With chapters on 'The Sound of Music', 'Milk and Honey', 'Fiddler on the Roof', 'Cabaret', 'The Rothschilds', 'Rags', 'Ragtime', and 'The Producers', this book examines both direct and indirect references to, or resonances of, the Holocaust, tracing changing American attitudes through the chronological progression of these musical productions and their subsequent revivals.