European Television Crime Drama and Beyond
Editat de Kim Toft Hansen, Steven Peacock, Sue Turnbullen Limba Engleză Paperback – 30 dec 2019
This
book
is
the
first
to
focus
on
the
role
of
European
television
crime
drama
on
the
international
market.
As
a
genre,
the
television
crime
drama
has
enjoyed
a
long
and
successful
career,
routinely
serving
as
a
prism
from
which
to
observe
the
local,
national
and
even
transnational
issues
that
are
prevalent
in
society.
This
extensive
volume
explores
a
wide
range
of
countries,
from
the
US
to
European
countries
such
as
Spain,
Italy,
the
Scandinavian
countries,
Germany,
England
and
Wales,
in
order
to
reveal
the
very
currencies
that
are
at
work
in
the
global
production
and
circulation
of
the
TV
crime
drama.
The
chapters,
all
written
by
leading
television
and
crime
fiction
scholars,
provide
readings
of
crime
dramas
such
as
the
Swedish-DanishThe
Bridge,
the
WelshHinterland,
the
SpanishUnder
Suspicion,
the
ItalianGomorrah,
the
GermanTatortand
the
TurkishCinayet.
By
examining
both
European
texts
and
the
‘European-ness’
of
various
international
dramas,
this
book
ultimately
demonstrates
that
transnationalism
is
at
the
very
core
of
TV
crime
drama
in
Europe
and
beyond.
| Toate formatele și edițiile | Preț | Express |
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| Paperback (1) | 870.49 lei 6-8 săpt. | |
| Springer – 30 dec 2019 | 870.49 lei 6-8 săpt. | |
| Hardback (1) | 880.06 lei 6-8 săpt. | |
| Springer International Publishing – 17 dec 2018 | 880.06 lei 6-8 săpt. |
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Specificații
ISBN-13: 9783030403850
ISBN-10: 3030403858
Dimensiuni: 155 x 235 mm
Greutate: 0.37 kg
Ediția:1st ed. 2018
Editura: Springer
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
ISBN-10: 3030403858
Dimensiuni: 155 x 235 mm
Greutate: 0.37 kg
Ediția:1st ed. 2018
Editura: Springer
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
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Cuprins
1.
Down
these
European
mean
streets:Contemporary
issues
in
European
television
crime
drama, Kim
Toft
Hansen,
Steven
Peacock
and
Sue
Turnbull.-
Section
I:
Noir
Aesthetics.-
2. Framing
Nordic
noir: From
Film
Noir
to
High-End
Television
Drama, Audun
Engelstad.-
3. The
Rise
of
“Bright
Noir”: Redemption
and
Moral
Optimism
in
American
Contemporary
TV
Noir, Alberto
N.
García.-
4. Melancholy
and
Murder: Feelings,
Atmosphere
and
Social
Criticism
in
Television
Crime
Series, Gunhild
Agger
and
Anne
Marit
Waade.-
5. Locating
sound
in
UK/US
television
crime
drama: The
affective
impact
of
sound
effects
and
music
inHappy
ValleyandHannibal, Lucy
Donaldson.-
6. Seriousness,
ordinariness,
and
“actual
police
work”: British
and
American
TV
crime
dramasTrue
Detective,
SuspectsandCuffs, Helen
Piper.-
Section
II:
Noir
Regionalism
and
Transnationalism.-
7. Local,
National,
Transnational: Y
Gwyll/Hinterlandas
Crime
of/for
all
Places, Elke
Weissmann.-
8. The
transnational
appeal
of
the
Italian
Mafia
story, Milly
Buonanno.-
9. The
Rise
of
Noir
in
the
Sun: Spanish
Crime
Drama
and
Contemporary
Television
Drama
Production, Concepción
Cascajosa
Virino.-
10. Crime
SceneGermany: Regionalism,
Audiences,
and
the
German
Public
Broadcasting
System, Susanne
Eichner.-
11. Searching
for
‘Aura’
inCinayet: Audience
Reception
of
the
Turkish
Remake
ofForbrydelsen, Yesim
Kaptan.-
Section
III:
Noir
Market
Value.-
12. Local
noir
and
local
identity: Norskovand
the
spatial
implications
of
branded
content, Jørgen
Riber
Christensen
and
Kim
Toft
Hansen.-
13. The
Flemish
TV
Market: Crime
drama
as
a
driver
for
market
sustainability?, Tim
Raats.-
14. Secret
Cityand
Micromarkets: The
‘Global
Noir
Audience’
for
Australian
Crime
Drama, Sue
Turnbull
and
Marion
McCutcheon.-
15. Saga’s
Story: Emotional
engagement
in
the
production
and
reception
ofThe
Bridge,Annette
Hill.
Notă biografică
Kim
Toft
Hansenis
Associate
Professor
of
Scandinavian
Media
Studies
at
Aalborg
University,
Denmark.
He
is
the
co-author
ofLocating
Nordic
Noir:
From
Beck
to
The
Bridge(2017)
and
has
written
extensively
on
Nordic
written
and
audiovisual
crime
fiction.
Steven
Peacockis
an
independent
scholar.
He
is
the
author
ofSwedish
Crime
Fiction:
Novel,
Film,
Television(2013),Hollywood
and
Intimacy:
Style,
Moments,
Magnificence(2011),
andColour(2010).
Sue
Turnbullis
Senior
Professor
of
Communication
and
Media
at
the
University
of
Wollongong,
Australia,
and
Discipline
Leader
for
the
Creative
Industries.
Her
publications
includeThe
TV
Crime
Drama(2014)
and
more
recent
research
is
concerned
with
the
transnational
career
of
television
crime
series.
Textul de pe ultima copertă
This
book
is
the
first
to
focus
on
the
role
of
European
television
crime
drama
on
the
international
market.
As
a
genre,
the
television
crime
drama
has
enjoyed
a
long
and
successful
career,
routinely
serving
as
a
prism
from
which
to
observe
the
local,
national
and
even
transnational
issues
that
are
prevalent
in
society.
This
extensive
volume
explores
a
wide
range
of
countries,
from
the
US
to
European
countries
such
as
Spain,
Italy,
the
Scandinavian
countries,
Germany,
England
and
Wales,
in
order
to
reveal
the
very
currencies
that
are
at
work
in
the
global
production
and
circulation
of
the
TV
crime
drama.
The
chapters,
all
written
by
leading
television
and
crime
fiction
scholars,
provide
readings
of
crime
dramas
such
as
the
Swedish-Danish The
Bridge,
the
Welsh Hinterland,
the
Spanish Under
Suspicion,
the
Italian Gomorrah,
the
German Tatort and
the
Turkish Cinayet.
By
examining
both
European
texts
and
the
‘European-ness’
of
various
international
dramas,
this
book
ultimately
demonstrates
that
transnationalism
is
at
the
very
core
of
TV
crime
drama
in
Europe
and
beyond.
Caracteristici
Constitutes
the
first
collected
volume
with
research
on
popular
European
television
crime
drama
Engages
in
crime
drama
from
the
all-embracing
perspectives
of
policy
studies,
production
studies,
aesthetics
and
audience
research
Pioneers
the
uncovering
of
parallel
transnational
trends
around
and
beyond
the
European
continent
Recenzii
“European Crime Drama and Beyond aims to both chart and analyse the phenomenon in a European context. It is a wide-ranging study, edited by established scholars in the field, and with contributors that are similarly experienced researchers of television crime drama, with nuanced positions on the issues they discuss. … Overall, this is a timely and informative account that can be read for its individual analyses and for its overall thesis.” (Stephen Lacey, Critical Studies in Television, Vol. 17 (1), 2022)