Experimental Filmmaking: BREAK THE MACHINE
Autor Kathryn Rameyen Limba Engleză Paperback – 14 aug 2015
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|---|---|---|
| Paperback (1) | 327.74 lei 22-36 zile | +41.25 lei 5-11 zile |
| Taylor & Francis – 14 aug 2015 | 327.74 lei 22-36 zile | +41.25 lei 5-11 zile |
| Hardback (1) | 773.20 lei 43-57 zile | |
| Taylor & Francis – 14 aug 2015 | 773.20 lei 43-57 zile |
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Specificații
ISBN-13: 9780240823966
ISBN-10: 0240823966
Pagini: 416
Ilustrații: 27 black & white tables, 294 colour illustrations
Dimensiuni: 191 x 235 x 20 mm
Greutate: 0.82 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 0240823966
Pagini: 416
Ilustrații: 27 black & white tables, 294 colour illustrations
Dimensiuni: 191 x 235 x 20 mm
Greutate: 0.82 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
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Cuprins
Introduction; First There Was Sound; Film/Video/Digital Video Basics; Destruction/Creation/Hacking: Manipulating the Found Image; Making Something New; Darkroom Techniques; Re-purposing Film Technology; Para-cinema; Optically printing at Home; Exhibiting and Distributing Experimental Work
Notă biografică
Kathryn Ramey is a filmmaker and anthropologist whose work operates at the intersection of experimental film processes and ethnographic research. Her award-winning and strongly personal films are characterized by the manipulation of celluloid, including hand-processing, optical printing, and various direct animation techniques, and have been screened at film festivals and other venues around the world. Kathryn is an associate professor of filmmaking at Emerson College’s Department of Visual and Media Arts in Boston, MA.
Recenzii
"Clearly, Kathryn Ramey is committed to creating a new generation of experimental filmmakers who are equipped with the tools and the intellectual savvy to be great artists and thinkers. This book provides both novice and veteran filmmakers with the momentum and the muscle to work with the moving image in their own homes. Ramey's voice is confident and encouraging. She tells us how to transform our domestic universe into a studio where great things will happen when the lights are on and off."- Lynne Sachs, Filmmaker and Recipient of a 2014 Guggenheim Foundation Fellowship in the Creative Arts.
"Kathryn Ramey's Experimental Filmmaking is many things at once: a homespun, one-on-one personal primer (like Stan Brakhage's pioneering Moving Picture Giving and Taking Book); a plainspoken how-to technical manual (like Lenny Lipton's essential books of the 70's); a compendium of interviews with a variety of experimental filmmakers about their practice and process (like Scott MacDonald's invaluable A Critical Cinema series); and a celluloid cookbook, very much in the spirit and letter of Helen Hill's Recipes for Disaster. Both retro (including - at long last - a perfectly realized JK optical printer manual) and au courant (digital glitching techniques, etc.), Experimental Filmmaking most of all celebrates and encourages creative adventure with alternative approaches to filmmaking, and offers us recipes, roadmaps, directions, and countless helpful hints as to how to create your own alchemy. This very useful and engaging book of sprocketed (and pixeled) revelations has arrived on our doorsteps, it seems to me, right on time... I Second That Emulsion! Back to the Future!" - Phil Solomon, Professor in the Film Studies Program at the University of Colorado at Boulder
"All in all, every educator of young people in the media business and every creative person, young or old, should have this book – hugely informative and, for any student hoping to make a career in production, great fun to read and put into practice – enjoy!" – Wendy Laybourn, Network Nine News
"The book is a solid technical guide for understanding the experimental possibilities of film formats, and for filmmakers with limited exposure to actual film (an ever-increasing number of us), these experimental techniques might just be enough to spark an idea or two." – Jeffrey Legge, The Script Lab
"Kathryn Ramey's Experimental Filmmaking is many things at once: a homespun, one-on-one personal primer (like Stan Brakhage's pioneering Moving Picture Giving and Taking Book); a plainspoken how-to technical manual (like Lenny Lipton's essential books of the 70's); a compendium of interviews with a variety of experimental filmmakers about their practice and process (like Scott MacDonald's invaluable A Critical Cinema series); and a celluloid cookbook, very much in the spirit and letter of Helen Hill's Recipes for Disaster. Both retro (including - at long last - a perfectly realized JK optical printer manual) and au courant (digital glitching techniques, etc.), Experimental Filmmaking most of all celebrates and encourages creative adventure with alternative approaches to filmmaking, and offers us recipes, roadmaps, directions, and countless helpful hints as to how to create your own alchemy. This very useful and engaging book of sprocketed (and pixeled) revelations has arrived on our doorsteps, it seems to me, right on time... I Second That Emulsion! Back to the Future!" - Phil Solomon, Professor in the Film Studies Program at the University of Colorado at Boulder
"All in all, every educator of young people in the media business and every creative person, young or old, should have this book – hugely informative and, for any student hoping to make a career in production, great fun to read and put into practice – enjoy!" – Wendy Laybourn, Network Nine News
"The book is a solid technical guide for understanding the experimental possibilities of film formats, and for filmmakers with limited exposure to actual film (an ever-increasing number of us), these experimental techniques might just be enough to spark an idea or two." – Jeffrey Legge, The Script Lab
Descriere
Experimental Filmmaking emerges out of a deep and abiding love of celluloid and artisanal media practices and a personal exploration of the field of avant-garde and experimental film, animation and video produced since the beginnings of cinema. Although there have been many critical and historical books on the subject, with the exception of zines and hand-published volumes, there has never been a comprehensive instructional manual on experimental processes. This book will introduce film students and professional filmmakers alike to various methods of experimental animation, film and video production that involve material interventions into the normative process of the medium while offering brief introductions to artists and their works.