Dismantling the Dream Factory: Gender, German Cinema, and the Postwar Quest for a New Film Language de Hester Baer

Dismantling the Dream Factory: Gender, German Cinema, and the Postwar Quest for a New Film Language: Film Europa: German Cinema in an International Context

en Limba Engleză Hardback – 31 aug 2009

The history of postwar German cinema has most often been told as a story of failure, a failure paradoxically epitomized by the remarkable popularity of film throughout the late 1940s and 1950s. Through the analysis of 10 representative films, Hester Baer reassesses this period...

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Specificații

ISBN-13: 9781845456054
ISBN-10: 184545605X
Pagini: 318
Dimensiuni: 162 x 27 x 252 mm
Greutate: 0.59 kg
Editura: BERGHAHN BOOKS INC
Seria Film Europa: German Cinema in an International Context

Locul publicării:United Kingdom

Notă biografică

Hester Baer is Associate Professor of German at the University of Oklahoma, where she is also on the faculty of the Film and Video Studies and Women's Studies programs. She has published on various aspects of postwar German cinema.

Cuprins

Figures Acknowledgments Introduction: Postwar German Cinema Chapter 1. The Female Gaze in The Murderers Are Among Us Chapter 2. Authorship and Stardom in Film Without a Title Chapter 3. Love '47 as Woman's Film Chapter 4. Race, Ethnicity, and Gender in Epilogue Chapter 5. Regendering Representation in The Sinner Chapter 6. Visual Pleasure and Cinematic Realism in The Forester of the Silver Wood Chapter 7. Gender and Sexuality in Different From You and Me Chapter 8. Spectatorship and Genre in Engagement in Zurich Chapter 9. Critical Strategies of The Girl Rosemarie Chapter 10. The Bread of Those Early Years as Transitional Film Epilogue: Adapting the 1950s Bibliography Index

Recenzii

...makes a significant and original contribution, is well researched as well as written, and would lend itself conveniently to the teaching of any of these films - [It] bring[s] to bear theories from Anglo-American film studies as well as German cultural studies and history. The result is a felicitous mixture of theory, cultural-historical context, and informed film readings.A" * Jaimey Fisher, University of California, Davis

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