Dynamic Cartography: Body, Architecture, and Performative Space: Routledge Advances in Theatre & Performance Studies
Autor María José Martínez Sánchezen Limba Engleză Hardback – 29 iul 2020
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Specificații
ISBN-13: 9780367266202
ISBN-10: 0367266202
Pagini: 182
Ilustrații: 48
Dimensiuni: 156 x 234 x 13 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Theatre & Performance Studies
Locul publicării:Oxford, United Kingdom
ISBN-10: 0367266202
Pagini: 182
Ilustrații: 48
Dimensiuni: 156 x 234 x 13 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Theatre & Performance Studies
Locul publicării:Oxford, United Kingdom
Public țintă
General, Postgraduate, Professional, and UndergraduateCuprins
Contents
List of illustrations
Acknowledgements
Introduction
Chapter 1: Body and the surrounding space: scoring body movement
Introduction: spatial body rituals
The representation of movement
Rudolf Laban: Kinetography as a spatial scoring system
Scores: the representation of processes
Scoring: mapping spatial processes
Experiments
Kinetography I: movement notation for one body
Kinetography II: movement scores on stage
Kinetography III: movement scores in complex environments
From surrounding space to geometry
Chapter 2: Body and Geometry: Contemporary Rituals
Introduction: performativity and ritual
Body, space, and geometry
The Laboratory of Movement Study – L.E.M. (Le Laboratoire d’Estude du Mouvement)
Viewpoints: a spatial composition tool
Experiments
Dynamic Cartography I, II, and III
From geometry to the scenic space
Chapter 3: Body and Scenic Space: Ritual Spaces
Introduction: the origins of space
Reflections on space
The Work of Living Art: radical proposals for the mise- en- scène of Wagnerian drama
The body in the theatrical space: the Greek theatre
Atmospheres
Experiments
Micro-actions in Greece
Strings, Old Vinegar Factory (2015, Limassol, Cyprus)
From scenic space to architectural programme
Chapter 4: Body and Architecture: Spatial Dramaturgies
Introduction: the architectural script
Once upon a time, a laboratory of fun
Event and situation
The art of action
Performative architecture
Breaking the architectural fourth wall
Experiments
Wooosh! (Winchester, 2016)
From programme to landscape
Chapter 5: Body and Landscape: Performativity and Social Space
Introduction: urban anthropophagy
The representation of landscape
Corpografias (corpographies) and corpocidade (corpocity)
The body as a means of artistic expression
Environmental art and Thirdspace
Experiment
Trellick Tales: the Thirdspace of Trellick Tower
From landscape to the surrounding space
Conclusions: towards the creation of a dynamic cartography – an interdisciplinary methodology
List of illustrations
Acknowledgements
Introduction
Chapter 1: Body and the surrounding space: scoring body movement
Introduction: spatial body rituals
The representation of movement
Rudolf Laban: Kinetography as a spatial scoring system
Scores: the representation of processes
Scoring: mapping spatial processes
Experiments
Kinetography I: movement notation for one body
Kinetography II: movement scores on stage
Kinetography III: movement scores in complex environments
From surrounding space to geometry
Chapter 2: Body and Geometry: Contemporary Rituals
Introduction: performativity and ritual
Body, space, and geometry
The Laboratory of Movement Study – L.E.M. (Le Laboratoire d’Estude du Mouvement)
Viewpoints: a spatial composition tool
Experiments
Dynamic Cartography I, II, and III
From geometry to the scenic space
Chapter 3: Body and Scenic Space: Ritual Spaces
Introduction: the origins of space
Reflections on space
The Work of Living Art: radical proposals for the mise- en- scène of Wagnerian drama
The body in the theatrical space: the Greek theatre
Atmospheres
Experiments
Micro-actions in Greece
Strings, Old Vinegar Factory (2015, Limassol, Cyprus)
From scenic space to architectural programme
Chapter 4: Body and Architecture: Spatial Dramaturgies
Introduction: the architectural script
Once upon a time, a laboratory of fun
Event and situation
The art of action
Performative architecture
Breaking the architectural fourth wall
Experiments
Wooosh! (Winchester, 2016)
From programme to landscape
Chapter 5: Body and Landscape: Performativity and Social Space
Introduction: urban anthropophagy
The representation of landscape
Corpografias (corpographies) and corpocidade (corpocity)
The body as a means of artistic expression
Environmental art and Thirdspace
Experiment
Trellick Tales: the Thirdspace of Trellick Tower
From landscape to the surrounding space
Conclusions: towards the creation of a dynamic cartography – an interdisciplinary methodology
Notă biografică
María José Martínez Sánchez is a lecturer the Birmingham School of Architecture and Design (BCU), UK, and a researcher at the Centre for Interdisciplinary Performing Arts at the Royal Birmingham Conservatoire, UK. Her work has been published in international journals and presented at the Dance Biennale of Venice, the Biennale of Architecture in Venice, the Spanish National Theatre (CDN), and the Prague Quadrennial of Scenography.
Descriere
Dynamic Cartography analyses the works of Rudolf Laban, Lawrence Halprin, Anne Bogart, Adolphe Appia, Cedric Price, Joan Littlewood, and Heìlio Oiticica.