Deleuze, Guattari and the Production of the New: Continuum Studies in Continental Philosophy
Editat de Dr Simon O'Sullivan, Dr Stephen Zepkeen Limba Engleză Paperback – 12 mai 2011
In this remarkable undertaking, these two thinkers have created a fresh engagement of thought with the world. This important collection of essays attempts to explore and extend the creative rupture that Deleuze and Guattari produce in the Capitalism and Schizophrenia project.
The essays in this volume, all by leading thinkers and theorists, extend Deleuze and Guattari's project by offering creative experiments in constructing new communities - of ideas and objects, experiences and collectives - that cohere around the interaction of philosophy, the arts and the political realm. Deleuze, Guattari and the Production of the New produces new perspectives on Deleuze and Guattari's work by emphasising its relevance to the contemporary intersection of aesthetics and political theory, thereby exploring a pressing contemporary problem: the production of the new.
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Specificații
ISBN-13: 9781441116161
ISBN-10: 1441116168
Pagini: 256
Dimensiuni: 156 x 234 x 14 mm
Greutate: 0.36 kg
Editura: Bloomsbury Publishing
Colecția Continuum
Seria Continuum Studies in Continental Philosophy
Locul publicării:London, United Kingdom
ISBN-10: 1441116168
Pagini: 256
Dimensiuni: 156 x 234 x 14 mm
Greutate: 0.36 kg
Editura: Bloomsbury Publishing
Colecția Continuum
Seria Continuum Studies in Continental Philosophy
Locul publicării:London, United Kingdom
Caracteristici
An excellent international team of contributors who are all leading academics in their field. This book also includes a previously untranslated essay by Felix Guattari himself.
Notă biografică
Simon O'Sullivan is Senior Lecturer in Art History/ Visual Culture at Goldsmiths College, University of London, UK. He is the author of Art Encounters Deleuze and Guattari: Thought Beyond Representation (Palgrave, 2005).
Stephen Zepke teaches Philosophy at the University of Vienna, Austria. He is the author of Art as Abstract Machine: Ontology and Aesthetics in Deleuze and Guattari (Routledge, 2005).
Cuprins
1. Introduction: The Production of the New, Simon O'Sullivan (Goldsmith's College, University of London, UK) and Stephen Zepke (Academy of Fine Arts, Austria) \ 2. Sci Phi: Gilles Deleuze and the Future of Philosophy, Gregory Flaxman (University of North Carolina, USA) \ 3. Alterity and Desire, Bifo (Franco Berardi) (Accademia di belle Arti, Milan, Italy) \ 4. The Readymade: Art as the Refrain of Life, Stephen Zepke (Academy of Fine Arts, Vienna, Austria) \ 5. Art Methodologies in Media Ecology, Matthew Fuller (Goldsmiths College, University of London, UK) \ 6. In Praise of Negativism, Alberto Toscano (Goldsmith's College, University of London, UK) \ 7. Affective Vectors: Icons, Guattari, and Art, Felicity J. Colman (University of Melbourne, Australia)
8. A Portrait of Deleuze-Foucault for Contemporary Art, John Rajchman (University of Columbia, USA) \ 9. The Production of the New and the Care of the Self, Simon O'Sullivan (Goldsmith's College, University of London, UK) \ 10. Thirty-Four (New) Ways of Expressing 'Becoming-Thinking' Through the Literary Work of Art and Sexuality, Dorothea Olkowski (University of Colorado, USA) \ 11. Readymades, Lavender Mist and Mirror Travel: Deleuze, Badiou and the Time of Art Practice, Dave Burrows (University of Central England, UK) \ 12. Beauty as the Promise of Happiness: Waste and the Present, Claire Colebrook (University of Edinburgh, UK) \ 13. Contemporary Matisse (Variations in Three, Two, One), Eric Alliez (Middlesex University, UK)
