Drawn to Life: 20 Golden Years of Disney Master Classes: Volume 2: The Walt Stanchfield Lectures
Autor Walt Stanchfield Editat de Don Hahnen Limba Engleză Paperback – 27 iul 2023
Written by Walt Stanchfield (1919–2000), who began work for the Walt Disney Studios in the 1950s. His work can be seen in films such as Sleeping Beauty, The Jungle Book, 101 Dalmatians, and Peter Pan.
Edited by Disney Legend and Oscar®-nominated producer Don Hahn, whose credits include the classic Beauty and the Beast, The Lion King, and Hunchback of Notre Dame.
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Specificații
ISBN-13: 9781032104386
ISBN-10: 1032104384
Pagini: 382
Ilustrații: 65 Line drawings, color; 440 Line drawings, black and white; 38 Halftones, color; 12 Halftones, black and white; 103 Illustrations, color; 452 Illustrations, black and white
Dimensiuni: 219 x 276 x 22 mm
Greutate: 0.89 kg
Ediția:2 ed
Editura: CRC Press
Colecția CRC Press
ISBN-10: 1032104384
Pagini: 382
Ilustrații: 65 Line drawings, color; 440 Line drawings, black and white; 38 Halftones, color; 12 Halftones, black and white; 103 Illustrations, color; 452 Illustrations, black and white
