Eclipsed Cinema
Autor Dong Hoon Kimen Limba Engleză Hardback – 20 mar 2017
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Specificații
ISBN-13: 9781474421805
ISBN-10: 1474421806
Pagini: 304
Ilustrații: 40 black and white illustrations
Dimensiuni: 160 x 239 x 20 mm
Greutate: 0.59 kg
Editura: EDINBURGH UNIVERSITY PRESS
ISBN-10: 1474421806
Pagini: 304
Ilustrații: 40 black and white illustrations
Dimensiuni: 160 x 239 x 20 mm
Greutate: 0.59 kg
Editura: EDINBURGH UNIVERSITY PRESS
Descriere
Eclipsed Cinema explores the under-investigated aspects of colonial film culture such as the representational politics of colonial cinema, the film unit of the colonial government, the social reception of Hollywood cinema in relation to emerging Korean nationalism, Japanese settlers'film culture, and gendered film spectatorship.
Cuprins
List of Illustrations
Acknowledgements
INTRODUCTION
INTRODUCING JOSEON CINEMA: THE QUESTION OF FILM HISTORY AND THE FILM CULTURE OF COLONIAL KOREA
CHAPTER 1
THE BEGINNING: TOWARD A MASS ENTERTAINMENT
Film Culture Begins: The Development of Early Film Culture
Film Production Begins: Moving Picture Unit of the Office of the Governor-General
CHAPTER 2
JOSEON CINEMA, CINEMATIC JOSEON: ON SOME CRITICAL QUESTIONS OF JOSEON CINEMA
Desperately Seeking the Joseon Image: Arirang (1926) and the Making of Joseon Film Aesthetics
Joseon Film Lyricism: Joseon Colour and Joseon Films 'Exported' to Japan
CHAPTER 3
MIGRATING WITH THE MOVIES: JAPANESE SETTLER FILM CULTURE
The Formation and Characteristics of Settler Film Culture
'A Film Practice Distinctly Joseon': The Ethnic Segregation of Movie Theatres
CHAPTER 4
COLONIAL FILM SPECTATORSHIP: NATIONALIST ENOUGH?
Korean Spectators or How They Learned to Stop Worrying and Love Hollywood
Performing Colonial Identity: The Transcolonial Practice of Byeonsa/Benshi
CHAPTER 5
FILM SPECTATORSHIP AND THE TENSIONS OF MODERNITY
Modern Girls and Boys Go to the Movies: Cinema, Modernity, and the Colonised Nation
Mobility, Movie Theatres, and Female Film Spectatorship
CONCLUSION
INTEGRATING INTO THE IMPERIAL CINEMA
Appendix
Bibliography
Acknowledgements
INTRODUCTION
INTRODUCING JOSEON CINEMA: THE QUESTION OF FILM HISTORY AND THE FILM CULTURE OF COLONIAL KOREA
CHAPTER 1
THE BEGINNING: TOWARD A MASS ENTERTAINMENT
Film Culture Begins: The Development of Early Film Culture
Film Production Begins: Moving Picture Unit of the Office of the Governor-General
CHAPTER 2
JOSEON CINEMA, CINEMATIC JOSEON: ON SOME CRITICAL QUESTIONS OF JOSEON CINEMA
Desperately Seeking the Joseon Image: Arirang (1926) and the Making of Joseon Film Aesthetics
Joseon Film Lyricism: Joseon Colour and Joseon Films 'Exported' to Japan
CHAPTER 3
MIGRATING WITH THE MOVIES: JAPANESE SETTLER FILM CULTURE
The Formation and Characteristics of Settler Film Culture
'A Film Practice Distinctly Joseon': The Ethnic Segregation of Movie Theatres
CHAPTER 4
COLONIAL FILM SPECTATORSHIP: NATIONALIST ENOUGH?
Korean Spectators or How They Learned to Stop Worrying and Love Hollywood
Performing Colonial Identity: The Transcolonial Practice of Byeonsa/Benshi
CHAPTER 5
FILM SPECTATORSHIP AND THE TENSIONS OF MODERNITY
Modern Girls and Boys Go to the Movies: Cinema, Modernity, and the Colonised Nation
Mobility, Movie Theatres, and Female Film Spectatorship
CONCLUSION
INTEGRATING INTO THE IMPERIAL CINEMA
Appendix
Bibliography