Directing New Plays
Autor Evan Cabneten Limba Engleză Paperback – 7 aug 2024
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Specificații
ISBN-13: 9781350179264
ISBN-10: 1350179264
Pagini: 208
Dimensiuni: 138 x 216 mm
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Locul publicării:London, United Kingdom
ISBN-10: 1350179264
Pagini: 208
Dimensiuni: 138 x 216 mm
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Locul publicării:London, United Kingdom
Caracteristici
Because the process of directing new work is so deeply collaborative, the book is an important tool for actors, playwrights, producers, designers, technicians, or anyone hoping to understand the delicacy, complexity, and singularity of the process
Notă biografică
Evan Cabnet is an NYC-based theater director specializing in new work and has been the Artistic Director of LCT3 at Lincoln Center Theater since 2016. He has worked with such playwrights as Branden Jacobs-Jenkins and Tony Kushner, and as Artistic Director, produced world premieres by Jackie Sibblies Drury and Zoe Kazan He is a former Artist in Residence at the Roundabout Theater Company, a former Resident Artist with Richard Foreman's Ontological-Hysteric Theater, a guest director at NYU's Graduate Acting Program and the Juilliard School, and the recipient of a Claire Tow Emerging Artist Award and the Theater Hall of Fame Emerging Artist Award.
Cuprins
Foreword 1. Searching for New Work: Identifying Writers and How to Read a New or Unfinished Play with Direction in Mind. 2. Development: Meetings, Readings, Workshops and Common Play Development Strategies.3. Securing a Production: Seeking and Securing a Production in the Commercial, Institutional and Not-for-Profit Models. 4. Pre-production: the Director's Role in Inviting Artists into the Conversation. 5. Casting: from Writing a Breakdown to Choosing Audition Sides and Working with a Casting Director. 6. Rehearsal (Week One): the First Rehearsal, Setting up the Tone of the Process. 7. Rehearsal (Week Two): Transition from the Theoretical to the Practical. 8. Rehearsal (Week Three and Beyond): Rewrites, Run-Throughs and Creative Changes. 9. Tech: How can a Director Prepare for Inevitable Surprises, Problems, and Challenges? 10. Previews: How does a Director Learn from an Audience and Respond to Feedback? 11. Opening Night and the Run: How is a Director Helpful to the Cast, Writer and Creative Team? 12. Closing and Next steps: How does a Director Parlay Success into More Work?