Dimensiuni: 219 x 276 x 22 mm
Greutate: 0.89 kg
Ediția:2 ed
Editura: CRC Press
Colecția CRC Press
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Public țintă
Professional Practice & DevelopmentCuprins
Foreword
Acknowledgements
Innovation
1. Review and New Approach
2. Artist/Actor
3. Don’t Be Ordinary
4. Sketcher
5. Plus or Minus
6. Mood Symbols
7. Breaking the Constraint Barrier
8. The Agony and the Ecstasy
9. Making All Parts Work Together to Shape a Gesture
10. Forces (Energy, Animation, Power, Vim, Vigor, and Vitality)
11. Pure Performance
12. Different Concepts
13. A Time for This and a Time for That
14. Look to This Day
15. Entertainment
16. Follow-Up Department
17. Entertainment II
18. Playing to the Balcony
Drawing
19. A Sack of Flour
20. Pantomime (Drawing) Preparation
21. That Darned Neck
22. Crayolas?
23. Hands (Those Darned?)
24. Plight of a Gesture
25. Concepts for Drawing
26. Drawing Appropriate Gestures for Your Characters
27. Drawings Ain’t Just Drawing
28. The Importance of Sketching
29. Getting Emotionally Involved
30. Gesture Further Pursued
31. Caricature
32. Perspective
33. Have Something to Say and Keep It Simple
34. Keeping Flexibility in Your Drawing
35. Seeing and Drawing the Figure in Space
36. Don’t Let the Facts Get in the Way of a Good Drawing
37. Hey, Look at Me … Look at Me!
38. Learn From the Mistakes of Others
39. Quest and Fulfillment
40. Getting Adjusted to New Production
41. More Animal Talk
42. In Further Praise of Quick Sketching
43. Impression – Expression = Depression
Expression
44. Drawing a Clear Portrayal of Your Idea
45. Think Caricature
46. Going Into That World!
47. Understanding What You See
48. An Inspirational Journey
49. Comic Relief
50. If It Needs to Lean, Then Lean It
51. Don’t Tell, But Show!
52. Mainly Mental
53. The Shape of a Gesture
54. Dreams Impossible to Resist
55. Short Book on Drawing
56. Encompassing Reality with All Your Senses
57. Gestures, Moons, and Tangents
58. Include Your Audience
59. The Wonders of the Right and Left Hemispheres
60. Making the Rules of Perspective Come to Life
61. In Further Praise of the Rules of Perspective
62. There Is No End to Thinking Overlap
63. Space is Created
64. Words and Experience
65. Look, This Is What I Saw
66. Breaking Away
67. The Shape of the Gesture II
68. A Tribute
Afterword/Bonus Material
Credits
Acknowledgements
Innovation
1. Review and New Approach
2. Artist/Actor
3. Don’t Be Ordinary
4. Sketcher
5. Plus or Minus
6. Mood Symbols
7. Breaking the Constraint Barrier
8. The Agony and the Ecstasy
9. Making All Parts Work Together to Shape a Gesture
10. Forces (Energy, Animation, Power, Vim, Vigor, and Vitality)
11. Pure Performance
12. Different Concepts
13. A Time for This and a Time for That
14. Look to This Day
15. Entertainment
16. Follow-Up Department
17. Entertainment II
18. Playing to the Balcony
Drawing
19. A Sack of Flour
20. Pantomime (Drawing) Preparation
21. That Darned Neck
22. Crayolas?
23. Hands (Those Darned?)
24. Plight of a Gesture
25. Concepts for Drawing
26. Drawing Appropriate Gestures for Your Characters
27. Drawings Ain’t Just Drawing
28. The Importance of Sketching
29. Getting Emotionally Involved
30. Gesture Further Pursued
31. Caricature
32. Perspective
33. Have Something to Say and Keep It Simple
34. Keeping Flexibility in Your Drawing
35. Seeing and Drawing the Figure in Space
36. Don’t Let the Facts Get in the Way of a Good Drawing
37. Hey, Look at Me … Look at Me!
38. Learn From the Mistakes of Others
39. Quest and Fulfillment
40. Getting Adjusted to New Production
41. More Animal Talk
42. In Further Praise of Quick Sketching
43. Impression – Expression = Depression
Expression
44. Drawing a Clear Portrayal of Your Idea
45. Think Caricature
46. Going Into That World!
47. Understanding What You See
48. An Inspirational Journey
49. Comic Relief
50. If It Needs to Lean, Then Lean It
51. Don’t Tell, But Show!
52. Mainly Mental
53. The Shape of a Gesture
54. Dreams Impossible to Resist
55. Short Book on Drawing
56. Encompassing Reality with All Your Senses
57. Gestures, Moons, and Tangents
58. Include Your Audience
59. The Wonders of the Right and Left Hemispheres
60. Making the Rules of Perspective Come to Life
61. In Further Praise of the Rules of Perspective
62. There Is No End to Thinking Overlap
63. Space is Created
64. Words and Experience
65. Look, This Is What I Saw
66. Breaking Away
67. The Shape of the Gesture II
68. A Tribute
Afterword/Bonus Material
Credits
Notă biografică
Don Hahn produced some of the most successful animated films of all time, including Disney’sBeauty and the Beast, the first animated film to be nominated for a Best Picture Oscar®. Three of his films,Who Framed Roger Rabbit, Beauty and the Beast,andThe Lion King.are now on the Library of Congress collection as culturally, historically and esthetically significant.
Don’s films include Disney’sMaleficent, Frankenweenie, Hunchback of Notre Dame, Atlantis,andEmperor’s New Groove.He was a founder and executive producer of the acclaimed Disneynature Films, executive produced the PBS American Masters documentaryTyrusabout Disney Legend Tyrus Wong, and has directed the acclaimed documentariesWaking Sleeping Beauty,andHowardfeatured on Disney+.
He has authored many books on animation, guest lectures at Microsoft, Deloitte, Apple, and is on the advisory board of the Walt Disney Family Museum and a former trustee of PBS SoCal. He holds two Academy Award nominations, two Emmy nominations, two Golden Globes for Best Picture, two Honorary Doctorate degrees, and in 2022 he was named a Disney Legend for his extraordinary contributions to The Walt Disney Company.
Don’s films include Disney’sMaleficent, Frankenweenie, Hunchback of Notre Dame, Atlantis,andEmperor’s New Groove.He was a founder and executive producer of the acclaimed Disneynature Films, executive produced the PBS American Masters documentaryTyrusabout Disney Legend Tyrus Wong, and has directed the acclaimed documentariesWaking Sleeping Beauty,andHowardfeatured on Disney+.
