Duchamp, Aesthetics and Capitalism: Routledge Focus on Art History and Visual Studies
Autor Julian Jason Haladynen Limba Engleză Hardback – 7 aug 2019
The readymade is understood as an act of accelerating art as a discourse, of pushing to the point of excess the philosophical precepts of modern aesthetics on which the notion of art in modernity is based. Julian Haladyn argues for an accelerated Duchamp that speaks to a contemporary condition of art within our era of globalized capitalist production.
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Specificații
ISBN-13: 9780367266769
ISBN-10: 0367266768
Pagini: 86
Ilustrații: 13
Dimensiuni: 138 x 216 x 10 mm
Greutate: 0.32 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Focus on Art History and Visual Studies
Locul publicării:Oxford, United Kingdom
ISBN-10: 0367266768
Pagini: 86
Ilustrații: 13
Dimensiuni: 138 x 216 x 10 mm
Greutate: 0.32 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Focus on Art History and Visual Studies
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
List of figures
Acknowledgments
1 Apropos
2 Readymade as object
3 Capitalist accelerations
4 Aesthetics and the object
5 Comb
6 Speeding up language
7 Challenges to origineity
8 Consequences of a Duchampian accelerationism [1]
9 The choice economy
10 Readymade as black hole
11 Consequences of a Duchampian accelerationism [2]
12 Tzanck Check
13 Note on a readymade economics
14 Missed creative acts
15 Remade readymades
16 We Will Wait
17 An accelerated Duchamp
Acknowledgments
1 Apropos
2 Readymade as object
3 Capitalist accelerations
4 Aesthetics and the object
5 Comb
6 Speeding up language
7 Challenges to origineity
8 Consequences of a Duchampian accelerationism [1]
9 The choice economy
10 Readymade as black hole
11 Consequences of a Duchampian accelerationism [2]
12 Tzanck Check
13 Note on a readymade economics
14 Missed creative acts
15 Remade readymades
16 We Will Wait
17 An accelerated Duchamp
Notă biografică
Julian Jason Haladyn is an art historian, cultural theorist and professor at OCAD University, Canada.
Descriere
This book is a significant re-thinking of Duchamp’s importance in the twenty-first century, taking seriously the readymade as a critical exploration of object-oriented relations under the conditions of consumer capitalism.