Empirical Musicology: Aims, Methods, Prospects
Editat de Eric Clarke, Nicholas Cooken Limba Engleză Paperback – 16 sep 2004
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Specificații
ISBN-13: 9780195167504
ISBN-10: 0195167503
Pagini: 240
Ilustrații: numerous halftones; music examples; line drawings
Dimensiuni: 165 x 235 x 17 mm
Greutate: 0.35 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
ISBN-10: 0195167503
Pagini: 240
Ilustrații: numerous halftones; music examples; line drawings
Dimensiuni: 165 x 235 x 17 mm
Greutate: 0.35 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
Recenzii
Empirical Musicology provides a much-needed survey of scientific, quantitative approaches to the study of music. It is typically English in its emphasis on data gathering and analysis rather than theory building. Distinguished authors contribute chapters to a broad range of musical disciplines, including ethnographic and sociological investigations, the study of musical performance, computational modeling of musical structures, and psychoacoustics.
Empirical Musicology manages to fulfill three important functions. It provides a comprehensive review of the historical development of empirical approaches within musicology. It functions as a how to primer for anyone wishing to get started in the field. Above all, it adopts a critical yet positive approach to empirical work, discussing both potentials and limitations, and showing how quantification and measurement may enhance and clarify the task of musical interpretation and understanding. It will be useful not only to musicologists, but to researchers in any discipline which engages in systematic study of music..
Empirical Musicology manages to fulfill three important functions. It provides a comprehensive review of the historical development of empirical approaches within musicology. It functions as a how to primer for anyone wishing to get started in the field. Above all, it adopts a critical yet positive approach to empirical work, discussing both potentials and limitations, and showing how quantification and measurement may enhance and clarify the task of musical interpretation and understanding. It will be useful not only to musicologists, but to researchers in any discipline which engages in systematic study of music..