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Exploring the Language of Drama: From Text to Context: Interface

Editat de Jonathan Culpeper, Mick Short, Peter Verdonk
en Limba Engleză Paperback – 28 mai 1998
Exploring the Language of Drama introduces students to the stylistic analysis of drama. Written in an engaging and accessible style, the contributors use techniques of language analysis, particularly from discourse analysis, cognitive linguistics and pragmatics, to explore the language of plays.
The contributors demonstrate the validity of analysing the text of a play, as opposed to focusing on performance. Divided into four broad, yet interconnecting groups, the chapters:
  • open up some of the basic mechanisms of conversation and show how they are used in dramatic dialogue
  • look at how discourse analysis and pragmatic theories can be used to help us understand characterization in dialogue
  • consider some of the cognitive patterns underlying dramatic discourse
  • focus on the notion of speech as action
  • there is also a chapter on how to analyse an extract from a play and write up an assignment
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Specificații

ISBN-13: 9780415137959
ISBN-10: 0415137950
Pagini: 192
Dimensiuni: 156 x 234 x 10 mm
Greutate: 0.29 kg
Ediția:New.
Editura: Taylor & Francis
Colecția Routledge
Seria Interface

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate

Notă biografică

Based at the Department of Linguistics and Modern English Language, Lancaster University, Jonathan Culpeper is Lecturer and Mick Short is Professor of English Language and Literature. Peter Verdonk is Professor in the Department of English Language and Literature at the University of Amsterdam.

Cuprins

Notes on contributors, Acknowledgements, 1. Introduction, 2. From dramatic text to dramatic performance, 3. Turn management in drama, 4. Odd talk: studying discourses of incongruity, 5. Implicature, convention and The Taming of the Shrew, 6. Accessing character through conversation: Tom Stoppard’s Professional Foul, 7. (Im)politeness in dramatic dialogue, 8. ‘Catch[ing] the nearest way’: Macbeth and cognitive metaphor, 9. Three models of power in David Mamet’s Oleanna, 10. ‘Unhappy’ confessions in The Crucible: a pragmatic explanation, 11. The give and take of talk, and Caryl Churchill’s Cloud Nine, 12. Advice on doing your stylistics essay on a dramatic text: an example from Alan Ayckbourn’s The Revengers’ Comedies, Bibliography, Index

Descriere

This edited collection introduces students to the stylistic analysis of drama. Written in an engaging and accessible style, the contributors employ a variety of of language analysis techniques.