Cantitate/Preț
Produs

Digital Echoes: Spaces for Intangible and Performance-based Cultural Heritage

Editat de Sarah Whatley, Rosamaria K. Cisneros, Amalia Sabiescu
en Limba Engleză Paperback – 7 feb 2019
This book explores the interplay between performing arts, intangible cultural heritage and digital environments through a compendium of essays on emerging practices and case studies, as well as critical, historical and theoretical perspectives. It features essays that engage with varied forms of intangible cultural heritage, from music and storytelling to dance, theatre and martial arts. Cases of digital technology interventions are provided from different geographical and cultural settings, from Europe to Asia and the Americas. Together, the collection reflects on the implications that digital interventions have on intangible cultural heritage engagements, its curation and transmission in diverse localities. The volume is a valuable resource for discovering the multiple ways in which cultural heritage is mediated through digital technologies, and engages with audiences, artists, users and researchers.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 76581 lei  43-57 zile
  Springer International Publishing – 7 feb 2019 76581 lei  43-57 zile
Hardback (1) 77091 lei  43-57 zile
  Springer International Publishing – 24 mai 2018 77091 lei  43-57 zile

Preț: 76581 lei

Preț vechi: 93391 lei
-18% Nou

Puncte Express: 1149

Preț estimativ în valută:
14656 15224$ 12174£

Carte tipărită la comandă

Livrare economică 03-17 februarie 25

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9783030088613
ISBN-10: 3030088618
Pagini: 342
Ilustrații: XVIII, 342 p. 43 illus.
Dimensiuni: 148 x 210 x 23 mm
Greutate: 0.43 kg
Ediția:Softcover reprint of the original 1st ed. 2018
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland

Cuprins

​1 Introduction 
Sarah Whatley, Rosamaria K. Cisneros, and Amalia Sabiescu
Part I Critical and Reflexive Engagements 
2 Considering the Relationship Between Digitally Mediated
Audience Engagement and the Dance-Making Process 
Laura Griffiths and Ben Walmsley
3 Performing the Uncanny: Psychoanalysis, Aesthetics
and the Digital Double 
Suparna Banerjee
4 The Implications of Technology in Dance: A Dancer’s
Perspective of Moving in Media-Rich
Environments 
Kerry Francksen
Part II Space, Time and Memory: Digital Interventions 
5 Bark and Butterflies: Redeeming the Past—Digital
Interventions into Post-Memory 
Adrian Palka
6 Chorotopical Art: Mediating the Atmospheres of Cultural
Sites to Create a New Spatial Logic 
Liana Psarologaki
7 (Ukulele) Strings of Knowledge: Tactile and Digital
Interactivity with Archives and Ethnography 
Rachel M. Ward and Kate Hennessy
8 Open State: Event Spaces of Infinite Perspective 
Adam Benjamin and Mathew Emmett
Part III Preserving the Intangible: New Tools and
Documentation Strategies 
9 Demystifying or Destroying? Cultural Heritage
and Tradition in Playing the Tabla, and Developing
the Electronic Tabla and Digital Notation System 
Jerri Daboo
10 Digital Environments for Intercultural Content: A Case
Study on the Asian Shakespeare Intercultural Archive 
Alvin Eng Hui Lim
11 Mediating and Visualizing Paxton’s Material for
the Spine 
Rebecca Stancliffe
12 In/Tangible: The Duality of Video Documentation
in Dance 
Heather Young Reed
13 Kapturing Kung Fu: Future Proofing the Hong Kong
Martial Arts Living Archive 
Hing Chao, Matt Delbridge, Sarah Kenderdine,
Lydia Nicholson, and Jeffrey Shaw
Part IV Authorship, Ownership and Legal Aspects 
14 Presenting the Intangible: Curating the Intangible
Cultural Heritage in the Museum Practice—Legal Aspects 
Teodora Konach
15 Artworks-Spawning-Artworks: Trans-Disciplinary
Approaches to Artistic Spin-Offs and Evolution
in the Dance and Digital Context 
Jordan Beth Vincent, Caitlin Vincent, Kim Vincs,
Scott deLahunta, and John McCormick
16 Preservation and Paradox: Choreographic Authorship
in the Digital Sphere 
Hetty Blades
17 Dance and Law: From Indifference to Rapport 
Charlotte Waelde
Index 

Notă biografică

Sarah Whatley is Professor of Dance and Director of the Centre for Dance Research at Coventry University, UK.

Rosamaria K. Cisneros is Senior Research Associate at the Centre for Dance Research at Coventry University, UK, and also an independent artist, film-maker, dancer and choreographer. 

Amalia Sabiescu is Communications Researcher at the Institute for Media and Creative Industries at Loughborough University London, UK.

Textul de pe ultima copertă

This book explores the interplay between performing arts, intangible cultural heritage and digital environments through a compendium of essays on emerging practices and case studies, as well as critical, historical and theoretical perspectives. It features essays that engage with varied forms of intangible cultural heritage, from music and storytelling to dance, theatre and martial arts. Cases of digital technology interventions are provided from different geographical and cultural settings, from Europe to Asia and the Americas. Together, the collection reflects on the implications that digital interventions have on intangible cultural heritage engagements, its curation and transmission in diverse localities. The volume is a valuable resource for discovering the multiple ways in which cultural heritage is mediated through digital technologies, and engages with audiences, artists, users and researchers.

Caracteristici

Brings an interdisciplinary perspective on a variety of geographical locations and cultural settings (from Europe to Asia) from which it draws case studies and examples
Examines the relationship between performing arts and cultural heritage
Focuses on intangible cultural heritage and highlights how practices that are regarded as intangible, such as dance and other body–based performance practices can foster knowledge in unexplored territories