Dolly Parton, Gender, and Country Music
Autor Leigh H. Edwardsen Limba Engleză Paperback – 5 ian 2018
Winner, Foreword Book of the Year Award, Gold Medal Winner for Performing Arts and Music, Foreword Reviews INDIES award, 2017
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MH – Indiana University Press – 5 ian 2018 | 535.56 lei 6-8 săpt. |
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Specificații
ISBN-13: 9780253031556
ISBN-10: 0253031559
Pagini: 270
Dimensiuni: 152 x 228 x 22 mm
Greutate: 0.42 kg
Editura: MH – Indiana University Press
ISBN-10: 0253031559
Pagini: 270
Dimensiuni: 152 x 228 x 22 mm
Greutate: 0.42 kg
Editura: MH – Indiana University Press
Notă biografică
Cuprins
Acknowledgments
Introduction: Dolly Mythology
1. "Backwoods Barbie": Dolly Parton's Gender Performance
2. My Tennessee Mountain Home: Early Parton and Authenticity Narratives
3. Parton's Crossover and Film Stardom: The "Hillbilly Mae West"
4. Hungry Again: Reclaiming Country Authenticity Narratives
5. "Digital Dolly" and New Media Fandoms
Conclusion: Brand Evolution and Dollywood
Works Cited
Index
Introduction: Dolly Mythology
1. "Backwoods Barbie": Dolly Parton's Gender Performance
2. My Tennessee Mountain Home: Early Parton and Authenticity Narratives
3. Parton's Crossover and Film Stardom: The "Hillbilly Mae West"
4. Hungry Again: Reclaiming Country Authenticity Narratives
5. "Digital Dolly" and New Media Fandoms
Conclusion: Brand Evolution and Dollywood
Works Cited
Index
Descriere
Leigh H. Edwards explores Partons roles as musician, actor, author, philanthropist, and entrepreneur to show how her gender subversion highlights the challenges that can be found even in the most seemingly traditional form of American popular music. As Parton depicts herself as simultaneously "real" and "fake," she offers new perspectives on country music's claims of authenticity.