Karel van Mander and his <i>Foundation of the Noble, Free Art of Painting</i>: First English Translation, with Introduction and Commentary: Brill’s Studies on Art, Art History, and Intellectual History, cartea 62
Autor Walter S. Melionen Limba Engleză Hardback – 8 ian 2023
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Specificații
ISBN-13: 9789004508385
ISBN-10: 9004508384
Dimensiuni: 170 x 245 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Brill’s Studies on Art, Art History, and Intellectual History
ISBN-10: 9004508384
Dimensiuni: 170 x 245 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Brill’s Studies on Art, Art History, and Intellectual History
Notă biografică
Walter S. Melion is Asa Griggs Candler Professor of Art History at Emory University in Atlanta, where he directs the Fox Center for Humanistic Inquiry (Emory’s institute for advanced study in the humanities). He is author of three monographs and over eighty articles, co-author of two exhibition catalogues, and editor or co-editor of more than twenty volumes.
Recenzii
“Walter Melion is the ideal scholar, if not the only scholar, one would want to produce an English-language edition of Karel van Mander’s foundational treatise on the art of painting. From the rich and erudite introduction to the lively and eminently readable translation, this book — an invaluable resource for future scholarship — at last brings one of the key art-theoretical texts of the early modern Netherlands to a wider audience.”
Marisa Bass, Yale University
“Walter Melion’s superlative translation of Karel van Mander’s Foundation of the Noble, Free Art of Painting is cause for celebration, bringing us at long last an authoritative English critical edition of this singularly influential text. With deep erudition and sensitivity to Van Mander’s interconnected literary and artistic preoccupations, Melion reveals anew the originality of the great Flemish painter-poet and the ongoing salience of his work today.”
Celeste Brusati, University of Michigan
Marisa Bass, Yale University
“Walter Melion’s superlative translation of Karel van Mander’s Foundation of the Noble, Free Art of Painting is cause for celebration, bringing us at long last an authoritative English critical edition of this singularly influential text. With deep erudition and sensitivity to Van Mander’s interconnected literary and artistic preoccupations, Melion reveals anew the originality of the great Flemish painter-poet and the ongoing salience of his work today.”
Celeste Brusati, University of Michigan
Cuprins
Acknowledgments
List of Illustrations
About the Author
Introduction
1The Intertextual Network of Dedicatory Epistles and Prefaces
2The Sources, Title-Page, and Scope of the Grondt
3Laying a Comparative Foundation for the Schilder-Boeck
4Key Terms and Critical Categories
5Ekphrastic Usage in the Schilder-Boeck
6Landschap and byvoechsel: Van Mander on Landscape and History, Simulation and Dissimulation
7Précis of the Poem’s Fourteen Chapters
“Prefaces and Selected Preliminary Poems”
Chapter 1: “Exhortation, or Admonition to up and coming young Painters”
Chapter 2: “On Drawing, or the Art of Delineating”
Chapter 3: “Analogy, Proportion, or Measurement of the Parts of the Human Body”
Chapter 4: “On the Attitude, Decorum, and Decorous Motion of a Human Figure”
Chapter 5: “On the Ordonnance and Invention of Histories”
Chapter 6: “Portrayal of the Affects, Passions, Desires, and Sorrows of Persons”
Chapter 7: “On Reflection, Reverberation, re-reflected luster, or re-reflection”
Chapter 8: “On Landscape”
Chapter 9: “On Cattle, Animals, and Birds”
Chapter 10: “On Fabrics or Drapery”
Chapter 11: “On Sorting and Combining Colors”
Chapter 12: “On Painting Well, or Coloring”
Chapter 13: “On the Origin, Nature, Force, and Effect of Colors”
Chapter 14: “On the Interpretation of Colors, and What They Can Signify”
Register of Commonplaces: “Table of the Foundation of the Art of Painting”
Commentary
List of Illustrations
About the Author
Introduction
1The Intertextual Network of Dedicatory Epistles and Prefaces
2The Sources, Title-Page, and Scope of the Grondt
3Laying a Comparative Foundation for the Schilder-Boeck
4Key Terms and Critical Categories
5Ekphrastic Usage in the Schilder-Boeck
6Landschap and byvoechsel: Van Mander on Landscape and History, Simulation and Dissimulation
7Précis of the Poem’s Fourteen Chapters
Den Grondt: The Foundation of the Noble, Free Art of Painting: In which her form, origin, and nature are placed before the eyes of inquisitive Youth, in discrete Parts, in Rhymed Verse.
“Prefaces and Selected Preliminary Poems”
Chapter 1: “Exhortation, or Admonition to up and coming young Painters”
Chapter 2: “On Drawing, or the Art of Delineating”
Chapter 3: “Analogy, Proportion, or Measurement of the Parts of the Human Body”
Chapter 4: “On the Attitude, Decorum, and Decorous Motion of a Human Figure”
Chapter 5: “On the Ordonnance and Invention of Histories”
Chapter 6: “Portrayal of the Affects, Passions, Desires, and Sorrows of Persons”
Chapter 7: “On Reflection, Reverberation, re-reflected luster, or re-reflection”
Chapter 8: “On Landscape”
Chapter 9: “On Cattle, Animals, and Birds”
Chapter 10: “On Fabrics or Drapery”
Chapter 11: “On Sorting and Combining Colors”
Chapter 12: “On Painting Well, or Coloring”
Chapter 13: “On the Origin, Nature, Force, and Effect of Colors”
Chapter 14: “On the Interpretation of Colors, and What They Can Signify”
Register of Commonplaces: “Table of the Foundation of the Art of Painting”
Commentary