Euphoria
Autor LILY KINGen Limba Engleză Hardback – 2 iun 2014
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From New England Book Award winner Lily King comes a breathtaking novel about three young anthropologists of the ‘30’s caught in a passionate love triangle that threatens their bonds, their careers, and, ultimately, their lives.
English anthropologist Andrew Bankson has been alone in the field for several years, studying the Kiona river tribe in the Territory of New Guinea. Haunted by the memory of his brothers’ deaths and increasingly frustrated and isolated by his research, Bankson is on the verge of suicide when a chance encounter with colleagues, the controversial Nell Stone and her wry and mercurial Australian husband Fen, pulls him back from the brink. Nell and Fen have just fled the bloodthirsty Mumbanyo and, in spite of Nell’s poor health, are hungry for a new discovery. When Bankson finds them a new tribe nearby, the artistic, female-dominated Tam, he ignites an intellectual and romantic firestorm between the three of them that burns out of anyone’s control.
Set between two World Wars and inspired by events in the life of revolutionary anthropologist Margaret Mead, Euphoria is an enthralling story of passion, possession, exploration, and sacrifice from accomplished author Lily King.
English anthropologist Andrew Bankson has been alone in the field for several years, studying the Kiona river tribe in the Territory of New Guinea. Haunted by the memory of his brothers’ deaths and increasingly frustrated and isolated by his research, Bankson is on the verge of suicide when a chance encounter with colleagues, the controversial Nell Stone and her wry and mercurial Australian husband Fen, pulls him back from the brink. Nell and Fen have just fled the bloodthirsty Mumbanyo and, in spite of Nell’s poor health, are hungry for a new discovery. When Bankson finds them a new tribe nearby, the artistic, female-dominated Tam, he ignites an intellectual and romantic firestorm between the three of them that burns out of anyone’s control.
Set between two World Wars and inspired by events in the life of revolutionary anthropologist Margaret Mead, Euphoria is an enthralling story of passion, possession, exploration, and sacrifice from accomplished author Lily King.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (2) | 42.81 lei 22-36 zile | +28.60 lei 5-11 zile |
| Pan Macmillan – 15 ian 2023 | 42.81 lei 22-36 zile | +28.60 lei 5-11 zile |
| Grove Atlantic – 13 apr 2015 | 92.35 lei 22-36 zile | |
| Hardback (1) | 133.18 lei 22-36 zile | |
| Atlantic Monthly Press – 2 iun 2014 | 133.18 lei 22-36 zile |
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Specificații
ISBN-13: 9780802122551
ISBN-10: 0802122558
Pagini: 261
Dimensiuni: 145 x 236 x 25 mm
Greutate: 0.41 kg
Editura: Atlantic Monthly Press
ISBN-10: 0802122558
Pagini: 261
Dimensiuni: 145 x 236 x 25 mm
Greutate: 0.41 kg
Editura: Atlantic Monthly Press
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Recenzii
Winner of the 2014 Kirkus Prize
Winner of the 2014 New England Book Award for Fiction
A Finalist for the National Book Critics Circle Award
New York Times Book Review 10 Best Books of 2014; TIME Top 10 Fiction Books of 2014; New York Times Book Review 100 Notable Books of 2014; NPR Best Books of 2014; Entertainment Weekly’s 10 Best Fiction Books of 2014; Washington Post Top 50 Fiction Books of 2014; Kirkus Best of 2014; Amazon 100 Best of 2014 #16; Publishers Weekly Best Fiction Books of 2014; Our Man in Boston’s Best of 2014; Oprah.com 15 Must Reads of 2014; Buzzfeed 32 Most Beautiful Book Covers of 2014; A Vogue Top 10 Book of 2014; A New York magazine Best Book of the Year; Seattle Times Top Books of 2014; San Francisco Chronicle Top 10 Books of 2014
“Euphoria is a meticulously researched homage to Mead’s restless mind and a considered portrait of Western anthropology in its primitivist heyday. It’s also a taut, witty, fiercely intelligent tale of competing egos and desires in a landscape of exotic menace—a love triangle in extremis…The steam the book emits is as much intellectual as erotic…and King’s signal achievement may be to have created satisfying drama out of a quest for interpretive insight…King is brilliant on the moral contradictions that propelled anthropological encounters with remote tribes…In King’s exquisite book, desire—for knowledge, fame, another person—is only fleetingly rewarded.”—Emily Eakin, New York Times Book Review (cover review)
"It’s refreshing to see the world’s most famous anthropologist brought down to human scale and placed at the center of this svelte new book by Lily King. “Euphoria” is King’s first work of historical fiction. For this dramatic new venture, she retains all the fine qualities that made her three previous novels insightful and absorbing, but now she’s working on top of a vast body of scholarly work and public knowledge. And yet “Euphoria” is also clearly the result of ferocious restraint; King has resisted the temptation to lard her book with the fruits of her research. Poetic in its compression and efficiency, “Euphoria” presumes some familiarity with Mead’s biography for context and background, and yet it also deviates from that history in promiscuous ways...King keeps the novel focused tightly on her three scientists, which makes the glimpses we catch of their New Guinea subjects all the more arresting...Although King has always written coolly about intense emotions, here she captures the amber of one man’s exquisite longing for a woman who changed the way we look at ourselves."—Ron Charles, Washington Post
"Atmospheric and sensual, with startling images throughout, Euphoria is an intellectually stimulating tour de force."—NPR.com
"This novel is as concentrated as orchid food, packing as much narrative power and intellectual energy into its 250 pages as novels triple its size."
