Dramatic Effects with a Movie Camera
Autor Dr. Gail Segal, Sheril Antonioen Limba Engleză Paperback – 28 iul 2021
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Specificații
ISBN-13: 9781474285827
ISBN-10: 1474285821
Pagini: 232
Ilustrații: 175 color illus
Dimensiuni: 210 x 270 x 16 mm
Greutate: 0.89 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
ISBN-10: 1474285821
Pagini: 232
Ilustrații: 175 color illus
Dimensiuni: 210 x 270 x 16 mm
Greutate: 0.89 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
Caracteristici
Introduces
filmmakers
to
camera
techniques
and
strategies,
such
as
building
action
in
a
static
frame,
the
close-up,
the
long
take
and
hand-held
cameras
to
help
them
integrate
story
content
with
technique
Notă biografică
Gail Segal is an Associate Arts Professor in the Graduate Division of Film and TV and the Department Head of Interdisciplinary Collaborations at NYU's Tisch School of the Arts, USA.Sheril Antonio is an Associate Arts Professor in the Department of Art and Public Policy and the Senior Associate Dean for Strategic Initiatives at NYU's Tisch School of the Arts, USA.
Cuprins
1.
The
Camera2.
The
Static
Camera3.
Camera
Work
and
Formal
Properties4.
Camera
Work
and
the
Close-Up5.
The
Moving
Camera6.
Camera
Work
and
Mise
En
Scene7.
Camera
Work
and
The
Long
Take8.
The
Hand-held
Camera9.
Creating
Visual
DynamicsGlossary
BibliographyOnline
Resources
Index
Recenzii
This
book
is
filled
with
the
same
love
and
knowledge
of
cinema
that
I
experienced
as
a
graduate
student
at
NYU.
I'm
so
excited
that
others
can
now
share
this
knowledge.
Drawing
from
important
references
both
classic
and
new,
Segal
and
Antonio
guide
us
through
the
seemingly
infinite
possibilities
of
our
craft,
whilst
beautifully
illustrating
its
traditions.
It
is
a
wonderful
resource
for
both
experienced
filmmakers
and
students.
A
treasure.
I really appreciate how a book like this introduces language and thinking that reflects a broader cultural perspective on the arts into the aesthetics of film form (i.e. referencing Seamus Heaney not because of his stature as a poet, but because of this insight as an artist and the way in which poetic and aesthetic insight is so relevant and so inspirational). Segal and Antonio weave their elegant prose with analytic insight; the writing is warm, passionate and precise.
I really appreciate how a book like this introduces language and thinking that reflects a broader cultural perspective on the arts into the aesthetics of film form (i.e. referencing Seamus Heaney not because of his stature as a poet, but because of this insight as an artist and the way in which poetic and aesthetic insight is so relevant and so inspirational). Segal and Antonio weave their elegant prose with analytic insight; the writing is warm, passionate and precise.