Economics and Art Theory: Routledge Frontiers of Political Economy
Editat de Stratos Myrogiannis, Constantinos Repapisen Limba Engleză Paperback – 29 iul 2024
The collection explores themes which both fields share, including rationality, abstraction and model building, the nature of social reality, representation and transformation. The contributions employ a broad range of methods to investigate the links between economics and art, and their coverage includes architecture, history of ideas, art theory, literature studies and beyond.
This innovative volume will be of interest to advanced students and scholars of economic theory, cultural economics, literary and art theory and it intends to be a starting point for new avenues of interdisciplinary research.
Toate formatele și edițiile | Preț | Express |
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Paperback (1) | 388.26 lei 43-57 zile | |
Taylor & Francis – 29 iul 2024 | 388.26 lei 43-57 zile | |
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Taylor & Francis – 4 aug 2022 | 1000.13 lei 43-57 zile |
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Specificații
ISBN-13: 9780367615413
ISBN-10: 036761541X
Pagini: 228
Ilustrații: 16
Dimensiuni: 156 x 234 mm
Greutate: 0.42 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Frontiers of Political Economy
Locul publicării:Oxford, United Kingdom
ISBN-10: 036761541X
Pagini: 228
Ilustrații: 16
Dimensiuni: 156 x 234 mm
Greutate: 0.42 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Frontiers of Political Economy
Locul publicării:Oxford, United Kingdom
Public țintă
Academic and PostgraduateCuprins
Table of contents
Acknowledgements
List of contributors
Foreword by Louise Braddock
Introduction
Stratos Myrogiannis and Constantinos Repapis
Part I
Economics, Literature and Representation
1 Economic thought and novels: What can we expect from the economy?
Claire Pignol
2 Men of Feeling: Sympathy, Imagination and the Value of Interdisciplinary Exchange
Foteini Lika
3 Adamantios Koraes and his tropics of discourse: Art, Science and Economics as therapeutic debts
Stratos Myrogiannis
Part II
Economics, Visual Arts and Abstractions
4 Economy, efficiency and the promenade deck: Thoughts on the history of architectural theory
Stravros Alifragkis
5 Resemblances and Disjunctions: Art, Mathematics and Economic Models
Ragupathy Venkatachalam
6 Fragments, Spolia and Economic Texts
Constantinos Repapis
Part III
Reflections on Economics, Society and Art
7 Art as Experience: The Aesthetic Dimensions of Meta-Economic Concerns in E. F. Schumacher’s Work
Sarath Jakka
8 "Man, the Prisoner of Logic": Towards an Optics of Equanimity
Michael Uebel
9 Economics, the Plastic Arts and Social Transformation
Sheila Dow
Index
Acknowledgements
List of contributors
Foreword by Louise Braddock
Introduction
Stratos Myrogiannis and Constantinos Repapis
Part I
Economics, Literature and Representation
1 Economic thought and novels: What can we expect from the economy?
Claire Pignol
2 Men of Feeling: Sympathy, Imagination and the Value of Interdisciplinary Exchange
Foteini Lika
3 Adamantios Koraes and his tropics of discourse: Art, Science and Economics as therapeutic debts
Stratos Myrogiannis
Part II
Economics, Visual Arts and Abstractions
4 Economy, efficiency and the promenade deck: Thoughts on the history of architectural theory
Stravros Alifragkis
5 Resemblances and Disjunctions: Art, Mathematics and Economic Models
Ragupathy Venkatachalam
6 Fragments, Spolia and Economic Texts
Constantinos Repapis
Part III
Reflections on Economics, Society and Art
7 Art as Experience: The Aesthetic Dimensions of Meta-Economic Concerns in E. F. Schumacher’s Work
Sarath Jakka
8 "Man, the Prisoner of Logic": Towards an Optics of Equanimity
Michael Uebel
9 Economics, the Plastic Arts and Social Transformation
Sheila Dow
Index
Notă biografică
Stratos Myrogiannis is an Adjunct Lecturer in the School of Humanities at the Hellenic Open University, Greece.
Constantinos Repapis is Lecturer in Economics at Goldsmiths, University of London, UK.
Constantinos Repapis is Lecturer in Economics at Goldsmiths, University of London, UK.
Descriere
Drawing on an interdisciplinary panel of contributors, this book presents a stimulating dialogue between economics and art theory and considers how this might aid our understanding of both areas of research.