Essays on Gogol: Logos and the Russian Word: Studies in Russian Literature and Theory
Editat de Susanne Fusso, Priscilla Meyeren Limba Engleză Paperback – 11 oct 1994
These fourteen essays reflect the increasingly interdisciplinary character of Russian literature research in general and of the study of Gogol in particular, focusing on specific works, Gogol's own character, and the various approaches to aesthetic, religious, and philosophical issues raised by his writing.
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Specificații
ISBN-13: 9780810111912
ISBN-10: 0810111918
Pagini: 291
Dimensiuni: 156 x 235 x 28 mm
Greutate: 0.44 kg
Ediția:1
Editura: Northwestern University Press
Colecția Northwestern University Press
Seria Studies in Russian Literature and Theory
ISBN-10: 0810111918
Pagini: 291
Dimensiuni: 156 x 235 x 28 mm
Greutate: 0.44 kg
Ediția:1
Editura: Northwestern University Press
Colecția Northwestern University Press
Seria Studies in Russian Literature and Theory
Notă biografică
SUSANNE FUSSO is a professor in the Department of Russian Language and Literature at Wesleyan University. She is the author of Designing Dead Souls: An Anatomy of Disorder in Gogol (Stanford, 1993). She is the translator and editor of A Russian Prince in the Soviet State: Hunting Stories, Letters from Exile, and Military Memoirs (2005) and coeditor of Essays on Karolina Pavlova (2001) and Essays on Gogol: Logos and the Russian Word (1994), all published by Northwestern University Press.
PRISCILLA MEYER is Professor of Russian at Wesleyan University.
PRISCILLA MEYER is Professor of Russian at Wesleyan University.
Cuprins
Acknowledgments
A Key to Titles of Gogol's Works
Introduction
1. The Face of Recent Gogol Scholarship
2. The Logos of Gogol
Works Cited in Introduction
Being Buried Alive; or Gogol in 1973
Andrei Bitov
Around "The Nose"
Sergei Bocharov
The "Thing-in-Itself" in Gogol's Aesthetics: A Reading of the Dikanka Stories
John Kopper
False Pretenders and the Spiritual City: "A May Night" and "The Overcoat"
Priscilla Meyer
Gogol's Poetics of Petrification
Iurii Mann
Khlestakov as Representative of Petersburg in The Inspector General
Duffield White
Gogol's "The Portrait": The Simultaneity of Madness, Naturalism, and the Supernatural
Robert Louis Jackson
The Landscape of Arabesques
Susanne Fusso
The Bird Troika and the Chariot of the Soul: Plato and Gogol
Mikhail Weiskopf
Artificiality and Nature in Gogol's Dead Souls
Katherine Lahti
The Death of Gogolian Polyphony: Selected Comments on Selected Passages from Correspondence with Friends
Frederick T. Griffiths and Stanley J. Rabinowitz
Rereading Gogol's Miswritten Book: Notes on Selected Passages from Correspondence with Friends
Alexander Zholkovsky
Distended Discourse: Gogol, Jean Paul, and the Poetics of Elaboration
Cathy Popkin
Gogol's Parables of Explanation: Nonsense and Prosaics
Gary Saul Morson
A Key to Titles of Gogol's Works
Introduction
1. The Face of Recent Gogol Scholarship
2. The Logos of Gogol
Works Cited in Introduction
Being Buried Alive; or Gogol in 1973
Andrei Bitov
Around "The Nose"
Sergei Bocharov
The "Thing-in-Itself" in Gogol's Aesthetics: A Reading of the Dikanka Stories
John Kopper
False Pretenders and the Spiritual City: "A May Night" and "The Overcoat"
Priscilla Meyer
Gogol's Poetics of Petrification
Iurii Mann
Khlestakov as Representative of Petersburg in The Inspector General
Duffield White
Gogol's "The Portrait": The Simultaneity of Madness, Naturalism, and the Supernatural
Robert Louis Jackson
The Landscape of Arabesques
Susanne Fusso
The Bird Troika and the Chariot of the Soul: Plato and Gogol
Mikhail Weiskopf
Artificiality and Nature in Gogol's Dead Souls
Katherine Lahti
The Death of Gogolian Polyphony: Selected Comments on Selected Passages from Correspondence with Friends
Frederick T. Griffiths and Stanley J. Rabinowitz
Rereading Gogol's Miswritten Book: Notes on Selected Passages from Correspondence with Friends
Alexander Zholkovsky
Distended Discourse: Gogol, Jean Paul, and the Poetics of Elaboration
Cathy Popkin
Gogol's Parables of Explanation: Nonsense and Prosaics
Gary Saul Morson
Descriere
These fourteen essays reflect the increasingly interdisciplinary character of Russian literature research in general and of the study of Gogol in particular, focusing on specific works, Gogol's own character, and the various approaches to aesthetic, religious, and philosophical issues raised by his writing.