—Marion Winik, Newsday
“Euphoria is at once romantic, exotic, informative, and entertaining.”— Reader’s Digest summer reading list)
"It's smart and steamy and like the best historical fiction, it made me want to read about Mead."—USA Today's Summer's Hottest Titles
"This year's winner Book I Read In One Sitting Because I happened to Read The First Page...a novel of ideas and also a novel of emotions: the titular one but also envy, hubris, despair, and above all desire—how liberating or scandalous it can be, how linked to intellect, how dictatorial."—Kathryn Schulz,New York, Best Books of the Year
“King reveals a startlingly vulnerable side to Mead, suggesting an elegant parallel between novelist and archeologist: In scrutinizing the lives of others, we discover ourselves.”—Vogue Top 10 Books of 2014
"Enthralling . . . From Conrad to Kingsolver, the misdeeds of Westerners have inspired their own literary subgenre, and in King’s insightful, romantic addition, the work of novelist and anthropologist find resonant parallel: In the beauty and cruelty of others, we discover our own.”—Vogue
“You need know not one thing about 1930s cultural anthropology, or about the late, controversial anthropologists Margaret Mead and Reo Fortune and Gregory Bateson (Mead’s second and third husbands) to delight in King’s novel. Her superb coup is to have imagined a story loosely founded on the intertwined lives of the three that instantly becomes its own, thrilling saga.”—San Francisco Chronicle, Top 10 Books of 2014
"King's superb coup is to have imagined a story loosely founded on the intertwined lives of the above three that instantly becomes its own, thrilling saga - while provoking a detective's curiosity about its sources....King builds an intense, seductive, sexual and intellectual tension among the three: This taut, fraught triangulation is the novel's driving force. There are so many exhilarating elements to savor in Euphoria. It moves fast. It's grit-in-your-teeth sensuous. The New Guinean bush and its peoples - their concerns, their ordeals - confront us with fierce, tangible exactness, with dignity and wit. So do the vagaries of anthropological theories, rivalries, politics. Observations are unfailingly acute, and the book is packed with them....It's a brave, glorious set piece. By the end of Euphoria, this reader sighed with wistful satisfaction, wishing the book would go on. Brava to Lily King."—Joan Frank,San Francisco Chronicle
"It’s the rare novel of ideas that devours its readers’ attention. More often, as with Eleanor Catton’s The Luminaries or Gravity’s Rainbow, we work our way through these books carefully and with frequent pauses, rather than gulping them down in long, thirsty drafts. It’s not a literary form known for its great romances, either, although of course love and sex play a role in most fictional characters’ lives. Lily King’s Euphoria, a shortish novel based on a period in the life of pioneering anthropologist Margaret Mead, is an exception. At its center is a romantic triangle, and it tells a story that begs to be consumed in one or two luxurious binges...King is a sinewy, disciplined writer who wisely avoids the temptation to evoke the overwhelming physicality of the jungle (the heat, the steam, the bugs) by generating correspondingly lush thickets of language. Her story...sticks close to the interlocking bonds that give the novel its tensile power."—Laura Miller, Salon
“Lily King has built her reputation as a gifted novelist steadily over three books. Her fourth, Euphoria—a smart, sexy, concise work inspired by anthropologist Margaret Mead—should solidify the critical approval and bring her a host of new readers.”—Cleveland Plain Dealer
“Among the plethora of mysteries and assorted fiction that flow from Maine, it’s a rare novel that rises to the level of Euphoria...a fascinating, multi-layered character study of people under duress....the writing...sweeps you away....Put Euphoria in your book bag for those trips to the beach. You’ll be glad you did."—Portland Herald Press
Masterful...Euphoria begins so deep in the action that the reader is captured on Page 1... a thrilling and beautifully composed novel...A great novelist is like an anthropologist, examining what humans do by habit and custom. King excels in creating vignettes from Nell’s fieldwork as well as from the bitter conversation of the three love-torn collaborators, making the familiar strange and the strange acceptable. This is a riveting and provocative novel, absolutely first-rate."—Seattle Times
