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Digital Peripheries: The Online Circulation of Audiovisual Content from the Small Market Perspective: Springer Series in Media Industries

Editat de Petr Szczepanik, Pavel Zahrádka, Jakub Macek, Paul Stepan
en Limba Engleză Paperback – 18 sep 2020
This is an open access book. Media industry research and EU policymaking are predominantly tailored to large (and, in the latter case, Western) European markets. This open access book addresses the specific qualities of smaller media markets, highlighting their vulnerability to global digital competition and outlining survival strategies for them. New online distribution models and new trends in the consumption of audiovisual content are limited by, and pose new challenges for, existing audiovisual business models and their legal framework in the EU. The European Commission’s Digital Single Market (DSM) strategy, which was intended e.g. to remove obstacles to the cross-border distribution of audiovisual content, has triggered a heated debate on the transformation of the existing ecosystem for European screen industries. While most current discussions focus on the United States, Western Europe, and the multinational giants, this book approaches these industry trends and policy questions from the perspective of relatively small and peripheral (in terms of their population, language, cross-border cultural flows, and financial and/or symbolic capital) media markets. 
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Specificații

ISBN-13: 9783030448523
ISBN-10: 3030448525
Pagini: 302
Ilustrații: XI, 302 p. 16 illus., 13 illus. in color.
Dimensiuni: 155 x 235 mm
Greutate: 0.45 kg
Ediția:1st ed. 2020
Editura: Springer International Publishing
Colecția Springer
Seria Springer Series in Media Industries

Locul publicării:Cham, Switzerland

Cuprins

Introduction.-  Small, Middle, Test: Re-Scaling Peripheral Media Markets.- On the Boundaries of Digital Markets.-  Territoriality of Copyright Law. 

Notă biografică

Petr Szczepanik is an Associate Professor at Charles University, Prague (Czech Republic). His current research focuses on East-Central European screen industries, production cultures, and public service media in the internet era. His historical research on the state socialist mode of film production was published in the book ‘Behind the Screen: Inside European Production Culture’ (Palgrave, co-edited with Patrick Vonderau, 2013).
Pavel Zahrádka currently works at the Department of Theatre, Film and Media Studies, Palacký University Olomouc (Czech Republic). Dr. Zahrádka's research focuses on the impact of the European Commission's Digital Single Market strategy on the Czech audiovisual industry, internet piracy, ethics and aesthetics.

Jakub Macek currently works as a chair of the Department of Media Studies and Journalism, Masaryk University (Czech Republic). Dr. Macek's research fields involve social science, communication and media. His current projects are focused on convergent media audiences, on the role of media in societal polarization, and on trust in media.

Paul Stepan teaches Cultural Economics, Economics of Copyright and Economics of Cultural and Creative Industries at the University for Music and Performing Arts Vienna (Austria) and at Palacký University Olomouc (Czech Republic). His research focuses on the impact of digitization on the cultural and media sector in general with emphasis on the film industry.



Textul de pe ultima copertă

This is an open access book. Media industry research and EU policymaking are predominantly tailored to large (and, in the latter case, Western) European markets. This open access book addresses the specific qualities of smaller media markets, highlighting their vulnerability to global digital competition and outlining survival strategies for them. New online distribution models and new trends in the consumption of audiovisual content are limited by, and pose new challenges for, existing audiovisual business models and their legal framework in the EU. The European Commission’s Digital Single Market (DSM) strategy, which was intended e.g. to remove obstacles to the cross-border distribution of audiovisual content, has triggered a heated debate on the transformation of the existing ecosystem for European screen industries. While most current discussions focus on the United States, Western Europe, and the multinational giants, this book approaches these industry trends and policy questions from the perspective of relatively small and peripheral (in terms of their population, language, cross-border cultural flows, and financial and/or symbolic capital) media markets. 


Caracteristici

Open access book focusing on the European Commission's Digital Single Market (DSM) strategy Highlights the increasing relevance of national borders, center-periphery hierarchies and differences in scale Traces academic debates on small and peripheral media markets, and the effects of uneven impacts of transnational online distribution