Dimensions of Curation: American Alliance of Museums
Autor Ann Rowson Love, Pat Villeneuveen Limba Engleză Paperback – 16 aug 2023
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Specificații
ISBN-13: 9781538167366
ISBN-10: 1538167360
Pagini: 256
Ilustrații: Illustrations, unspecified; Tables; Halftones, Black & White including Black & White Photographs
Dimensiuni: 152 x 229 x 15 mm
Greutate: 0.42 kg
Editura: Globe Pequot Publishing Group Inc/Bloomsbury
Colecția American Alliance of Museums
Seria American Alliance of Museums
ISBN-10: 1538167360
Pagini: 256
Ilustrații: Illustrations, unspecified; Tables; Halftones, Black & White including Black & White Photographs
Dimensiuni: 152 x 229 x 15 mm
Greutate: 0.42 kg
Editura: Globe Pequot Publishing Group Inc/Bloomsbury
Colecția American Alliance of Museums
Seria American Alliance of Museums
Notă biografică
By Ann Rowson Love and Pat Villeneuve
Cuprins
Preface: Ann Rowson Love and Pat Villeneuve
Acknowledgments
Part I
Chapter 1: The Dimensions of Curation Competing Values Model, Pat Villeneuve and Ann Rowson Love
Part II: Two Dimensions: Traditional, Exclusive, Sympathetic, and Inclusive Quadrants
Traditional(Object (x) + Lone Creative (y) = Traditional)
Chapter 2: Queering the Museum: From a Traditional Model Towards a More Inclusive Practice Kara Fedje
Chapter 3: Using Traditional Practice to Review the Chinese National Art Exhibition Zida Wang
Exclusive(Object (x) + Collaborative (y) = Exclusive)
Chapter 4: Iterations of Curating with Matthew Ritchie: Working Collaboratively During the COVID-19 pandemic Stefanie Dlugosz-Acton
Chapter 5: The Artist is No Longer Present: Reconsidering Cross-Border Exhibition Curating in the Post Pandemic Era Ting Zhang
Sympathetic(Audience (x) + Lone Creative (y) = Sympathetic)
Chapter 6: A Shared Body ¿ Re-envisioning Curatorial Collaboration in an Academic Art Museum Annie Booth and Meredith Lynn,
Chapter 7:Ally is a Verb: Adopting a Sympathetic Curatorial Practice to Build Advocacy and Community Within a Teaching Museum Alexia Lobaina
Inclusive (Audience (x) + Collaborative (y) = Inclusive)
Chapter 8: Art Connects Jennifer Jankauskas and Laura Ashley N. Bocquin
,Chapter 9: Responsive, Relational, and Disruptive: A Case Study in Community-Based CurationMarianna Pegno, Christine Brindza, Patricia Lannes, and Cecilia Garibay
Part III: Three Dimensions: Exhibitions that ___
Disseminate (Object (x) + Lone Creative (y) + Democratization of Culture (z) = Disseminate)
Chapter 10: Traditional Practice that Disseminates: Native Brazil/Alien BrazilPeter Aerts
Chapter 11: Something¿s Off: Reconsidering Traditional Practice Michelle Sunset
Discern(Object (x) + Lone Creative (y) + Cultural Democracy (z) = Discern)
Chapter 12: Discerning the Cryosphere: Humans and Climate in Art from the Frances Lehman Loeb Art Center, Vassar College Elizabeth Nogrady
Chapter 13: Discerning with a Good Voice: Hówate at The Heritage Center Ashley Pourier and Audrey Jacobs
Enrich(Object (x) + Collaborative (y) + Democratization of Culture (z) = Enrich)
Chapter 14: Not Just Dissemination, an Enriched Experience: Ming Dynasty Costume Exhibition Xiaonan Jiang and Xuejing Dai
Chapter 15: SKIN, a Multisensory Art Exhibition for Children Aged 8+ and Their Families Stefanie Metsemaker and Gerd Dierckx
Amplify(Object (x) + Collaborative (y) = Cultural Democracy (z) = Amplify)
Chapter 16: Challenging Romaphobia: The Case of a Romanian Carnival Mask at Mucem Julia Ferloni and Emilie Sitzia