He has authored many books on animation, guest lectures at Microsoft, Deloitte, Apple, and is on the advisory board of the Walt Disney Family Museum and a former trustee of PBS SoCal. He holds two Academy Award nominations, two Emmy nominations, two Golden Globes for Best Picture, two Honorary Doctorate degrees, and in 2022 he was named a Disney Legend for his extraordinary contributions to The Walt Disney Company.
Recenzii
For nearly thirty years, the artists that passed through the gates of Disney Animation, and even non-artists like myself, were influenced by the craft, skill, wisdom, writings and sketches of Walt Stanchfield.
— Roy Disney
Walt was a kind of Mark Twain for us at Disney. He always taught with humor and skill. You learned to see the world through his eyes. I remember him one day encouraging us to leap into our drawings with boldness and confidence, " Don’t be afraid to make a mistake. We all have 10,000 bad drawings in us so the sooner you get them out the better! " Sitting in Walt’s class was as much a psychology course as it was a drawing class. One couldn’t help walk away with your mind and soul a little more open than when you entered.
— Glen Keane, Walt Disney Animation Studios
Walt Stanchfield’s classes and writings were little distillations of the man: quirky, strongly stated in a genial voice, and brimming with a lifetime of sharp observations about story telling and graphic communication. Whether he drew with a ball point pen or painted with a brush dipped in his coffee cup, he got to the essence of things and was eager to share what he learned with his eager disciples, myself among them. He was grizzled and he was great and proof that there was more than one Walt at the Disney Studio that could inspire a legion of artists.
— John Musker, Walt Disney Animation Studios
Walt Stanchfield was one of Disney Animation’s national treasures. His classes and notes have inspired countless animation artists, and his approach to drawing of caricature over reality, feeling over rote accuracy, and communication over photographic reproduction gets to the heart of what great animation is all about. Huzzah to Don Hahn for putting it all together for us!
— Eric Goldberg, Walt Disney Animation Studios
During the Animation Renaissance of the 1990s, one of the Walt Disney Studio’s best kept secrets was Walt Stanchfield. Once a week after work, this aged but agile figure jumped from drawing board to drawing board, patiently teaching us the principles behind the high baroque style of Walt Disney Animation drawing. Being in a room with Walt made you feel what it must have been like to have been taught by Don Graham. Having one of your life drawings be good enough to be reproduced in one of his little homemade weekly bulletins was akin to getting a Distinguished Service medal! Senior animators vied with trainees for that distinction.
— Tom Sito, Animator/Filmmaker/Author of Drawing The Line: The Untold Story of the Animation Unions from Bosko to Bart Simpson
This exciting collection of master classes by the great teacher Walt Stanchfield is destined to become a classic on the order of Kimon Nicolaides ’ exploration of the drawing process. Stanchfield (1919 – 2000) inspired several generations of Disney animators and those of us outside the studio fortunate enough to happen upon dog-eared copies of his conversational notes, which we passed around like Leonardo’s Codex Leicester. Stanchfield beautifully communicates the essence and joy of expressing ideas through the graphic line and accumulating a visual vocabulary. Drawn to Life is a treasure trove of cogent, valuable information for students, teachers and anyone who loves to draw.
— John Canemaker, NYU professor and Academy Award ® -winning animation filmmaker
Walt Stanchfield, in his own unique way, taught so many of us about drawing, caricature, motion, acting, and animation. Most important to me was how Walt made you apply what you had observed in his life drawing class to your animation. Disney Animation is based on real life, and in that regard Walt Stanchfield’s philosophy echoed Walt Disney’s: " We cannot caricature and animate anything convincingly until we study the real thing first. "
— Andreas Deja, Walt Disney Animation Studios
Walt Stanchfield’s renewed emphasis on draftsmanship at the Disney Studios transformed the seemingly moribund art of animation. His students were part of a renaissance with The Little Mermaid and Who Framed Roger Rabbit, a renaissance that continues with films ranging from The Iron Giant to Lilo and Stitch to Wall-E.
