Ethics of Contemporary Art: In the Shadow of Transgression
Autor Dr Theo Reeves-Evisonen Limba Engleză Hardback – 23 dec 2020
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Specificații
ISBN-13: 9781501339905
ISBN-10: 1501339907
Pagini: 228
Ilustrații: 17 bw illus
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.62 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:New York, United States
ISBN-10: 1501339907
Pagini: 228
Ilustrații: 17 bw illus
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.62 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:New York, United States
Caracteristici
One of the first single author monographs to address the subject of ethics in contemporary art at any length, and the only book to explore the positive ethical role it might have in relationship to subjectivity
Notă biografică
Theo Reeves-Evison is a Leverhulme Early Career Fellow at the Birmingham School of Art, UK. Prior to taking up a Leverhulme fellowship he worked as a Senior Lecturer in Theoretical and Contextual Studies. He holds a Ph.D. in Cultural Studies from Goldsmiths College and an MA in Critical Theory from the University of Nottingham. He is the editor, together with Jon K. Shaw of Fiction as Method, and has published recent articles in journals such as Parallax, New Formations and Third Text.
Cuprins
List of FiguresAcknowledgementsIntroduction1. Four Snapshots of Transgression 2. Magic Models3. Knots and Partial Enunciators4. Repair 5. Experiments with TruthConclusionBibliographyIndex
Recenzii
A 'slap in the face of public taste,' is how Mayakovsky described art's role in the buildup to the Russian Revolution, explicitly calling upon culture to assist in dismantling bourgeois society. More than a century later artistic acts of offense and transgression have morphed into predictable vanguard precepts; good for advancing one's career within a jaded art world, not so good for advancing positive social change. From performing sexual acts with butchered animals, to re-traumatizing Nazi camp survivors, each generation slaps harder at the establishment's face, only to be invited into its institutional citadel with fanfare. Meanwhile, environmentally damaging deals are signed by major art museums, even as they exhibit politically critical work and program socially interactive projects for the public's alleged edification. How then does one transgress that which thrives on transgression itself? Repurposing concepts such as 'repair' and 'fabulation,' Theo Reeves-Evison's avoids moralizing about these vexed cultural practices, offering instead a philosophical toolkit for finding our way out of transgression's shadows. Ethics of Contemporary Art dares us to imagine a productive engagement with contemporary art's cultural misdeeds while avoiding either falling back into a Victorian idealization of high culture, or celebrating transgression for transgression's sake.
This reconfiguration of the relationship between ethics and art has been long overdue. In a psychoanalytically inflected investigation guided by Lacan and Guattari, Reeves-Evison impressively moves the parameters of the role of ethics in the process of how art shapes subjectivity.
Ethics of Contemporary Art breaks important new ground by moving the debate on art and ethics away from dominant paradigms of the transgressive artist. It focuses instead on artworks themselves to propose that we think ethics as repair, that is, as a speculative and productive endeavour capable of shaping and recreating the social.
This reconfiguration of the relationship between ethics and art has been long overdue. In a psychoanalytically inflected investigation guided by Lacan and Guattari, Reeves-Evison impressively moves the parameters of the role of ethics in the process of how art shapes subjectivity.
Ethics of Contemporary Art breaks important new ground by moving the debate on art and ethics away from dominant paradigms of the transgressive artist. It focuses instead on artworks themselves to propose that we think ethics as repair, that is, as a speculative and productive endeavour capable of shaping and recreating the social.