Chapter 17: Lock & Key Creative Expression Lab: A Curated Space During the Pandemic Ashley Hartman and Melanie Rosato
Mediate(Audience (x) + Lone Creative (y) + Democratization of Culture = Mediate)
Chapter 18: The Same Four Walls: Inspiration and Reflection During a Global PandemicLesley Marchessault
Chapter 19: SCREEN IT: Mediation-Driven Inclusive Approach to Art, Technology, and Audiences Pieter Jan Valgaeren
Inspire(Audience (x) + Lone Creative (y) + Cultural Democracy (z) = Inspire)
Chapter 20: The Boneyard: Inspiring through In-Gallery Artist Demonstrations Courtney Taylor, Andy Shaw, and Grant Benoit
Chapter 21: There is No Planet B! An Audience Participation Project Meant to Inspire Aline Van Nereaux
EmpowerAudience (x) + Collaborative (y) + Democratization of Culture (z) = Empower)
Chapter 22: EmPOWER: Learning from our Youngest Community Members at the Clyfford Still Museum Nicole Cromartie and Bailey H. Placzek
Chapter 23: Anybody Home? Roselyne Francken and Tammy Wille
Act(Audience (x) + Collaborative (y) + Cultural Democracy (z) = Act)
Chapter 24: Collaborative Reach of a Site-Specific Exhibition that Addresses School Segregation Katie Fuller and Patricia O¿Rourke Chapter 25: Boundless Hospitality: M From a Different Perspective Sofie Vermeiren
Part IV: Curatorial Change and Tools
Chapter 26: One Museum, Three Dimensions of Curation: A Script Jay Boda, Charlie Farrell, Madison Grigsby, Anneliese Hardman
Chapter 27: You Say You Want a Revolution: Empowering the Edu-Curator Emily Dellheim,
Chapter 28: M Leuven: A Holistic Approach in Exhibition MakingPeter Carpreau and Sofie Vermeiren
Chapter 29: Inclusive Curatorial Practice Lynette A. Zimmerman
Chapter 30: Toward an Interactive Model of Competing Values: From Visualization to Toolkit Morgan Joseph Hamilton
Chapter 31: Dimensions of Education: Adapting the Curatorial Model for Museum Education Audrey Jacobs and Ashley Williams
About the Contributors
Acknowledgments
Part I
Chapter 1: The Dimensions of Curation Competing Values Model, Pat Villeneuve and Ann Rowson Love
Part II: Two Dimensions: Traditional, Exclusive, Sympathetic, and Inclusive Quadrants
Traditional(Object (x) + Lone Creative (y) = Traditional)
Chapter 2: Queering the Museum: From a Traditional Model Towards a More Inclusive Practice Kara Fedje
Chapter 3: Using Traditional Practice to Review the Chinese National Art Exhibition Zida Wang
Exclusive(Object (x) + Collaborative (y) = Exclusive)
Chapter 4: Iterations of Curating with Matthew Ritchie: Working Collaboratively During the COVID-19 pandemic Stefanie Dlugosz-Acton
Chapter 5: The Artist is No Longer Present: Reconsidering Cross-Border Exhibition Curating in the Post Pandemic Era Ting Zhang
Sympathetic(Audience (x) + Lone Creative (y) = Sympathetic)
Chapter 6: A Shared Body ¿ Re-envisioning Curatorial Collaboration in an Academic Art Museum Annie Booth and Meredith Lynn,
Chapter 7:Ally is a Verb: Adopting a Sympathetic Curatorial Practice to Build Advocacy and Community Within a Teaching Museum Alexia Lobaina
Inclusive (Audience (x) + Collaborative (y) = Inclusive)
Chapter 8: Art Connects Jennifer Jankauskas and Laura Ashley N. Bocquin
,Chapter 9: Responsive, Relational, and Disruptive: A Case Study in Community-Based CurationMarianna Pegno, Christine Brindza, Patricia Lannes, and Cecilia Garibay
Part III: Three Dimensions: Exhibitions that ___
Disseminate (Object (x) + Lone Creative (y) + Democratization of Culture (z) = Disseminate)
Chapter 10: Traditional Practice that Disseminates: Native Brazil/Alien BrazilPeter Aerts