14. Deleuze and the Production of the New, Daniel W. Smith (Purdue University, USA) \ 15. Sonic and Cultural Noise as Production of the New: The Industrial Music Media Ecology of Throbbing Gristle, Michael Goddard (University of Lodz, Poland) \ 16. The Aesthetic Paradigm, Maurizio Lazzarato (Philosopher) \ 17. Painting Time With Light, Darren Ambrose (University of Warwick, UK) \ 18. Jazz Improvisation: Music of the People to Come, Eugene Holland (Ohio State University, USA) \ 19. Novelty and Double Causality in Kant, Whitehead and Deleuze, Steven Shaviro (Wayne State University, USA) \ 10. Resistance and Creation: An Introduction to Guattari's 'Consciousness and Subjectivity', David Reggio (Goldsmith's College, University of London, UK)
\ 11. Consciousness and Subjectivity, Felix Guattari (Philosopher and psychoanalyst) \ Bibliography \ Index
Bibliography
Index
8. A Portrait of Deleuze-Foucault for Contemporary Art, John Rajchman (University of Columbia, USA) \ 9. The Production of the New and the Care of the Self, Simon O'Sullivan (Goldsmith's College, University of London, UK) \ 10. Thirty-Four (New) Ways of Expressing 'Becoming-Thinking' Through the Literary Work of Art and Sexuality, Dorothea Olkowski (University of Colorado, USA) \ 11. Readymades, Lavender Mist and Mirror Travel: Deleuze, Badiou and the Time of Art Practice, Dave Burrows (University of Central England, UK) \ 12. Beauty as the Promise of Happiness: Waste and the Present, Claire Colebrook (University of Edinburgh, UK) \ 13. Contemporary Matisse (Variations in Three, Two, One), Eric Alliez (Middlesex University, UK)
14. Deleuze and the Production of the New, Daniel W. Smith (Purdue University, USA) \ 15. Sonic and Cultural Noise as Production of the New: The Industrial Music Media Ecology of Throbbing Gristle, Michael Goddard (University of Lodz, Poland) \ 16. The Aesthetic Paradigm, Maurizio Lazzarato (Philosopher) \ 17. Painting Time With Light, Darren Ambrose (University of Warwick, UK) \ 18. Jazz Improvisation: Music of the People to Come, Eugene Holland (Ohio State University, USA) \ 19. Novelty and Double Causality in Kant, Whitehead and Deleuze, Steven Shaviro (Wayne State University, USA) \ 10. Resistance and Creation: An Introduction to Guattari's 'Consciousness and Subjectivity', David Reggio (Goldsmith's College, University of London, UK)
\ 11. Consciousness and Subjectivity, Felix Guattari (Philosopher and psychoanalyst) \ Bibliography \ Index
Bibliography
Index
Recenzii
"The collection is...a strong one: well-written, entertaining and diverse. Further, its lack of formal structure and closure does have certain advantages, not the least that it remains true to some of Deleuze and Guattari's key ethical imperatives, namely: the importance of opening up movement and forging rhizomatic and transversal connections between problems and concepts." Notre Dame: Philosophical Reviews, January 2010
"[S]olo Guattari is given as much prominence as solo Deleuze or the joint work [...] The very identity of the new or of different kinds of new is examined [...] giving an admirably lucid exposition of the mechanics of the relationship between identity, difference and novelty in Deleuze [...] Overall, the combination of sustained intelligence, depth and variety throughout [...] is remarkable." Deleuze Studies 5.1 (2011)
'In true DeleuzoGuattarian fashion, this collection seeks to draw lines of flight, to escape the erudition that led to the evacuation of Guattari's influence, and to make productive connections with concrete artistic and political movements that span the twentieth century.'
"[S]olo Guattari is given as much prominence as solo Deleuze or the joint work [...] The very identity of the new or of different kinds of new is examined [...] giving an admirably lucid exposition of the mechanics of the relationship between identity, difference and novelty in Deleuze [...] Overall, the combination of sustained intelligence, depth and variety throughout [...] is remarkable." Deleuze Studies 5.1 (2011)
'In true DeleuzoGuattarian fashion, this collection seeks to draw lines of flight, to escape the erudition that led to the evacuation of Guattari's influence, and to make productive connections with concrete artistic and political movements that span the twentieth century.'