Eugene O'Neill in China: An International Centenary Celebration: Contributions in Drama and Theatre Studies
Autor Haiping Liu, Lowell Swortzellen Limba Engleză Hardback – 22 mar 1992 – vârsta până la 17 ani
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Specificații
ISBN-13: 9780313273797
ISBN-10: 0313273790
Pagini: 360
Dimensiuni: 156 x 235 x 24 mm
Greutate: 0.69 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Praeger
Seria Contributions in Drama and Theatre Studies
Locul publicării:New York, United States
ISBN-10: 0313273790
Pagini: 360
Dimensiuni: 156 x 235 x 24 mm
Greutate: 0.69 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Praeger
Seria Contributions in Drama and Theatre Studies
Locul publicării:New York, United States
Notă biografică
HAIPING LIU is Professor and Chair of English at Nanjing University, China. The organizer of the festival and conference Eugene O'Neill--World Playwright held in China in June 1988, he has published books and articles on O'Neill in both English and Chinese, including Eugene O'Neill on Drama (1988).LOWELL SWORTZELL is Professor of Educational Theatre at New York University. His publications on O'Neill and other subjects in drama have appeared in professional journals and collections. A specialist in children's theatre, he is editor of several collections of plays and author of books in that field, including the International Guide to Children's Theatre and Educational Theatre (Greenwood Press, 1989), winner of the Distinguished Book Award of the American Alliance for Theatre in Education and named a Choice Outstanding Academic Book.
Cuprins
Letters of Greetings by Cao Yu, President, The Chinese Dramatists' Association, Beijing, and Frederick C. Wilkins, President, The Eugene O'Neill Society, BostonKeynote Address: Eugene O'Neill: Universal Brotherhood Theatre for Today's World by Virginia FloydIntroductions--From the People's Republic of China, Haiping LiuFrom the United States, Lowell SwortzellO'Neill's Philosophic and Religious MotifsEugene O'Neill's TAO TE CHING: The Spiritual Evolution of a Mystic by Virginia FloydEugene O'Neill and Puritanism by Marcus KonickICEMAN and JOURNEY, YIN and YANG: Taoist Rhythm and O'Neill's Late Tragedies by James A. RobinsonEugene O'Neill's MARCI MILLIONS: Desiring Marginality and the Dematerialization of the Orient by James S. MoyO'Neill's Understanding of Chinese Thought in MARCO MILLIONS by Gang LiThe Uses of Pessimism: Some Random Thoughts About Eugene O'Neill by Zhiji RenO'Neill in ComparisonStructures of Forgiveness: The Endings of A MOON FOR THE MISBEGOTTEN and Ibsen's PEER GYNT by Rolf FjeldePolitics and a Proletarian Tragedy: A Comparative Analysis of the Reception of Eugene O'Neill's THE HAIRY APE in Germany and the U.S. by Ward B. LewisEternal Recurrence and the Shaping of O'Neill's Dramatic Structure by Albert E. Kalson and Lisa M. SchwerdtLeo Tolstoy's THE POWER OF DARKNESS and Eugene O'Neill's DESIRE UNDER THE ELMS: A Road to Redemption by Maya KorenevaO'Neill as PlaywrightEugene O'Neill--World Playwright: The Beginnings by Paul VoelkerThree O'Neill Women: An Emergent Pattern by Jean Anne WaterstradtAuthor, Actor, Audience: The Metatheatrical Elements in the Late Plays of Eugene O'Neill by Mariko HoriEugene O'Neill's DYNAMO and the Expressionist Cannon by William R. ElwoodThe Black World of Eugene O'Neill by Thomas D. PawleyBuilding Characters: Eugene O'Neill's Composition Process by Judith E. BarlowRegister and Idiolect in THE ICEMAN COMETH and LONG DAY'S JOURNEY INTO NIGHT by Jean ChothiaMirrors of Consciousness: Narrative Patterns in O'Neill's THE ICEMAN COMETH by Marc MaufortO'Neill on StageEugene O'Neill and the Provincetown Players: Watershed in American Theatre by Robert K. SarlosDramatic Tension Between Expressionistic Design and Naturalistic Acting in THE EMPEROR JONES by Felicia Hardison LondreTHE EMPEROR JONES as a Source of Theatrical Experimentation: 1920s-1980s by Lowell SwortzellTHE ICEMAN COMETH Twice: A Comparison of the 1946 and 1956 New York Productions by Daniel J. WatermeierDirecting the Plays of Eugene O'Neill--Style, Substance and Synthesis by Betty Jean JonesAll God's Chillun Play Games by Marcelline KrafchickO'Neill AbroadIngmar Bergman and LONG DAY'S JOURNEY INTO NIGHT by Egil TornqvistHow Does O'Neill Fare in China? by Wenpei LongTwo Popular O'Neill Plays Staged in Japan: AH, WILDERNESS! and DESIRE UNDER THE ELMS by Yasuko IkeuchiDirecting MOURNING BECOMES ELECTRA in Japan by Yoshiteru KurokawaO'Neill in a Chinese Classroom: "Before Breakfast"--A Good Starting Point by Jianqiu SunPanel Discussion on the Nanjing O'Neill Theatre FestivalO'Neill: An International Perspective--A Bibliographic NoteIndex