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Digital Audio Editing: Correcting and Enhancing Audio in Pro Tools, Logic Pro, Cubase, and Studio One

Autor Simon Langford
en Limba Engleză Hardback – 29 aug 2017
Whether you‘re comping a vocal track, restoring an old recording, working with dialogue or sound effects for film, or imposing your own vision with mash-ups or remixes, audio editing is a key skill to successful sound production. Digital Audio Editing gives you the techniques, from the simplest corrective editing like cutting, copying, and pasting to more complex creative editing, such as beat mapping and time-stretching. You‘ll be able to avoid unnatural-sounding pitch correction and understand the potential pitfalls you face when restoring classic tracks. Author Simon Langford invites you to see editing with his wide-angle view, putting this skill into a broad context that will inform your choices even as you more skillfully manipulate sound. Focusing on techniques applicable to any digital audio workstation, it includes break-outs giving specific keystrokes and instruction in Avids Pro Tools, Apple‘s Logic Pro, Steinberg‘s Cubase, and PreSonus‘s Studio One. The companion websites includes tutorials in all four software packages to help you immediately apply the broad skills from the book.
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Specificații

ISBN-13: 9781138468887
ISBN-10: 1138468886
Pagini: 336
Dimensiuni: 191 x 235 x 25 mm
Greutate: 0.78 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Public țintă

Professional Practice & Development

Cuprins

 
What exactly is audio editing?
Chapter One: Audio Editing 101
 
Chapter Two: The Different Aims Of Audio Editing
 
Section One: Corrective Editing
Chapter Three: Cutting, Copying, Pasting and Moving
Chapter Four: Fades and Crossfades
Chapter Five: Level Control
Chapter Six: Tonal Matching
Chapter Seven: Comping and Alternate Takes
Chapter Eight: Multi-track Comping
Chapter Nine: Transient Detection
Section Two: Creative Editing
Chapter Ten: Beat-mapping and Recycling
Chapter Eleven: Drum Replacement
Chapter Twelve: Time-stretching
Chapter Thirteen: Elastic Audio (Time)
Chapter Fourteen: Pitch Shifting
–Section Three: Restorative Editing
Chapter Fifteen: Editing In The Third Dimension
Chapter Sixteen: Spectral Editing
Chapter Seventeen: Applications of Audio Restoration
 
Chapter Eighteen: Demixing
Chapter Nineteen: Thinking Outside The Box
 

Notă biografică

Simon Langford is a professional music producer and remixer, with close to ten years of experience. He has worked on over 300 remixes, and has had tracks of his own in the UK National Top 20 Single Chart and the US Billboard Dance Chart. Simon is a regular contributor to Sound On Sound magazine and the author of The Remix Manual (Focal Press).

Descriere

Digital Audio Editing gives you the techniques, from the simplest corrective editing like cutting, copying, and pasting to more complex creative editing, such as beat mapping and time-stretching.