
ISBN-10: 0813523028
Pagini: 216
Dimensiuni: 241 x 165 x 15 mm
Greutate: 0.38 kg
Ediția:None
Editura: Rutgers University Press
Colecția Rutgers University Press
Seria Rutgers Depth of Field Series


Notă biografică

PETER LEHMAN is a professor and director of graduate studies in media arts at the University of Arizona. He is the author of several books, including Running Scared: Masculinity and the Representation of the Male Body, and editor of Close Viewings: An Anthology of New Film Criticism.

Cuprins

Introduction: what is film theory? / Peter Lehman
The montage of film attractions / Sergei M. Eisenstein
Eisenstein and Soviet cinema / Vance Kepley Jr
The evolution of the language of cinema / André Bazin
André Bazin's "Evolution" / Dudley Andrew
Basic concepts / Siegfried Kracauer
Kracauer's theory of film / Noël Carroll
"Spatial and temporal articulations" and "Editing as a plastic art" Noël Burch
To zero and beyond : Noël Burch's Theory of film practice / Edward Branigan
"Identification, mirror" and "The passion for perceiving" / Christian Metz
Christian Metz / Robert T. Eberwein

Descriere

This text focuses on the theoretical foundations of film studies as a discipline. It combines reprints of essays by major film theorists with contemporary analyses of their work. They offer accounts of what cinema is, how people watch and respond to films, and what constitutes good film-making.