Elliott Carter Studies: Cambridge Composer Studies
Editat de Marguerite Boland, John Linken Limba Engleză Paperback – feb 2017
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Specificații
ISBN-13: 9781316639962
ISBN-10: 1316639967
Pagini: 364
Ilustrații: 10 b/w illus. 7 tables 147 music examples
Dimensiuni: 172 x 245 x 20 mm
Greutate: 0.58 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Seria Cambridge Composer Studies
Locul publicării:Cambridge, United Kingdom
ISBN-10: 1316639967
Pagini: 364
Ilustrații: 10 b/w illus. 7 tables 147 music examples
Dimensiuni: 172 x 245 x 20 mm
Greutate: 0.58 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Seria Cambridge Composer Studies
Locul publicării:Cambridge, United Kingdom
Cuprins
Preface Marguerite Boland and John Link; Part I. Overview: Music Early and Late: 1. The true significance of Elliott Carter's early works Jonathan Bernard; 2. Elliott Carter's late music John Link; Part II. Analysis and Aesthetics: 3. The search for order: Carter's late-modern thematicism Arnold Whittall; 4. Ritornello form in Carter's Boston and ASKO concertos Marguerite Boland; 5. 'The matter of human cooperation' in Carter's mature style John Roeder; 6. Time management: rhythm as a formal determinant in certain works of Elliott Carter Andrew Mead; 7. 'I try to write music that will appeal to an intelligent listener's ear': on Elliott Carter's string quartets Dörte Schmidt; 8. Composition with intervals: melodic invention in Elliott Carter's recent concertos Stephen Heinemann; Part III. Sketch Studies: 9. Left by the wayside: Elliott Carter's unfinished sonatina for oboe and harpsichord Felix Meyer; 10. At the edge of creation: Elliott Carter's sketches in the Library of Congress Stephen Soderberg; Part IV. Music and Text: 11. Three Illusions … and maybe a fourth: a hermeneutic approach to Carter's music Max Noubel; 12. Layers of meaning: expression and design in Carter's songs Brenda Ravenscroft; 13. 'It's as if our voices made no sound': irony in episodes 10-15 of What Next? Guy Capuzzo; 14. Words and music in The Defense of Corinth Annette van Dyck-Hemming; Bibliography.
Recenzii
'… this is a most valuable addition to the growing body of Elliott Carter literature. The fourteen chapters present a broad range of topics and approaches to this music, and address pieces throughout his career … a few of the essays, particularly those by Heinemann, Ravenscroft, and Schmidt should become essential reading for musicians undertaking their initial forays into Carter's unique approach to composition. Finally, the book is well edited, and the musical examples are beautifully engraved.' Notes
Descriere
An international team of scholars presents historic, philosophic, philological and theoretical perspectives on Carter's extensive musical repertoire.