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Editing Nineteenth-Century Fiction: Papers given at the thirteenth annual Conference on Editorial Problems, University of Toronto, 4-5 November 1977 de Jane Millgate

Editing Nineteenth-Century Fiction: Papers given at the thirteenth annual Conference on Editorial Problems, University of Toronto, 4-5 November 1977: Routledge Library Editions: The Nineteenth-Century Novel

Editat de Jane Millgate
en Limba Engleză Hardback – 19 iul 2016
First published in 1978, this collection of papers, first presented at the thirteenth annual Conference on Editorial Problems in 1977, focuses on the editing of nineteenth-century fiction. Four of the papers are devoted to single authors – Dickens, Thackeray, Hardy and Zola – while the fifth takes its principle examples from Hawthorne, Twain and Crane. Looking at a range of works from English, American and French literature, this volume demonstrates the number of different attitudes that exist towards the editorial process as well as the different ambitions for the texts that scholars seek to produce.
This book will be of interest to those studying and editing nineteenth-century literature.
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Specificații

ISBN-13: 9781138677326
ISBN-10: 1138677329
Pagini: 130
Dimensiuni: 156 x 234 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Library Editions: The Nineteenth-Century Novel

Locul publicării:Oxford, United Kingdom

Cuprins

Notes on Contributors; Introduction Jane Millgate; "Between Two Worlds": Editing Dickens Sylvere Monod; Textual Problems in Editing Thackeray Peter Shillingsburg; The Making and Unmaking of Hardy’s Wessex Edition Michael Millgate; On Editing Zola’s Fiction Clive Thomson; Aesthetic Implications of Authorial Excisions: Examples from Nathaniel Hawthorne, Mark Twain, and Stephen Crane Hershel Parker; Members of the Conference; Index

Descriere

First published in 1978, this collection of papers, first presented at the thirteenth annual Conference on Editorial Problems in 1977, focuses on the editing of nineteenth-century fiction. Four of the papers are devoted to single authors – Dickens, Thackeray, Hardy and Zola – while the fifth takes its principle examples from Hawthorne, Twain and Crane. Looking at a range of works from English, American and French literature, this volume demonstrates the number of different attitudes that exist towards the editorial process as well as the different ambitions for the texts that scholars seek to produce.
This book will be of interest to those studying and editing nineteenth-century literature.