Chapter 11: Something¿s Off: Reconsidering Traditional Practice Michelle Sunset
Discern(Object (x) + Lone Creative (y) + Cultural Democracy (z) = Discern)
Chapter 12: Discerning the Cryosphere: Humans and Climate in Art from the Frances Lehman Loeb Art Center, Vassar College Elizabeth Nogrady
Chapter 13: Discerning with a Good Voice: Hówate at The Heritage Center Ashley Pourier and Audrey Jacobs
Enrich(Object (x) + Collaborative (y) + Democratization of Culture (z) = Enrich)
Chapter 14: Not Just Dissemination, an Enriched Experience: Ming Dynasty Costume Exhibition Xiaonan Jiang and Xuejing Dai
Chapter 15: SKIN, a Multisensory Art Exhibition for Children Aged 8+ and Their Families Stefanie Metsemaker and Gerd Dierckx
Amplify(Object (x) + Collaborative (y) = Cultural Democracy (z) = Amplify)
Chapter 16: Challenging Romaphobia: The Case of a Romanian Carnival Mask at Mucem Julia Ferloni and Emilie Sitzia
Chapter 17: Lock & Key Creative Expression Lab: A Curated Space During the Pandemic Ashley Hartman and Melanie Rosato
Mediate(Audience (x) + Lone Creative (y) + Democratization of Culture = Mediate)
Chapter 18: The Same Four Walls: Inspiration and Reflection During a Global PandemicLesley Marchessault
Chapter 19: SCREEN IT: Mediation-Driven Inclusive Approach to Art, Technology, and Audiences Pieter Jan Valgaeren
Inspire(Audience (x) + Lone Creative (y) + Cultural Democracy (z) = Inspire)
Chapter 20: The Boneyard: Inspiring through In-Gallery Artist Demonstrations Courtney Taylor, Andy Shaw, and Grant Benoit
Chapter 21: There is No Planet B! An Audience Participation Project Meant to Inspire Aline Van Nereaux
EmpowerAudience (x) + Collaborative (y) + Democratization of Culture (z) = Empower)
Chapter 22: EmPOWER: Learning from our Youngest Community Members at the Clyfford Still Museum Nicole Cromartie and Bailey H. Placzek
Chapter 23: Anybody Home? Roselyne Francken and Tammy Wille
Act(Audience (x) + Collaborative (y) + Cultural Democracy (z) = Act)
Chapter 24: Collaborative Reach of a Site-Specific Exhibition that Addresses School Segregation Katie Fuller and Patricia O¿Rourke Chapter 25: Boundless Hospitality: M From a Different Perspective Sofie Vermeiren
Part IV: Curatorial Change and Tools
Chapter 26: One Museum, Three Dimensions of Curation: A Script Jay Boda, Charlie Farrell, Madison Grigsby, Anneliese Hardman
Chapter 27: You Say You Want a Revolution: Empowering the Edu-Curator Emily Dellheim,
Chapter 28: M Leuven: A Holistic Approach in Exhibition MakingPeter Carpreau and Sofie Vermeiren
Chapter 29: Inclusive Curatorial Practice Lynette A. Zimmerman
Chapter 30: Toward an Interactive Model of Competing Values: From Visualization to Toolkit Morgan Joseph Hamilton
Chapter 31: Dimensions of Education: Adapting the Curatorial Model for Museum Education Audrey Jacobs and Ashley Williams
About the Contributors
Descriere
Descriere de la o altă ediție sau format:
This book present a model to help you to make sense of exhibitions your museum has curated. Whether implicit or intentional, decisions made about interpretive focus, curatorial power, and curatorial intent indelibly shape the resulting exhibition and determine who will be best served or disenfranchised by it.
This book present a model to help you to make sense of exhibitions your museum has curated. Whether implicit or intentional, decisions made about interpretive focus, curatorial power, and curatorial intent indelibly shape the resulting exhibition and determine who will be best served or disenfranchised by it.