"Exciting...a wonderfully vivid and perceptive tale...King’s prose sparkles...The upriver experiences of her characters feel thoroughly authentic —fascinating, uncomfortable, always dangerous, sometimes even euphoric."—Minneapolis Star Tribune
"Splendid...compelling, intelligent...filled with searing shocks...breaks the heart."—Tampa Bay Times
“Lily King has taken this high-octane collaboration and turned it into an intellectual romance novel…the effect is hallucinatory – this is a trip of a novel…Hot stuff. In every way.”—Book Reporter
"A haunting novel of love, ambition, and obsession...unforgettable."—AudioFile
"Inspired by an event in the life of Margaret Mead, this novel tells the story of three young anthropologists in 1930s New Guinea...This three-way relationship is complex and involving, but even more fascinating is the depiction of three anthropologists with three entirely diverse ways of studying another culture...These differences, along with professional jealousy and sexual tension, propel the story toward its inevitable conclusion...Recommended for fans of novels about exploration as myth and about cultural clashes, from Joseph Conrad's Heart of Darkness to Chinua Achebe's Things Fall Apart."—Library Journal (starred review)
"The love lives and expeditions of controversial anthropologists Margaret Mead, Reo Fortune, and Gregory Bateson are fictionalized and richly reimagined in New England Book Award winner King’s (Father of the Rain) meaty and entrancing fourth book...King’s immersive prose takes center stage. The fascinating descriptions of tribal customs and rituals, paired with snippets of Nell’s journals—as well as the characters’ insatiable appetites for scientific discovery—all contribute to a thrilling read that, at its end, does indeed feel like 'the briefest, purest euphoria.'"—Publishers Weekly(starred review)
“Set between the First and Second World Wars, the story is loosely based on events in the life of Margaret Mead. There are fascinating looks into other cultures and how they are studied, and the sacrifices and dangers that go along with it. This is a powerful story, at once gritty, sensuous, and captivating.”—Booklist
"Atmospheric...A small gem, disturbing and haunting."—Kirkus Reviews (starred review)
“There are some novels that take you by the hand with their lovely prose alone; there are those that pull you in with sensual renderings of time and place and a compelling story; and there are still others that seduce you solely with their subject matter. But it is a rare novel indeed that does all of the above at once and with complete artistic mastery. Yet this is precisely what Lily King has done in her stunningly passionate and gorgeously written Euphoria. It is simply one of the finest novels I’ve read in years, and it puts Lily King firmly in the top rank of our most accomplished novelists.”
— Andre Dubus III
“With Euphoria, Lily King gives us a searing and absolutely mesmerizing glimpse into 1930’s New Guinea, a world as savage and fascinating as Conrad’s Heart of Darkness, where obsessions rise to a feverish pitch, and three dangerously entangled anthropologists will never be the same again. Jaw-droppingly, heart-stoppingly beautiful. I loved this book.”—Paula McLain, author of The Paris Wife
“I have come to expect Lily King’s nuanced explorations of the human heart, but in this novel she pulled me in to the exotic world of a woman anthropologist working with undiscovered tribes in 1930s New Guinea and I was totally captivated. Euphoria is a great book! So great, that I stayed up late to finish it."—Karl Marlantes
“Writers are childlike in their enthusiasm about other writers’ good work. They’re thinking: How’d they ever think of that? That’s amazing/beautifully written/true! Imagine all the effort that went into pulling this off. Could I do something this original/surprising/moving? I’m always happy to read Lily King, and I particularly enjoyed reading Euphoria.” –Ann Beattie
“Fresh, brilliantly structured, and fully imagined, this novel radically transforms a story we might have known, as outsiders—but now experience, though Lily King's great gifts, as if we'd lived it.”