— Charles Solomon, Animation Historian
— Roy Disney
Walt was a kind of Mark Twain for us at Disney. He always taught with humor and skill. You learned to see the world through his eyes. I remember him one day encouraging us to leap into our drawings with boldness and confidence, " Don’t be afraid to make a mistake. We all have 10,000 bad drawings in us so the sooner you get them out the better! " Sitting in Walt’s class was as much a psychology course as it was a drawing class. One couldn’t help walk away with your mind and soul a little more open than when you entered.
— Glen Keane, Walt Disney Animation Studios
Walt Stanchfield’s classes and writings were little distillations of the man: quirky, strongly stated in a genial voice, and brimming with a lifetime of sharp observations about story telling and graphic communication. Whether he drew with a ball point pen or painted with a brush dipped in his coffee cup, he got to the essence of things and was eager to share what he learned with his eager disciples, myself among them. He was grizzled and he was great and proof that there was more than one Walt at the Disney Studio that could inspire a legion of artists.
— John Musker, Walt Disney Animation Studios
Walt Stanchfield was one of Disney Animation’s national treasures. His classes and notes have inspired countless animation artists, and his approach to drawing of caricature over reality, feeling over rote accuracy, and communication over photographic reproduction gets to the heart of what great animation is all about. Huzzah to Don Hahn for putting it all together for us!
— Eric Goldberg, Walt Disney Animation Studios
During the Animation Renaissance of the 1990s, one of the Walt Disney Studio’s best kept secrets was Walt Stanchfield. Once a week after work, this aged but agile figure jumped from drawing board to drawing board, patiently teaching us the principles behind the high baroque style of Walt Disney Animation drawing. Being in a room with Walt made you feel what it must have been like to have been taught by Don Graham. Having one of your life drawings be good enough to be reproduced in one of his little homemade weekly bulletins was akin to getting a Distinguished Service medal! Senior animators vied with trainees for that distinction.
— Tom Sito, Animator/Filmmaker/Author of Drawing The Line: The Untold Story of the Animation Unions from Bosko to Bart Simpson
This exciting collection of master classes by the great teacher Walt Stanchfield is destined to become a classic on the order of Kimon Nicolaides ’ exploration of the drawing process. Stanchfield (1919 – 2000) inspired several generations of Disney animators and those of us outside the studio fortunate enough to happen upon dog-eared copies of his conversational notes, which we passed around like Leonardo’s Codex Leicester. Stanchfield beautifully communicates the essence and joy of expressing ideas through the graphic line and accumulating a visual vocabulary. Drawn to Life is a treasure trove of cogent, valuable information for students, teachers and anyone who loves to draw.
— John Canemaker, NYU professor and Academy Award ® -winning animation filmmaker
Walt Stanchfield, in his own unique way, taught so many of us about drawing, caricature, motion, acting, and animation. Most important to me was how Walt made you apply what you had observed in his life drawing class to your animation. Disney Animation is based on real life, and in that regard Walt Stanchfield’s philosophy echoed Walt Disney’s: " We cannot caricature and animate anything convincingly until we study the real thing first. "
— Andreas Deja, Walt Disney Animation Studios
Walt Stanchfield’s renewed emphasis on draftsmanship at the Disney Studios transformed the seemingly moribund art of animation. His students were part of a renaissance with The Little Mermaid and Who Framed Roger Rabbit, a renaissance that continues with films ranging from The Iron Giant to Lilo and Stitch to Wall-E.
— Charles Solomon, Animation Historian
Descriere
Drawn to Life is a two volume collection of the legendary lectures from long-time Disney animator Walt Stanchfield. For over twenty years, Walt helped breathe life into the new golden age of animation with these teachings at the Walt Disney Animation Studios and influenced such talented artists as Tim Burton, Glen Keane, and John Lasseter.