Editing Turgenev, Dostoevsky, and Tolstoy: Mikhail Katkov and the Great Russian Novel: NIU Series in Slavic, East European, and Eurasian Studies
Autor Susanne Fussoen Limba Engleză Hardback – 15 sep 2017
Fathers and Sons by Turgenev. Anna Karenina by Tolstoy. Crime and Punishment by Dostoevsky. These are a few of the great works of Russian prose that first appeared in the Russian Herald, a journal founded and edited by Mikhail Katkov. Yet because of his conservative politics and intrusive editing practices, Katkov has been either ignored or demonized by scholars in both Russia and the West. In Putin’s Russia, he is now being hailed as the “savior of the fatherland” due to his aggressive Russian nationalism. In Editing Turgenev, Dostoevsky, and Tolstoy, Susanne Fusso examines Katkov’s literary career without vilification or canonization, focusing on the ways in which his nationalism fueled his drive to create a canon of Russian literature and support its recognition around the world.
In each chapter, Fusso considers Katkov’s relationship with a major Russian literary figure. In addition to Turgenev, Dostoevsky, and Tolstoy, she explores Katkov’s interactions with Vissarion Belinsky, Evgeniia Tur, and the legacy of Aleksandr Pushkin. As a writer of articles and editorials, Katkov presented a clear program for Russian literature: to affirm the political and historical importance of the Russian nationality as expressed through its language. As a powerful and entrepreneurial publisher, he also sought, encouraged, and paid for the writing of the works that were to embody that program, the works we now recognize as among the greatest achievements of Russian literature. This groundbreaking study will fascinate scholars, students, and general readers interested in Russian literature and literary history.
In each chapter, Fusso considers Katkov’s relationship with a major Russian literary figure. In addition to Turgenev, Dostoevsky, and Tolstoy, she explores Katkov’s interactions with Vissarion Belinsky, Evgeniia Tur, and the legacy of Aleksandr Pushkin. As a writer of articles and editorials, Katkov presented a clear program for Russian literature: to affirm the political and historical importance of the Russian nationality as expressed through its language. As a powerful and entrepreneurial publisher, he also sought, encouraged, and paid for the writing of the works that were to embody that program, the works we now recognize as among the greatest achievements of Russian literature. This groundbreaking study will fascinate scholars, students, and general readers interested in Russian literature and literary history.
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Specificații
ISBN-13: 9780875807669
ISBN-10: 0875807666
Pagini: 309
Dimensiuni: 152 x 229 x 28 mm
Greutate: 0.61 kg
Ediția:1
Editura: Northern Illinois University Press
Colecția Northern Illinois University Press
Seria NIU Series in Slavic, East European, and Eurasian Studies
ISBN-10: 0875807666
Pagini: 309
Dimensiuni: 152 x 229 x 28 mm
Greutate: 0.61 kg
Ediția:1
Editura: Northern Illinois University Press
Colecția Northern Illinois University Press
Seria NIU Series in Slavic, East European, and Eurasian Studies
Recenzii
“In making her case for Katkov’s editorial clout, Fusso performs a tremendous scholarly service. She elegantly translates key passages from essays by Katkov that have remained largely unexamined by Western critics, tracking his ideological evolution from moderate progressive to reactionary.” –
—Times Literary Supplement
“Fusso’s book concentrates on a man who played a very central role in the evaluation and publishing of some of the world’s greatest and most influential novels. Katkov’s wide reputation tended to picture him as a dyed-in-the-wool political reactionary. Fusso writes to correct this conventional notion and proves convincingly that the reality was far more complex. In the process she provides deeply interesting analysis and sheds light on an incredibly creative period of Russian history. This is a truly significant contribution to the fields of literature and history. The work is strikingly original and beautifully balanced.”
—Irwin Weil, author of From the Cincinnati Reds to the Moscow Reds
“Fusso analyzes at great length and in tremendous detail Katkov’s ideological program as it developed and as it was expressed in the pages of the Russian Herald, and demonstrates multiple ways in which the novels of Turgenev, Tolstoy, and Dostoevsky engage with and respond to this ideological program. The book’s perspective is entirely new and makes a welcome and significant scholarly intervention in the study of nineteenth-century Russian literature. It is a work of impressive scholarship.”
—Kate Holland, author of The Novel in the Age of Disintegration: Dostoevsky and the Problem of Genre in the 1870s
“Fusso shows in this fascinating study how Katkov as editor dedicated his life both to the propagation of his
beliefs and to the promotion of Russian literature…. Among other things, her book is
an account of the reception of Katkov from his own day to the present time as reflective of deep
cultural currents in Russia.”
—Russian Review
—Times Literary Supplement
“Fusso’s book concentrates on a man who played a very central role in the evaluation and publishing of some of the world’s greatest and most influential novels. Katkov’s wide reputation tended to picture him as a dyed-in-the-wool political reactionary. Fusso writes to correct this conventional notion and proves convincingly that the reality was far more complex. In the process she provides deeply interesting analysis and sheds light on an incredibly creative period of Russian history. This is a truly significant contribution to the fields of literature and history. The work is strikingly original and beautifully balanced.”
—Irwin Weil, author of From the Cincinnati Reds to the Moscow Reds
“Fusso analyzes at great length and in tremendous detail Katkov’s ideological program as it developed and as it was expressed in the pages of the Russian Herald, and demonstrates multiple ways in which the novels of Turgenev, Tolstoy, and Dostoevsky engage with and respond to this ideological program. The book’s perspective is entirely new and makes a welcome and significant scholarly intervention in the study of nineteenth-century Russian literature. It is a work of impressive scholarship.”
—Kate Holland, author of The Novel in the Age of Disintegration: Dostoevsky and the Problem of Genre in the 1870s
“Fusso shows in this fascinating study how Katkov as editor dedicated his life both to the propagation of his
beliefs and to the promotion of Russian literature…. Among other things, her book is
an account of the reception of Katkov from his own day to the present time as reflective of deep
cultural currents in Russia.”
—Russian Review
Notă biografică
Susanne Fusso is professor of Russian, East European, and Eurasian Studies at Wesleyan University. She is interested in the nineteenth-century Russian novel, poetry of the nineteenth to twenty-first centuries, and translation. Her books include Designing Dead Souls: An Anatomy of Disorder in Gogol and Discovering Sexuality in Dostoevsky. She recently published a translation of Trepanation of the Skull (NIU Press, 2014), an autobiographical novel by Sergey Gandlevsky, a prize-winning Russian poet.