—Andrea Barrett
“Lily King delves into the intellectual flights and passions of three anthropologists – as complex, rivalrous and brutal as any of the cultures they study. Euphoria is a brilliantly written book."—Alice Greenway
A CBS News "Must-have titles for your summer reading list"; An O, the Oprah Magazine, “10 Titles To Pick Up Now”; A Marie Claire "novel that needs to be in your beach bag"; A USA Today pick for Summer's Hottest Titles"; A National Geographic Ultimate Summer #TripLit Reading List; A Boston Globe Summer Reading Suggestion; A Salon pick for Best Book of the Year (so far); A St. Louis Post Dispatch "Books to carry on the road this summer"; Reader’s Digest Summer Reading List, An Observer (UK) Best holiday reads 2014; An Indie Next Pick for June
Winner of the 2014 New England Book Award for Fiction
A Finalist for the National Book Critics Circle Award
New York Times Book Review 10 Best Books of 2014; TIME Top 10 Fiction Books of 2014; New York Times Book Review 100 Notable Books of 2014; NPR Best Books of 2014; Entertainment Weekly’s 10 Best Fiction Books of 2014; Washington Post Top 50 Fiction Books of 2014; Kirkus Best of 2014; Amazon 100 Best of 2014 #16; Publishers Weekly Best Fiction Books of 2014; Our Man in Boston’s Best of 2014; Oprah.com 15 Must Reads of 2014; Buzzfeed 32 Most Beautiful Book Covers of 2014; A Vogue Top 10 Book of 2014; A New York magazine Best Book of the Year; Seattle Times Top Books of 2014; San Francisco Chronicle Top 10 Books of 2014
“Euphoria is a meticulously researched homage to Mead’s restless mind and a considered portrait of Western anthropology in its primitivist heyday. It’s also a taut, witty, fiercely intelligent tale of competing egos and desires in a landscape of exotic menace—a love triangle in extremis…The steam the book emits is as much intellectual as erotic…and King’s signal achievement may be to have created satisfying drama out of a quest for interpretive insight…King is brilliant on the moral contradictions that propelled anthropological encounters with remote tribes…In King’s exquisite book, desire—for knowledge, fame, another person—is only fleetingly rewarded.”—Emily Eakin, New York Times Book Review (cover review)
"It’s refreshing to see the world’s most famous anthropologist brought down to human scale and placed at the center of this svelte new book by Lily King. “Euphoria” is King’s first work of historical fiction. For this dramatic new venture, she retains all the fine qualities that made her three previous novels insightful and absorbing, but now she’s working on top of a vast body of scholarly work and public knowledge. And yet “Euphoria” is also clearly the result of ferocious restraint; King has resisted the temptation to lard her book with the fruits of her research. Poetic in its compression and efficiency, “Euphoria” presumes some familiarity with Mead’s biography for context and background, and yet it also deviates from that history in promiscuous ways...King keeps the novel focused tightly on her three scientists, which makes the glimpses we catch of their New Guinea subjects all the more arresting...Although King has always written coolly about intense emotions, here she captures the amber of one man’s exquisite longing for a woman who changed the way we look at ourselves."—Ron Charles, Washington Post
"Atmospheric and sensual, with startling images throughout, Euphoria is an intellectually stimulating tour de force."—NPR.com
"This novel is as concentrated as orchid food, packing as much narrative power and intellectual energy into its 250 pages as novels triple its size."
