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Emily Dickinson's Poetic Art: A Cognitive Reading: Cognition, Poetics, and the Arts

Autor Professor Margaret H. Freeman Professor or Dr. Alexander Bergs, Professor Peter Schneck
en Limba Engleză Hardback – 31 mai 2023
Emily Dickinson's Poetic Art is both an exciting work of literary criticism on a central figure in American literature as well as an invitation for students and researchers to engage with cognitive literary studies. Emily Dickinson's poetry can be challenging and difficult. It paradoxically gives readers a feeling of closeness and intimacy while being puzzling and obscure. Critical interpretations of Dickinson's poems tend to focus on what they mean rather than on what kind of experience they create. A cognitive approach to literary criticism, based on recent cognitive research, helps readers experience and understand the hows and whys of what a poem is saying and doing. These include cognitive linguistic analysis, versification, prosody, cognitive metaphor, schema, blending, and iconicity, all of which explain the sensory, motor, and emotive processes that motivate Dickinson's conceptualizations.By experiencing Dickinson's poetry from a cognitive perspective, readers are able to better understand why we feel so close to the poet and why her poetry endures. Emily Dickinson's Poetic Art: A Cognitive Reading is an important contribution to the study of a major American poet as well as to the vibrant field of cognitive literary studies.
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Specificații

ISBN-13: 9781501398193
ISBN-10: 1501398199
Pagini: 256
Dimensiuni: 152 x 229 x 21 mm
Greutate: 0.51 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Cognition, Poetics, and the Arts

Locul publicării:New York, United States

Caracteristici

Allows readers to distinguish between different approaches to literary criticism and interpretation, especially the distinction between readings that capture a poet's motivations and style and readings that do not account for this

Notă biografică

Margaret H. Freeman is Co-Director of the Myrifield Institute for Cognition and the Arts, MA, USA. Professor Freeman's past publications include The Poem as Icon: A Study in Aesthetic Cognition (2020).

Cuprins

PrefaceAcknowledgments1. Demure as Dynamite: Dickinson and Cognition2. Everything Counts: Reading the Manuscripts3. The Manuscript Markings4. Measuring Time in Meter and Rhythm5. Affective Prosody6. The Life of Words7. Bringing a Poem to Life8. Intimate Discourse9. Grounded-Self Spaces10. The Presence of Self11. The Way We Map12. Intentional Mapping13. Conceiving a Universe14. A Transformative Poetics15. Dickinsonian CognitionAppendixReferencesIndex of First LinesSubject Index

Recenzii

Freeman's book is not just an engagingly learned re-introduction to Emily Dickinson but a provocation to consider how contemporary scholarship on embodied cognition may serve as a means of building a more complete understanding of Dickinson's poetic art.
Drawing on the insights of cognitive science, Margaret Freeman demonstrates that understanding a poem, even before any attempt at interpretation, is to cognitively experience it, allowing it to reveal itself by what it is saying and doing. Her subtle and meticulous analyses illustrate how those "animate organisms" work, and they are thus true eye-openers as well as an enormous gain for all lovers of Dickinson's poems, academics and general readers alike.
Margaret Freeman's new book challenges our preconceptions not only about Emily Dickinson but also about the rapidly growing field of cognitive literary studies. She works scrupulously with all levels of Dickinson's poems, descrying impalpable nuances of poetic language while never losing sight of the final analysis and sense of indefinable but alluring artistic work. Freeman's book applies cognitive science findings and heuristics to literary studies and proffers a holistic view of the ways we read a poem, accompanied by step-by-step comments and striking readings.