Early Modern Thesis Prints in the Southern Netherlands: An Iconological Analysis of the Relationships between Art, Science and Power: Brill’s Studies on Art, Art History, and Intellectual History, cartea 60
Autor Gwendoline de Mûelenaereen Limba Engleză Hardback – dec 2021
In Early Modern Thesis Prints in the Southern Netherlands, Gwendoline de Mûelenaere offers an account of the practice of producing illustrated thesis prints in the seventeenth-century Southern Low Countries. She argues that the evolution of the thesis print genre gave rise to the creation of a specific visual language combining efficiently various figurative registers of a historical and symbolic nature. The book offers a reflection on the representation of knowledge and its public recognition in the context of academic defenses.
Early Modern Thesis Prints makes a timely contribution to our understanding of early modern print culture and more specifically to the expanding field of study concerned with the role of visual materials in early modern thought.
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Specificații
ISBN-13: 9789004444539
ISBN-10: 900444453X
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Brill’s Studies on Art, Art History, and Intellectual History
ISBN-10: 900444453X
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Brill’s Studies on Art, Art History, and Intellectual History
Notă biografică
Gwendoline de Mûelenaere, Ph.D. (2017, Université catholique de Louvain, Belgium), is a postdoctoral researcher at Ghent University. She has published a dozen articles on thesis prints and illustrated lecture notebooks produced in the Southern Low Countries.
Cuprins
Abbreviations
Introduction
1 Development of the Production of Thesis Prints in the Southern Netherlands
A Teaching in the Spanish Netherlands
B Development of Thesis Broadsides during the Seventeenth Century
C The Antwerp Context in the First Half of the Seventeenth Century
D Other Productions in the Southern Low Countries
E Print Run, Distribution, and Conservation of Thesis Prints
2 The Manufacture of the Thesis Engraving
A The Broadsheet Medium: Complementarity of Text and Image
B Status of the Image: From Knowledge Organization to Message Coding
C The Posters, “Ephemera”?
D Towards a “Painting-Page”: Progressive Iconization of the Margin
E Devices for Framing and Displaying Text: From Ornament to Allegory
3 The Use of Symbolic Language in Thesis Prints
A Personifications: Noetic and Encomiastic Issues
B Justitia, Academic Discipline and Imperial Virtue: Theses Addressed to Ferdinand III and His Son
C Paradoxical Formulas to Give Multiple Praise: Theses Dedicated to Leopold Wilhelm of Austria
D The Celebration of the Virgin Mary
4 Staging the Placards within the Context of Court Patronage
A Mise en abyme of the Donation
B Public Defense, a Baroque Spectacle
Conclusion
Catalogue of Thesis Prints
Appendix
A List of Illustrations
B List of Thesis Prints by Teaching Institution
C List of Thesis Prints by Location
Bibliography
A Primary Sources
B Secondary Sources
Index
Introduction
1 Development of the Production of Thesis Prints in the Southern Netherlands
A Teaching in the Spanish Netherlands
B Development of Thesis Broadsides during the Seventeenth Century
C The Antwerp Context in the First Half of the Seventeenth Century
D Other Productions in the Southern Low Countries
E Print Run, Distribution, and Conservation of Thesis Prints
2 The Manufacture of the Thesis Engraving
A The Broadsheet Medium: Complementarity of Text and Image
B Status of the Image: From Knowledge Organization to Message Coding
C The Posters, “Ephemera”?
D Towards a “Painting-Page”: Progressive Iconization of the Margin
E Devices for Framing and Displaying Text: From Ornament to Allegory
3 The Use of Symbolic Language in Thesis Prints
A Personifications: Noetic and Encomiastic Issues
B Justitia, Academic Discipline and Imperial Virtue: Theses Addressed to Ferdinand III and His Son
C Paradoxical Formulas to Give Multiple Praise: Theses Dedicated to Leopold Wilhelm of Austria
D The Celebration of the Virgin Mary
4 Staging the Placards within the Context of Court Patronage
A Mise en abyme of the Donation
B Public Defense, a Baroque Spectacle
Conclusion
Catalogue of Thesis Prints
Appendix
A List of Illustrations
B List of Thesis Prints by Teaching Institution
C List of Thesis Prints by Location
Bibliography
A Primary Sources
B Secondary Sources
Index