—Marion Winik, Newsday
“Euphoria is at once romantic, exotic, informative, and entertaining.”— Reader’s Digest summer reading list)
"It's smart and steamy and like the best historical fiction, it made me want to read about Mead."—USA Today's Summer's Hottest Titles
"This year's winner Book I Read In One Sitting Because I happened to Read The First Page...a novel of ideas and also a novel of emotions: the titular one but also envy, hubris, despair, and above all desire—how liberating or scandalous it can be, how linked to intellect, how dictatorial."—Kathryn Schulz,New York, Best Books of the Year
“King reveals a startlingly vulnerable side to Mead, suggesting an elegant parallel between novelist and archeologist: In scrutinizing the lives of others, we discover ourselves.”—Vogue Top 10 Books of 2014
"Enthralling . . . From Conrad to Kingsolver, the misdeeds of Westerners have inspired their own literary subgenre, and in King’s insightful, romantic addition, the work of novelist and anthropologist find resonant parallel: In the beauty and cruelty of others, we discover our own.”—Vogue
“You need know not one thing about 1930s cultural anthropology, or about the late, controversial anthropologists Margaret Mead and Reo Fortune and Gregory Bateson (Mead’s second and third husbands) to delight in King’s novel. Her superb coup is to have imagined a story loosely founded on the intertwined lives of the three that instantly becomes its own, thrilling saga.”—San Francisco Chronicle, Top 10 Books of 2014
"King's superb coup is to have imagined a story loosely founded on the intertwined lives of the above three that instantly becomes its own, thrilling saga - while provoking a detective's curiosity about its sources....King builds an intense, seductive, sexual and intellectual tension among the three: This taut, fraught triangulation is the novel's driving force. There are so many exhilarating elements to savor in Euphoria. It moves fast. It's grit-in-your-teeth sensuous. The New Guinean bush and its peoples - their concerns, their ordeals - confront us with fierce, tangible exactness, with dignity and wit. So do the vagaries of anthropological theories, rivalries, politics. Observations are unfailingly acute, and the book is packed with them....It's a brave, glorious set piece. By the end of Euphoria, this reader sighed with wistful satisfaction, wishing the book would go on. Brava to Lily King."—Joan Frank,San Francisco Chronicle
"It’s the rare novel of ideas that devours its readers’ attention. More often, as with Eleanor Catton’s The Luminaries or Gravity’s Rainbow, we work our way through these books carefully and with frequent pauses, rather than gulping them down in long, thirsty drafts. It’s not a literary form known for its great romances, either, although of course love and sex play a role in most fictional characters’ lives. Lily King’s Euphoria, a shortish novel based on a period in the life of pioneering anthropologist Margaret Mead, is an exception. At its center is a romantic triangle, and it tells a story that begs to be consumed in one or two luxurious binges...King is a sinewy, disciplined writer who wisely avoids the temptation to evoke the overwhelming physicality of the jungle (the heat, the steam, the bugs) by generating correspondingly lush thickets of language. Her story...sticks close to the interlocking bonds that give the novel its tensile power."—Laura Miller, Salon
“Lily King has built her reputation as a gifted novelist steadily over three books. Her fourth, Euphoria—a smart, sexy, concise work inspired by anthropologist Margaret Mead—should solidify the critical approval and bring her a host of new readers.”—Cleveland Plain Dealer
“Among the plethora of mysteries and assorted fiction that flow from Maine, it’s a rare novel that rises to the level of Euphoria...a fascinating, multi-layered character study of people under duress....the writing...sweeps you away....Put Euphoria in your book bag for those trips to the beach. You’ll be glad you did."—Portland Herald Press
Masterful...Euphoria begins so deep in the action that the reader is captured on Page 1... a thrilling and beautifully composed novel...A great novelist is like an anthropologist, examining what humans do by habit and custom. King excels in creating vignettes from Nell’s fieldwork as well as from the bitter conversation of the three love-torn collaborators, making the familiar strange and the strange acceptable. This is a riveting and provocative novel, absolutely first-rate."—Seattle Times
"Exciting...a wonderfully vivid and perceptive tale...King’s prose sparkles...The upriver experiences of her characters feel thoroughly authentic —fascinating, uncomfortable, always dangerous, sometimes even euphoric."—Minneapolis Star Tribune
"Splendid...compelling, intelligent...filled with searing shocks...breaks the heart."—Tampa Bay Times
“Lily King has taken this high-octane collaboration and turned it into an intellectual romance novel…the effect is hallucinatory – this is a trip of a novel…Hot stuff. In every way.”—Book Reporter
"A haunting novel of love, ambition, and obsession...unforgettable."—AudioFile
