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Palestinian Literature and Film in Postcolonial Feminist Perspective: Routledge Research in Postcolonial Literatures

Autor Anna Ball
en Limba Engleză Hardback – 8 aug 2012
Palestinian Literature and Film in Postcolonial Feminist Perspective is the first sustained study of gender-consciousness in the Palestinian creative imagination. Drawing on concepts from postcolonial feminist theory, Ball analyses a range of literary and filmic works by major creative practitioners including Michel Khleifi , Liana Badr, Annemarie Jacir, Elia Suleiman, Mona Hatoum and Suheir Hammad, and reveals a hitherto unrecognized trajectory in gender-consciousness under development in the Palestinian imagination from the start of the twentieth century. The book explores how these works resonate with questions of power, identity, nation, resistance, and self-representation in the Palestinian imagination more broadly, and asks how these gender-conscious narratives transform our understanding of Palestine's struggle for postcoloniality. Working at the cusp of postcolonial, feminist and cultural enquiry, Ball seeks to open up vital new directions in the interdisciplinary study of Palestine.
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Specificații

ISBN-13: 9780415888622
ISBN-10: 041588862X
Pagini: 240
Ilustrații: 10 Halftones, black and white; 10 Illustrations, black and white
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.6 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Research in Postcolonial Literatures

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate

Cuprins

Introduction: Permission to Re-Narrate  1. En-Gendering Palestine: Narratives of Desire and Dis-Orientation  2. Women Writing Resistance: Between Nationalism and Feminism  3. Masculinity in Crisis: From Patriarchy to (Post)Colonial Performativity  4. Bodies Beyond Boundaries? Transitional Spaces and Liminal Selves  5. Imagining the Transnational Feminist Community  Conclusion: Postcolonial Feminist Futures

Descriere

This book explores the varied forms of gender politics that have surfaced in Palestinian literature and film since 1948. Ball investigates the potential of postcolonial feminist theory to illuminate the ways in which Palestinian artists have negotiated the intersections between national and gender politics.