Defining the Renaissance 'Virtuosa': Women Artists and the Language of Art History and Criticism
Autor Fredrika H. Jacobsen Limba Engleză Paperback – 12 aug 1999
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Specificații
ISBN-13: 9780521664967
ISBN-10: 0521664969
Pagini: 246
Ilustrații: 32 b/w illus.
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.5 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Locul publicării:New York, United States
ISBN-10: 0521664969
Pagini: 246
Ilustrații: 32 b/w illus.
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.5 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Locul publicării:New York, United States
Cuprins
List of illustrations; Acknowledgments; 1. Introduction; 2. Problems of praise and Pythagorean contrariety; 3. (Pro)creativity; 4. Melancholia: a case study; 5. La donnesca mano; 6. Misplaced modifiers; 7. 'femmina masculo e masculo femmina'; Appendix I. A roster of sixteenth-century Italian women artists; Appendix II. Rime, Madrigali, and other early writings on artists and art; Notes; Bibliography; Index.
Recenzii
"The book is more than a contribution to feminist revisionism; it also adds much to our understanding of how the art of painting was understood, and by defining 'feminine' artists and painting, it also gives a clearer sense of how 'masculinized' the concept of creativity was in the Renaissance." A. Langdale, Choice
"Thanks to the breadth of her textual analyses and the insightful questions she poses throughout, Jacobs offers a richly illuminating reading of the construction of the Renaissance woman artist. In turn, the book provides a welcome context for several worthy but more narrowly focused critical studies on related subjects whose contents she integrates into her own narrative....a considerable achievement in having uncovered and woven together a complex of ideas that expands consequentially our view of artistic activity in Early Modern Italy." Leslie Korrick, Sixteenth Century Jrnl
"Thanks to the breadth of her textual analyses and the insightful questions she poses throughout, Jacobs offers a richly illuminating reading of the construction of the Renaissance woman artist. In turn, the book provides a welcome context for several worthy but more narrowly focused critical studies on related subjects whose contents she integrates into her own narrative....a considerable achievement in having uncovered and woven together a complex of ideas that expands consequentially our view of artistic activity in Early Modern Italy." Leslie Korrick, Sixteenth Century Jrnl
Descriere
Jacobs examines art criticism on women artists who were active in Renaissance Italy.