"Inspired by an event in the life of Margaret Mead, this novel tells the story of three young anthropologists in 1930s New Guinea...This three-way relationship is complex and involving, but even more fascinating is the depiction of three anthropologists with three entirely diverse ways of studying another culture...These differences, along with professional jealousy and sexual tension, propel the story toward its inevitable conclusion...Recommended for fans of novels about exploration as myth and about cultural clashes, from Joseph Conrad's Heart of Darkness to Chinua Achebe's Things Fall Apart."—Library Journal (starred review)
"The love lives and expeditions of controversial anthropologists Margaret Mead, Reo Fortune, and Gregory Bateson are fictionalized and richly reimagined in New England Book Award winner King’s (Father of the Rain) meaty and entrancing fourth book...King’s immersive prose takes center stage. The fascinating descriptions of tribal customs and rituals, paired with snippets of Nell’s journals—as well as the characters’ insatiable appetites for scientific discovery—all contribute to a thrilling read that, at its end, does indeed feel like 'the briefest, purest euphoria.'"—Publishers Weekly(starred review)
“Set between the First and Second World Wars, the story is loosely based on events in the life of Margaret Mead. There are fascinating looks into other cultures and how they are studied, and the sacrifices and dangers that go along with it. This is a powerful story, at once gritty, sensuous, and captivating.”—Booklist
"Atmospheric...A small gem, disturbing and haunting."—Kirkus Reviews (starred review)
“There are some novels that take you by the hand with their lovely prose alone; there are those that pull you in with sensual renderings of time and place and a compelling story; and there are still others that seduce you solely with their subject matter. But it is a rare novel indeed that does all of the above at once and with complete artistic mastery. Yet this is precisely what Lily King has done in her stunningly passionate and gorgeously written Euphoria. It is simply one of the finest novels I’ve read in years, and it puts Lily King firmly in the top rank of our most accomplished novelists.”
— Andre Dubus III
“With Euphoria, Lily King gives us a searing and absolutely mesmerizing glimpse into 1930’s New Guinea, a world as savage and fascinating as Conrad’s Heart of Darkness, where obsessions rise to a feverish pitch, and three dangerously entangled anthropologists will never be the same again. Jaw-droppingly, heart-stoppingly beautiful. I loved this book.”—Paula McLain, author of The Paris Wife
“I have come to expect Lily King’s nuanced explorations of the human heart, but in this novel she pulled me in to the exotic world of a woman anthropologist working with undiscovered tribes in 1930s New Guinea and I was totally captivated. Euphoria is a great book! So great, that I stayed up late to finish it."—Karl Marlantes
“Writers are childlike in their enthusiasm about other writers’ good work. They’re thinking: How’d they ever think of that? That’s amazing/beautifully written/true! Imagine all the effort that went into pulling this off. Could I do something this original/surprising/moving? I’m always happy to read Lily King, and I particularly enjoyed reading Euphoria.” –Ann Beattie
“Fresh, brilliantly structured, and fully imagined, this novel radically transforms a story we might have known, as outsiders—but now experience, though Lily King's great gifts, as if we'd lived it.”
—Andrea Barrett
“Lily King delves into the intellectual flights and passions of three anthropologists – as complex, rivalrous and brutal as any of the cultures they study. Euphoria is a brilliantly written book."—Alice Greenway
A CBS News "Must-have titles for your summer reading list"; An O, the Oprah Magazine, “10 Titles To Pick Up Now”; A Marie Claire "novel that needs to be in your beach bag"; A USA Today pick for Summer's Hottest Titles"; A National Geographic Ultimate Summer #TripLit Reading List; A Boston Globe Summer Reading Suggestion; A Salon pick for Best Book of the Year (so far); A St. Louis Post Dispatch "Books to carry on the road this summer"; Reader’s Digest Summer Reading List, An Observer (UK) Best holiday reads 2014; An Indie Next Pick for June
Notă biografică
Lily King’s first novel, The Pleasing Hour won the Barnes & Noble Discover Award and was a New York Times Notable Book and an alternate for the PEN/Hemingway Award. Her second book, The English Teacher, was a Publishers Weekly Top Ten Book of the Year, a Chicago Tribune Best Book of the Year, and the winner of the Maine Fiction Award. Father of the Rain was a New York Times Editors’ Choice, a Publishers Weekly Best Novel of the Year, and winner of the 2010 New England Book Award for Fiction. Lily King lives with her family in Maine.
Extras
If the Tam weren’t a good fit, they would go to Australia. This was my last chance to get it right. And I could tell she was skeptical. But Teket had been many times to the Tam to visit his cousin there, and even if everything he told me about the culture and the beauty of the area were half true, it should satisfy this pair of choosy anthropologists. ‘I should have brought you here straightaway.’ I said, not entirely meaning to say it aloud. ‘It was selfish of me.’
