Derrida | Benjamin: Two Plays for the Stage
Autor John Schad, Fred Dalmassoen Limba Engleză Hardback – 25 ian 2021
Cue Derrida| Benjamin, a volume that brings together two tragi-comic plays which mirror each other in a host of ways – above all, in the way that the central philosophical figure is displaced, or not quite where or when we would expect to find them. In Derrida’s case, it is Oxford in 1968; in Benjamin’s case, it is somewhere (or nowhere) near London in 1948. These, then, are plays in which the philosopher is exiled, or elsewhere – not quite himself.
This a volume for anyone with an eye or ear for where theatre or performance meets philosophy – students, scholars, readers, actors.
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| Paperback (1) | 367.84 lei 6-8 săpt. | |
| Springer International Publishing – 25 ian 2022 | 367.84 lei 6-8 săpt. | |
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| Springer International Publishing – 25 ian 2021 | 372.82 lei 6-8 săpt. |
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Specificații
ISBN-13: 9783030498061
ISBN-10: 3030498069
Pagini: 298
Ilustrații: IX, 197 p. 1 illus.
Dimensiuni: 148 x 210 x 21 mm
Greutate: 0.4 kg
Ediția:1st ed. 2021
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
ISBN-10: 3030498069
Pagini: 298
Ilustrații: IX, 197 p. 1 illus.
Dimensiuni: 148 x 210 x 21 mm
Greutate: 0.4 kg
Ediția:1st ed. 2021
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
Cuprins
1. “The strangest of all things” – an introduction; John Schad.- 2. Derrida – a play; Fred Dalmasso and John Schad.- 3. Benjamin – a play; John Schad.- 4. “Barely a film” – a conclusion; Fred Dalmasso.
Notă biografică
John Schad is Professor of Modern Literature at University of Lancaster, UK. His books include Victorians in Theory (1999), Queer Fish (2004), Someone Called Derrida (2007), The Late Walter Benjamin (2012), and Paris Bride (2020) – plus two retrospectives: Hostage of the Word (2013) and John Schad in Conversation (2015).
Fred Dalmasso is Lecturer in Drama at Loughborough University, UK. He is a screenwriter, theatre director, and performer. He has worked in the theatre industry in both France and Ireland and is now the artistic director of the performance group collect-ifs. His publications focus on practice-based theatre translation, performance philosophy and include Syncope in Performing and Visual Arts (2017).
Fred Dalmasso is Lecturer in Drama at Loughborough University, UK. He is a screenwriter, theatre director, and performer. He has worked in the theatre industry in both France and Ireland and is now the artistic director of the performance group collect-ifs. His publications focus on practice-based theatre translation, performance philosophy and include Syncope in Performing and Visual Arts (2017).
Textul de pe ultima copertă
Within the work of both Jacques Derrida and Walter Benjamin there is a buried theatricality, a theatre to-come. And in the last fifteen years there has been a growing awareness of this theatricality. To date, though, there has not been a published stage play about either Derrida or Benjamin
Cue Derrida| Benjamin, a volume that brings together two tragi-comic plays which mirror each other in a host of ways – above all, in the way that the central philosophical figure is displaced, or not quite where or when we would expect to find them. In Derrida’s case, it is Oxford in 1968; in Benjamin’s case, it is somewhere (or nowhere) near London in 1948. These, then, are plays in which the philosopher is exiled, or elsewhere – not quite himself.
This a volume for anyone with an eye or ear for where theatre or performance meets philosophy – students, scholars, readers, actors.
Cue Derrida| Benjamin, a volume that brings together two tragi-comic plays which mirror each other in a host of ways – above all, in the way that the central philosophical figure is displaced, or not quite where or when we would expect to find them. In Derrida’s case, it is Oxford in 1968; in Benjamin’s case, it is somewhere (or nowhere) near London in 1948. These, then, are plays in which the philosopher is exiled, or elsewhere – not quite himself.
This a volume for anyone with an eye or ear for where theatre or performance meets philosophy – students, scholars, readers, actors.
Caracteristici
Features the first plays on Jacques Derrida and Walter Benjamin Brings together both plays for the first time in one volume Taps into the intersection between theatre and performance and philosophy