She smiled, and told Fen not to kill us before we got there.
After several hours I saw the tributary we needed to take. Fen turned us toward it, letting in a little water on the port side. The tributary was a narrow ribbon of yellowish brown water. The sun disappeared and the air was cool on our faces.
‘Water’s low,’ Fen said.
‘You’re all right,’ I said, scanning for glimpses of the bottom.
The rains hadn’t come yet. The banks here rose high, walls of mud and coiling white roots. I watched carefully for the break Teket had told me about. He’d said it was soon after the turn. In a motorized boat it would come fast.
‘Here,’ I pointed right.
‘Here? Where?’
‘Right here.’ We were nearly past it.
The boat lurched, then slid into a tiny dark canal between what Teket called kopi, bushes that looked like freshwater mangroves.
‘You cannot be serious, Bankson,’ Fen said.
‘They’re fens, aren’t they?’ Nell said. ‘Fen among the fens.’
‘This is a fen? Jesus, help us,’ he said. The passage was wide enough for only one canoe. Branches scraped our arms and because we’d slowed down, insects came at us in clouds. ‘You could get bloody lost in here.’
Teket had told me there was only one path through. ‘Just follow the water.’
‘Like I’m going to do anything else. Fuck, the bugs are thick.’
We motored through this close corridors a long time, their trust in me weakening by the minute. I wanted to tell them everything I’d heard about the Tam, but best to have them arrive discouraged and skeptical.
‘Sure you have enough petrol for this?’ Fen asked.
And just then the passage opened up.
The lake was enormous, at least twelve miles across, the water jet black and ringed by bright green hills. Fen pulled up on the throttle to idle and we swayed there for a moment. Across the water was a long beach, and, mirroring it in the water twenty yards offshore, a bright white sandbar. Or what I thought was a sandbar, until all at once it lifted, broke apart, and thinned into the air.
‘Osprey,’ I said. ‘White osprey.’
‘Oh my, Bankson,’ Nell said. ‘This is glorious.’
She smiled, and told Fen not to kill us before we got there.
After several hours I saw the tributary we needed to take. Fen turned us toward it, letting in a little water on the port side. The tributary was a narrow ribbon of yellowish brown water. The sun disappeared and the air was cool on our faces.
‘Water’s low,’ Fen said.
‘You’re all right,’ I said, scanning for glimpses of the bottom.
The rains hadn’t come yet. The banks here rose high, walls of mud and coiling white roots. I watched carefully for the break Teket had told me about. He’d said it was soon after the turn. In a motorized boat it would come fast.
‘Here,’ I pointed right.
‘Here? Where?’
‘Right here.’ We were nearly past it.
The boat lurched, then slid into a tiny dark canal between what Teket called kopi, bushes that looked like freshwater mangroves.
‘You cannot be serious, Bankson,’ Fen said.
‘They’re fens, aren’t they?’ Nell said. ‘Fen among the fens.’
‘This is a fen? Jesus, help us,’ he said. The passage was wide enough for only one canoe. Branches scraped our arms and because we’d slowed down, insects came at us in clouds. ‘You could get bloody lost in here.’
Teket had told me there was only one path through. ‘Just follow the water.’
‘Like I’m going to do anything else. Fuck, the bugs are thick.’
We motored through this close corridors a long time, their trust in me weakening by the minute. I wanted to tell them everything I’d heard about the Tam, but best to have them arrive discouraged and skeptical.
‘Sure you have enough petrol for this?’ Fen asked.
And just then the passage opened up.
The lake was enormous, at least twelve miles across, the water jet black and ringed by bright green hills. Fen pulled up on the throttle to idle and we swayed there for a moment. Across the water was a long beach, and, mirroring it in the water twenty yards offshore, a bright white sandbar. Or what I thought was a sandbar, until all at once it lifted, broke apart, and thinned into the air.
‘Osprey,’ I said. ‘White osprey.’
‘Oh my, Bankson,’ Nell said. ‘This is glorious.’
Premii
- New England Book Award Winner, 2014
- Kirkus Prize Winner, 2014
- National Book Critics Circle Award Finalist, 2014
- Chautauqua Prize Finalist, 2015